キングプロテア

#페이트/엑스트라#페이트/엑스트라 CCC#페이트 시리즈#페이트/그랜드 오더#킹프로테아
더 보기

댓글

PixAI에서 프롬프트는 기본적으로 공개되지만, 창작자는 자신이 올린 작품마다 프롬프트를 숨길 수 있습니다. 이 작품의 창작자는 프롬프트를 숨기기로 선택했기 때문에, 이미지를 생성하는 데 사용한 단어는 창작자 본인만 볼 수 있습니다. 프롬프트를 숨겨도 그 외에는 달라지는 점이 없습니다. 작품은 그대로 공개되어 있고, 평소처럼 좋아요, 댓글, 공유를 할 수 있습니다.
작성자에 의해 숨겨짐

모델 및 LoRA 사용

비슷한 작품

자세히 보기
AI artwork
반비
character: tsumiki_mikan, artist_@nykim0915, artist_surver, ultra detailed, 8k, masterpiece, intricate details, best quality, rendered hair strands, dynamic shadows, sharp focus, Artist: konya karasue, KonYa666, (konya karasue), Danganronpa 2: Goodbye Despair, Mikan Tsumiki, conceptual contemporary art illustration, surreal psychological character study. Mikan Tsumiki is the dominant visual subject, rendered large and highly detailed in the foreground, with an unusual diagonal composition. Mikan is sitting sideways on the edge of an elevated hospital examination bed, but her posture is strangely folded: her upper body bends forward while her head turns back toward the viewer, creating an uncomfortable twisted silhouette. One leg hangs naturally from the edge while the other remains tucked close to her body. She is carefully wrapping a long white medical bandage around herself. The bandage begins around her wrist, travels across her arms and shoulders, and continues around her body before disappearing beneath the examination bed. It feels impossible to tell whether she is treating herself, restraining herself, or simply trying to hold herself together. Her expression is quiet and deeply conflicted rather than openly terrified. She gives the viewer a tiny apologetic smile, but her eyes look completely exhausted and uncertain. There are faint tears gathered along her lower eyelashes. Her fingers carefully pinch the bandage between them, almost obsessively making sure every fold is perfect. Several completed loops of bandage hang loosely from the bed and descend toward the floor. Instead of forming a conventional background, they create irregular geometric shapes around her, almost like an abstract installation in a contemporary gallery. The room itself is almost empty. A single examination lamp hangs above Mikan, but it is positioned far to the side rather than directly illuminating her. The light cuts across only half of her body, leaving the rest in muted shadow. The most surreal element is the hospital bed: its perspective gradually becomes impossible toward the bottom of the image, as though the bed is extending endlessly into the floor. Mikan remains physically believable while the architecture around her quietly loses its logic. No obvious horror imagery. The uneasiness should come from ambiguity. The viewer should wonder whether Mikan is taking care of herself, trying to make herself presentable for someone else, or desperately attempting to keep herself from falling apart. Use a dramatically tilted viewpoint from slightly below and to the side, with Mikan's face turned backward toward the viewer. Her body creates a strong diagonal across the frame instead of a conventional centered portrait. The composition should feel like a photograph of an unusual contemporary art installation rather than a typical anime character pose. Lavender hair, recognizable Mikan Tsumiki character design, nurse-inspired clothing, delicate facial features, pale medical whites, faded lavender, muted blue-gray shadows, restrained color palette, soft clinical lighting, subtle surrealism, contemporary psychological art, sophisticated visual metaphor, asymmetrical composition, unusual perspective, expressive hands, intricate bandage folds, quiet emotional tension, intimate character-focused framing, polished Danganronpa illustration quality.
반비
AI artwork
반비
character: tsumiki_mikan, artist_@nykim0915, artist_surver, ultra detailed, 8k, masterpiece, intricate details, best quality, rendered hair strands, dynamic shadows, sharp focus, Artist: konya karasue, KonYa666, (konya karasue), Danganronpa 2: Goodbye Despair, Mikan Tsumiki, conceptual contemporary art illustration, surreal psychological character study. Mikan Tsumiki is the dominant visual subject, rendered large and highly detailed in the foreground, with an unusual diagonal composition. Mikan is sitting sideways on the edge of an elevated hospital examination bed, but her posture is strangely folded: her upper body bends forward while her head turns back toward the viewer, creating an uncomfortable twisted silhouette. One leg hangs naturally from the edge while the other remains tucked close to her body. She is carefully wrapping a long white medical bandage around herself. The bandage begins around her wrist, travels across her arms and shoulders, and continues around her body before disappearing beneath the examination bed. It feels impossible to tell whether she is treating herself, restraining herself, or simply trying to hold herself together. Her expression is quiet and deeply conflicted rather than openly terrified. She gives the viewer a tiny apologetic smile, but her eyes look completely exhausted and uncertain. There are faint tears gathered along her lower eyelashes. Her fingers carefully pinch the bandage between them, almost obsessively making sure every fold is perfect. Several completed loops of bandage hang loosely from the bed and descend toward the floor. Instead of forming a conventional background, they create irregular geometric shapes around her, almost like an abstract installation in a contemporary gallery. The room itself is almost empty. A single examination lamp hangs above Mikan, but it is positioned far to the side rather than directly illuminating her. The light cuts across only half of her body, leaving the rest in muted shadow. The most surreal element is the hospital bed: its perspective gradually becomes impossible toward the bottom of the image, as though the bed is extending endlessly into the floor. Mikan remains physically believable while the architecture around her quietly loses its logic. No obvious horror imagery. The uneasiness should come from ambiguity. The viewer should wonder whether Mikan is taking care of herself, trying to make herself presentable for someone else, or desperately attempting to keep herself from falling apart. Use a dramatically tilted viewpoint from slightly below and to the side, with Mikan's face turned backward toward the viewer. Her body creates a strong diagonal across the frame instead of a conventional centered portrait. The composition should feel like a photograph of an unusual contemporary art installation rather than a typical anime character pose. Lavender hair, recognizable Mikan Tsumiki character design, nurse-inspired clothing, delicate facial features, pale medical whites, faded lavender, muted blue-gray shadows, restrained color palette, soft clinical lighting, subtle surrealism, contemporary psychological art, sophisticated visual metaphor, asymmetrical composition, unusual perspective, expressive hands, intricate bandage folds, quiet emotional tension, intimate character-focused framing, polished Danganronpa illustration quality.
반비