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AI art "Spiderman"
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Spiderman

lasarahh님의 AI 작품 'Spiderman'. PixAI에서 감상하세요. 태그: 하늘, 야외, 바디수트, 마스크, 구름, 밤, 도시 풍경. 사용 모델: Tsubaki.2.

#남성#하늘#야외#바디수트#솔로#마스크#구름#마블#밤#도시 풍경#카메라 시선#소년#도시#건물#스파이더맨#거미줄#슈퍼히어로 코스튬#눈흘김#밤하늘#실크#거미줄 무늬#피터 파커#마천루
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PixAI에서 프롬프트는 기본적으로 공개되지만, 창작자는 자신이 올린 작품마다 프롬프트를 숨길 수 있습니다. 이 작품의 창작자는 프롬프트를 숨기기로 선택했기 때문에, 이미지를 생성하는 데 사용한 단어는 창작자 본인만 볼 수 있습니다. 프롬프트를 숨겨도 그 외에는 달라지는 점이 없습니다. 작품은 그대로 공개되어 있고, 평소처럼 좋아요, 댓글, 공유를 할 수 있습니다.
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AI artwork
Avatar image of Yiğit Şerif Yaman The Man
character: peter_parker, spider-man 1boy, solo, male, superhero, black_hair, short_hair, black_eyes, brown_hair, brown_eyes, full bodysuit, spider_web_print, red and blue costume, mask, white lenses on mask, dynamic pose, web-swinging, swinging, holding web line, one arm extended overhead, legs tucked, body twisted, from below, foreshortening, low angle, city, skyscrapers, sky, clouds, limbs spread, looking down, motion blur on background, wind effect, clenched hand, outstretched arm The camera looks up from street level at a steep low angle, so the single figure of a young man in a form-fitting red-and-blue bodysuit with a fine black web pattern printed across the red panels hurtles across the pale morning sky above a corridor of glass-and-steel towers. His right arm is thrown straight up and forward, fist closed around the end of a taut white web strand that runs off the top edge of the frame; the line is under load, so it runs dead straight and the web loops bunch slightly where it knots at his glove. His left arm sweeps back and out for balance, elbow bent, fingers splayed. His knees are drawn up and twisted to his left, one boot sole tipped toward the lens in strong foreshortening so the near leg reads larger than the far one; the body twists at the waist, chest angled away from the camera and hips swung toward it. His head is turned down and to his right, chin tucked, lenses narrowed as he tracks the next hold, the web of seams on the mask pulled taut across his jaw so the fabric creases at the neck. Behind and below him the buildings lean with the upward angle, receding in two rows, their windows catching cool white glints from the sun at upper left; the far towers simplify to flat blue-grey silhouettes hazy with distance. The sky occupies the upper third, a clean pale blue that thins to white near the left where the sun sits, and the light rakes his right side so his shoulder and the outside of his raised arm blazed with red while his left flank falls into a cooler blue shadow; a faint shadow of his leg drops across the rooftop ledge in the lower left corner. Airborne grit and one loose newspaper corner lift upward past him, showing the rising air of his arc. The whole background is streaked with a soft directional blur along his line of travel, but his own body is crisp, and the web line stays razor sharp against the sky where the blur does not touch it. Crimson, cobalt blue and hard clean black web lines are the only saturated colours; the city is steel grey and pale blue. Exhilarated, high-speed momentum.
Yiğit Şerif Yaman The Man
AI artwork
Avatar image of Yiğit Şerif Yaman The Man
character: peter_parker, spider-man 1boy, solo, male, superhero, black_hair, short_hair, black_eyes, brown_hair, brown_eyes, full bodysuit, spider_web_print, red and blue costume, mask, white lenses on mask, dynamic pose, web-swinging, swinging, holding web line, one arm extended overhead, legs tucked, body twisted, from below, foreshortening, low angle, city, skyscrapers, sky, clouds, limbs spread, looking down, motion blur on background, wind effect, clenched hand, outstretched arm The camera looks up from street level at a steep low angle, so the single figure of a young man in a form-fitting red-and-blue bodysuit with a fine black web pattern printed across the red panels hurtles across the pale morning sky above a corridor of glass-and-steel towers. His right arm is thrown straight up and forward, fist closed around the end of a taut white web strand that runs off the top edge of the frame; the line is under load, so it runs dead straight and the web loops bunch slightly where it knots at his glove. His left arm sweeps back and out for balance, elbow bent, fingers splayed. His knees are drawn up and twisted to his left, one boot sole tipped toward the lens in strong foreshortening so the near leg reads larger than the far one; the body twists at the waist, chest angled away from the camera and hips swung toward it. His head is turned down and to his right, chin tucked, lenses narrowed as he tracks the next hold, the web of seams on the mask pulled taut across his jaw so the fabric creases at the neck. Behind and below him the buildings lean with the upward angle, receding in two rows, their windows catching cool white glints from the sun at upper left; the far towers simplify to flat blue-grey silhouettes hazy with distance. The sky occupies the upper third, a clean pale blue that thins to white near the left where the sun sits, and the light rakes his right side so his shoulder and the outside of his raised arm blazed with red while his left flank falls into a cooler blue shadow; a faint shadow of his leg drops across the rooftop ledge in the lower left corner. Airborne grit and one loose newspaper corner lift upward past him, showing the rising air of his arc. The whole background is streaked with a soft directional blur along his line of travel, but his own body is crisp, and the web line stays razor sharp against the sky where the blur does not touch it. Crimson, cobalt blue and hard clean black web lines are the only saturated colours; the city is steel grey and pale blue. Exhilarated, high-speed momentum.
Yiğit Şerif Yaman The Man

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