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Alex Andain

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Alex Andain

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Hyper-realistic full-body photograph, two people standing side by side. On the left is Robert Pershing Wadlow, the tallest man in history, height 8 feet 11 inches (2.72 m), slender but large-framed, wearing a formal 1930s dark suit with a tie, fedora hat, holding a wooden walking cane, with gentle smile and kind eyes. On the right is betilla, nymph female, solo, wide hips, breasts, light skin, freckles, very long red hair, curled bangs, black eyes, tall dark green hat with light green accent, dark green and light green croptop, gold armlets, dark green skirt with green accent, midriff, thighhigh dark green stockings with green accent,, standing next to him. The height difference is dramatic and striking. They are standing on a flat surface, both looking at the camera. Background is a 1930s American small-town street with vintage storefronts and old cars. Natural daylight, shallow depth of field, black and white photography with sepia tone, historical documentary style, 8k, photorealistic, cinematic lighting, full-body shot, both figures in sharp focus.,, ,
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원본 프롬프트
Hyper-realistic full-body photograph, two people standing side by side. On the left is Robert Pershing Wadlow, the tallest man in history, height 8 feet 11 inches (2.72 m), slender but large-framed, wearing a formal 1930s dark suit with a tie, fedora hat, holding a wooden walking cane, with gentle smile and kind eyes. On the right is betilla, nymph female, solo, wide hips, breasts, light skin, freckles, very long red hair, curled bangs, black eyes, tall dark green hat with light green accent, dark green and light green croptop, gold armlets, dark green skirt with green accent, midriff, thighhigh dark green stockings with green accent,, standing next to him. The height difference is dramatic and striking. They are standing on a flat surface, both looking at the camera. Background is a 1930s American small-town street with vintage storefronts and old cars. Natural daylight, shallow depth of field, black and white photography with sepia tone, historical documentary style, 8k, photorealistic, cinematic lighting, full-body shot, both figures in sharp focus.,
크기
1280 x 720
샘플링 단계
12
샘플링 방식
Euler a
CFG 스케일
2.5
제외 조건
lowres, worst quality, bad quality, bad anatomy, jpeg artifacts, old, oldest, watermark, anime screenshot, anime coloring, nostrils, nose,

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robert wadlow - AI Model 커버 이미지

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robert wadlow
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Nymphs - Rayman Origins - AI Model 커버 이미지

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Nymphs - Rayman Origins
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((Anime illustration)), ((Incarnate detail)), ((Masterpiece)), ((Highest quality)). A wide 16:9 cinematic shot from a medium distance, depicting a rainy night in 1945 New York City. Two male detectives, dressed in classic beige trench coats and wide-brimmed fedoras, stand motionless under the pool of light from a flickering streetlamp, their hands tucked into their coat pockets. In the mid-ground, a polished black 1941 sedan is captured in motion, pulling away from the glowing storefront of a small, cozy restaurant. Deep in the shadows of a nearby alleyway, a mysterious man is partially visible, watching the detectives with a keen gaze. The environment is drenched in rain, with the asphalt reflecting a stark contrast of cold blue moonlight and vibrant neon red signs from the restaurant. The visual style is a semi-realistic painterly illustration with a film noir atmosphere, featuring heavy film grain and high-contrast lighting that emphasizes the moody, suspenseful tone of the scene.
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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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