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AI art "電車の中、漫画風" featuring #봇치 더 록!, #고토 히토리 and #야마다 료
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電車の中、漫画風

#봇치 더 록!#고토 히토리#야마다 료
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character: yamada_ryo, character: gotoh_hitori. This is a Japanese color manga page with sharp ink lines, divided into three panels set inside a train carriage. In the top wide panel, a medium shot shows yamada_ryo and gotoh_hitori sitting side-by-side on the train seats, both silent and expressionless, looking straight ahead. In the bottom right panel, a close-up shot focuses on yamada_ryo; she has short blue hair with a small clip, yellow eyes, and a mole under her eye, looking down with a neutral gaze as she holds a smartphone in her hands. In the bottom left vertical panel, a close-up shot shows gotoh_hitori with long pink hair and blue eyes, her head tilting slightly as she drowses off, her eyes half-closed in a sleepy state. The environment is the interior of a commuter train with metallic poles and seat upholstery. The visual style features a clean, polished manga aesthetic with vibrant colors and precise line art, evoking a quiet, mundane atmosphere.
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**全体設定 (Global Settings)** スタイル: 日本のカラー漫画、丁寧なペン入れ、sharp ink, **キャラクター設定 (Characters)** **山田リョウ**: ぼっちざろっくのキャラクター **後藤ひとり**: ぼっちざろっくのキャラクター **コマ割り詳細 (Panels)** **Panel 1 (Top wide panel)** 構図: 座っている二人を正面から見たアングル 登場人物: **山田リョウ**,**後藤ひとり** アクション/表情: 二人とも会話はなくただ座っている 背景/効果: 電車の中 **Panel 2 (Bottom right panel)** 構図: 山田リョウの顔 登場人物: **山田リョウ** アクション/表情: 山田リョウがスマホの画面を見ている(スマホは映さなくても良い) 背景/効果: 電車の中 **Panel 3 (Bottom left vertical panel)** 構図: 後藤ひとりの顔 登場人物: **後藤ひとり** アクション/表情: 寝そうになりそうでうとうとしている 背景/効果: 電車の中、山田リョウの隣
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Tsubaki.2 - AI Model 커버 이미지

PixAI DiT.2

Tsubaki.2
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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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3#진격의 거인#미카사 아커만
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