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AI art "帆南美ちゃん" featuring #온센무스메 and #시라하마 호나미
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帆南美ちゃん

温泉むすめの白浜帆南美をイメージした娘です。Tsubaki3リファイン版です。

#온센무스메#시라하마 호나미
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もりりん（森林）

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A digital anime illustration, seen from a low camera angle slightly looking up above the waterline, of the character from image2 standing barefoot, ankle-deep in the shallow clear seawater of Shirahama beach. She has a cheerful, teasing laughing expression with playful crinkling droopy blue eyes, and long, slightly damp and wavy dark blue-black hair with blue highlights, a few strands sticking to her cheek, blunt straight bangs, a white hair ribbon tied on the left side with trailing tails, and matching cross hairpins. She wears a white frilled sleeveless blouse with ruffled armholes that are slightly wet at the cuffs, a large mint green ribbon bow tie with a gold ring at the chest, a wrist bracelet, and a light blue pleated skirt with small golden buttons down the front, its damp hem clinging to her thighs. Her slender hands are cupped together at chest height, clearly drawn with five delicate fingers each, right at the moment she flings water toward the camera. A fan-shaped splash of seawater and water droplets flies through the air toward the viewer mid-flight, frozen in time. Gentle ocean waves roll softly behind her over wet, reflective sand, where her removed white ankle boots are set aside nearby. Warm golden afternoon sunlight provides radiant backlighting, illuminating the translucent spray to create sparkling effects in a vibrant, summery atmosphere of golden and warm teal colors. The style of the image remains faithful to image1, featuring a soft painterly aesthetic with visible brush textures, layered color blocks, and loose gentle linework. [TAG DEFINITIONS] - ankle: A character’s bare ankle or ankles are prominently displayed, or their defined contours remain visible through clothing. The tag covers exposed anatomy and clearly delineated clothed ankles when the ankle area itself is visually emphasized. It is commonly depicted on female characters. - backlighting: Backlighting depicts a light source behind the image’s subject, illuminating the subject from the rear so that its edges glow while the rest remains comparatively dark rather than receiving the same level of visible illumination across its surface. It commonly appears on female characters and is often accompanied by bokeh, bloom, lens flare, or shallow depth of field; warm or golden light also recurs.
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Tsubaki.3 Flash - AI Model 커버 이미지

PixAI DiT.3

Tsubaki.3 Flash
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Mio.2
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Mio.2

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AI artwork
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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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