매개변수 표시
- 원본 프롬프트
- [Style] Unsettling hand-drawn analogue horror portrait created with rough black ink, smeared charcoal and thin layers of dirty, faded colour. Dense crosshatching beneath the eyes and around the hands, visible pores, chipped nail polish, uneven clothing textures and subtly distorted perspective. Harsh petrol-station fluorescents bleach the skin and catch individual strands of damaged hair while the aisles behind her disappear into oily black shadow. Limited palette of chemical blue, nicotine yellow, faded black, bruised violet and rust red. Close, slightly low security-camera angle with coarse VHS grain, horizontal tracking tears, duplicated edges, chromatic misalignment and worn photocopied texture. She should be strikingly attractive beneath the exhaustion and grime: sharp but imperfect features, confident body language and a face with real character. Her beauty should feel incidental rather than polished. The image should resemble a corrupted character portrait from a forgotten late-1990s rural horror game: intimate, grimy, flirtatious and faintly threatening. No dreamy lighting, no glossy blue hair, no glamour styling, no flawless skin, no polished digital finish. [Subject] A striking woman in her mid-to-late twenties leaning across the petrol-station counter during the graveyard shift, close enough to speak privately to the attendant. She has badly home-dyed cobalt-blue hair cut into a messy shoulder-length shag, with several inches of dark brown roots, uneven patches of turquoise and blue dye staining her ears, neck and fingertips. Her hair is dry and slightly singed at the ends. She has sharp cheekbones, heavy-lidded dark eyes, thick brows, a small silver nose ring and a crooked half-smile suggesting she knows exactly how attractive she is but has more urgent things to worry about. She wears a battered black leather jacket over a faded band shirt, loose dark jeans and several cheap silver rings. One sleeve is pushed up, revealing old pen-written phone numbers and warnings covering her forearm. She holds an unopened can of energy drink against her cheek and watches the attendant with amused, unnervingly direct eye contact. At first she appears completely human. However, every security monitor behind the counter shows her standing in a different aisle of the station at the same time. In one screen she is staring into a freezer; in another she stands outside beside Pump Six; in the third she is immediately behind the attendant. The real woman remains leaning casually across the counter, her crooked smile widening slightly as though she can see the monitors reflected in the attendant’s eyes.
- 모드
- standard
- 크기
- 768 x 1280
모델 및 LoRA 사용
비슷한 작품
자세히 보기semi-realistic anime style, spiky eyelashes, glossy eyes, textured digital painting, fine cross-hatching, scratchy pencil-like linework, visible canvas grain, detailed screen tones, chromatic aberration, intense under-lighting, glowing rim light, high-contrast values, luminous skin, p1xel, semi-realistic anime illustration, pixelated anti-aliased edges, crayon-textured linework, parallel hair hatching, high-contrast eye detail, flat overexposed skin, loose gestural marks, scattered sparkle bloom, muted palette with vivid chromatic pop, rough painterly anime illustration, expressive textured brushwork, chunky brushstrokes, chalky dry-brush texture, scraped pigment, blocky paint application, soft blended shading, visible paint texture, sketchy painted details, glossy highlights, atmospheric depth.
Unsettling hand-drawn analogue horror portrait created with rough black ink, smeared charcoal and thin layers of dirty, faded colour. Dense crosshatching beneath the eyes and around the hands, visible pores, chipped nail polish, uneven clothing textures and subtly distorted perspective. Harsh petrol-station fluorescents bleach the skin and catch individual strands of damaged hair while the aisles behind her disappear into oily black shadow. Limited palette of chemical blue, nicotine yellow, faded black, bruised violet and rust red. Close, slightly low security-camera angle with coarse VHS grain, horizontal tracking tears, duplicated edges, chromatic misalignment and worn photocopied texture.
She should be strikingly attractive beneath the exhaustion and grime: sharp but imperfect features, confident body language and a face with real character. Her beauty should feel incidental rather than polished. The image should resemble a corrupted character portrait from a forgotten late-1990s rural horror game: intimate, grimy, flirtatious and faintly threatening. No dreamy lighting, no glossy blue hair, no glamour styling, no flawless skin, no polished digital finish.
A striking woman in her mid-to-late twenties leaning across the petrol-station counter during the graveyard shift, close enough to speak privately to the attendant. She has badly home-dyed cobalt-blue hair cut into a messy shoulder-length shag, with several inches of dark brown roots, uneven patches of turquoise and blue dye staining her ears, neck and fingertips. Her hair is dry and slightly singed at the ends. She has sharp cheekbones, heavy-lidded dark eyes, thick brows, a small silver nose ring and a crooked half-smile suggesting she knows exactly how attractive she is but has more urgent things to worry about.
She wears a battered black leather jacket over a faded band shirt, loose dark jeans and several cheap silver rings. One sleeve is pushed up, revealing old pen-written phone numbers and warnings covering her forearm. She holds an unopened can of energy drink against her cheek and watches the attendant with amused, unnervingly direct eye contact.
At first she appears completely human. However, every security monitor behind the counter shows her standing in a different aisle of the station at the same time. In one screen she is staring into a freezer; in another she stands outside beside Pump Six; in the third she is immediately behind the attendant. The real woman remains leaning casually across the counter, her crooked smile widening slightly as though she can see the monitors reflected in the attendant’s eyes.
Meemow
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