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📢 로그인 문제 해결 안내 — 오늘 일부 사용자에게 PixAI 계정이 예기치 않게 로그아웃되는 현상이 발생했습니다. 해당 문제는 서버 측 오류로 확인되었으며, 현재는 정상적으로 해결되었습니다. 로그아웃된 경우 앱 또는 브라우저를 다시 실행한 뒤…

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AI art "Come to Daddy (Richard Devine Trapezoid Mix)" featuring #어린이 and #사악한 미소
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Come to Daddy (Richard Devine Trapezoid Mix)

Taken From Warp10+3 Remixes

#어린이#사악한 미소
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retro pop anime, vintage anime style, bold clean lineart, vibrant flat colors, graphic pop background, Aphex Twin "Come To Daddy (Pappy Mix)", A black and white monochrome screen. A horror-like depiction where boys and girls, all having the same face as Caucasian adult male Aphex Twin (Richard D. James), are looking at the viewer. Everyone is grinning eerily with the corners of their mouths lifted, eyes narrowed and showing teeth. The children are a mix of white and black, including a girl in a white dress and a boy in a black T-shirt. They are around elementary school age, but because they all share the same face, it is incredibly creepy. The color tone is like an old, bleached, faded photograph. Anatomically accurate five-finger depiction, highest quality expression. hechima_retropop_v1, retro pop anime, monochrome illustration, vintage anime style, bold clean lineart, vibrant flat colors, graphic pop background,
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Aphex Twin "Come To Daddy (Pappy Mix)", 白黒のモノクロ画面です。皆一様に白人成人男性Aphex Twin(Richard D. James)の同じ顔をした少年少女たちがこちらを見ているホラー的な描写です。全員が口の端を上げ、目を細めながら歯を見せながらニタニタ笑っています。子供たちは白人も黒人も入り交じっていて、白いワンピース姿の少女や黒いTシャツ姿の少年などがいます。年齢は小学生くらいですが全員同じ顔なのでとにかく不気味です。白く灼けた古ぼけた写真のような色合いです。解剖学的に正確な5本指描写で、最高のクオリティの表現です。 hechima_retropop_v1, retro pop anime, monochrome illustration, vintage anime style, bold clean lineart, vibrant flat colors, graphic pop background,
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Tsubaki.2 - AI Model 커버 이미지

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Tsubaki.2
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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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