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📢 로그인 문제 해결 안내 — 오늘 일부 사용자에게 PixAI 계정이 예기치 않게 로그아웃되는 현상이 발생했습니다. 해당 문제는 서버 측 오류로 확인되었으며, 현재는 정상적으로 해결되었습니다. 로그아웃된 경우 앱 또는 브라우저를 다시 실행한 뒤…

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AI art "5분" featuring #단발 머리, #보라색 머리, #컵, #보라색 눈, #소녀, #캔, #자동판매기 and #Tsubaki.3
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5분

#단발 머리#보라색 머리#컵#보라색 눈#소녀#캔#자동판매기#Tsubaki.3
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나구미

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@image1 Use @image1 as the source image. Perform a precise localized edit: add one Korean title to the upper-left wall and replace the printed label designs on the two existing drink cans. Preserve the original character, face, expression, hair, body, pose, hands, fingers, clothing, vending machine, environment, lighting, camera angle, and square composition. Keep both cans in their original positions and retain their existing sizes, cylindrical shapes, perspective, metallic rims, and shadows. TITLE Place the exact text “5분” once on the bare blue wall in the upper-left area, approximately 9% from the left edge and 18% from the top edge. The title occupies approximately 23% of the image width and remains clear of the character’s hair and the vertical pipe. Use slender, gently rounded handwritten lettering in warm ivory. Make the numeral 5 slightly larger than the Korean syllable 분, aligned on one horizontal baseline. Keep the Hangul structurally correct and clearly readable. The title is a clean graphic overlay facing the viewer directly, with no perspective distortion, neon glow, heavy outline, or decorative flourishes. No brackets or quotation marks. SHARED CAN LABEL DESIGN Replace the existing illegible lettering on both cans with the same coordinated beverage packaging. Retain the warm cream upper section and peach-orange lower section. Print the following exact uppercase English words on two centered horizontal lines: NAGUMI SPARKLING The first word is spelled N-A-G-U-M-I. The second word is spelled S-P-A-R-K-L-I-N-G. Use neat, rounded, medium-weight sans-serif lettering in dark cocoa brown. NAGUMI is the larger brand name; SPARKLING is a smaller but comfortably readable line beneath it. Give each letter sufficient space. Use conventional, unambiguous letterforms with no ligatures or ornamental substitutions. Place one simple original cat-face mascot above the brand name on each can: a softly rounded cream-colored face, two triangular ears, tiny dark eyes, a small smiling mouth, and peach-colored cheeks. Use the same mascot and the same label layout on both cans. A few small cream-colored bubble circles may decorate the peach-orange section. Add no extra words, slogans, numbers, or imitation lettering. FREESTANDING CAN IN THE LOWER-LEFT FOREGROUND This is the can resting by itself on the concrete ledge. Keep its front label facing the viewer so the cat face and both complete lines, NAGUMI and SPARKLING, are unobstructed and clearly readable. Show the can as opened: the silver pull tab is lifted slightly, and the scored drinking opening is visibly open beneath it. The tab remains attached to the lid. Preserve the elliptical perspective of the top and the original contact shadow on the ledge. Fit the label onto the existing cylindrical surface. Apply gentle curvature toward the sides while keeping the central lettering readable. Preserve the can’s metallic highlights without washing out the text. CAN HELD IN BOTH HANDS Apply the identical cream-and-peach packaging, cat-face mascot, and two-line brand layout to the can held by the character. Orient its label outward, consistent with the can’s existing perspective. The printed label belongs to the can surface, physically behind the character’s fingers and cardigan cuffs. Preserve the exact existing grip and hand anatomy. Fingers and sleeves must naturally hide any portions of the mascot or letters that fall beneath them. Allow only the physically exposed parts of the label to be visible. It is correct for some letters or an entire portion of a word to be hidden by the hands. Do not move the fingers to reveal the wording. Do not shrink, shift, duplicate, or bend the words around individual fingers. Never print letters on skin or fabric, and never show lettering through the hands. Keep the hands in front of the can, with their original contact shadows and reflected light. Preserve the existing lid condition of this held can. FINAL CONSISTENCY The title reads exactly 5분. The complete foreground can label reads exactly NAGUMI above SPARKLING. The held can uses the same correctly spelled label, partially concealed wherever the existing grip covers it. Remove the old gibberish from the two edited can labels. Keep all edits confined to the title area and the two cans, including opening the freestanding can. Preserve the rest of the illustration.
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PixAI Edit - AI Model 커버 이미지

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PixAI Edit
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AI artwork
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A medium shot from a slightly high angle depicts a melancholic, beautiful young girl crouching in a futuristic setting, viewed from a 3/4 perspective. She has straight, black wolf-bob hair with a pale red gradient at the tips and long, blunt-cut bangs that brush her eyes. Her expression is downcast and moody, featuring grey eyes, light "yami-kei" makeup with a natural tear-bag effect, and pale pink lips. She is dressed in a white shirt and a wine-red tie, layered under an oversized black jersey, paired with a mini-skirt, black knee-socks, and sneakers. She is crouching low, gripping a can of nata de coco juice in her hand. The background is a futuristic urban environment at midnight, with glowing neon city lights blurred in the distance. The atmosphere is somber and moody, illuminated by the artificial neon glow creating sharp contrasts and cool tones with subtle chromatic aberration.
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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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