ひかり・なぎさ・ほのかの豆まき！
『ふたりはプリキュア』から、ひかりちゃんたちが仲良く豆まきをしている姿がとても微笑ましくて、つい描いてしまいました。みんなの楽しそうな笑顔を見ていると、私まで元気をもらえる気がします！気に入ってくれたら嬉しいな。いいねやフォロー、コメントもお待ちしていますね。
매개변수 표시
- 원본 프롬프트
- 日本の伝統行事の節分の豆まき、画面の手前にはポップにデフォルされた鬼のお面斜めにをつけた少女の横顔のアップ、中景にはオーバスローで力いっぱい手前の少女めがけて豆を投げつける少女、完全に振り下ろされた腕、もう片手でバランスを取っている、手前の少女に視線が向いている、外面奥には驚いた顔の少女、両手で升を抱えている、楽しげな雰囲気、手前の少女は美墨なぎさ、中景は雪城ほのか、奥が九条ひかり、登場人物は冬を感じさせるカジュアルな室内着を着ている、歴史を感じさせる日本家屋の中、ラフなスケッチ画、遠近法、大胆な構図
- 모드
- pro
- 품질 태그
- ﹝프롬프트﹞, masterpiece, best quality, very aesthetic, highres, absurdres
- 크기
- 1280 x 768
- 제외 조건
- lowres, worst quality, low quality, bad anatomy, explicit
프롬프트 도우미
모델 및 LoRA 사용
비슷한 작품
자세히 보기
character: misumi_nagisa, yukishiro_honoka, kujou_hikari
3girls, setsubun, bean throwing, dynamic perspective, forced perspective, depth of field, profile, close-up, oni mask, tilted mask, throwing, follow-through, balance, arms up, surprised, holding box, masu, traditional japanese house, tatami, shoji, casual winter clothes, sweater, loungewear, short hair, orange hair, long hair, black hair, blonde hair, side braid, sketch, loose sketchy linework, unfinished hand-drawn texture, cheerful, playful
In a bold, wide-perspective composition with extreme three-layer spatial depth, the frame opens on the right foreground in a tight profile close-up of a girl with short, spiky reddish-brown hair and a mischievous, crinkle-eyed grin. Perched askew over the side of her temple is a brightly colored, pop-deformed oni demon mask with stubby yellow horns and comic exaggerated fangs, held by an elastic cord over her ear. She wears a thick, high-collared ribbed knit winter sweater, bracing playfully as her gaze tracks across the room.
In the dynamic midground, a second girl with long black hair whipping around her shoulders is caught in the exaggerated follow-through of an energetic overhand pitch. Her right arm has swung completely downward past her knee, fingers outstretched after releasing a volley of roasted soybeans directly toward the foreground, while her left arm flings outward and upward to counterbalance her pivoted torso on the tatami mats. Her face radiates focused, laughing delight with wide, sparkling eyes and an open smile, dressed in a cozy, long-sleeved winter fleece and casual sweatpants.
Deeper in the background interior, near a weathered wooden cedar support pillar and closed translucent shoji paper screens, a third girl with long golden-blonde hair gathered in a soft side braid stands in comic bewilderment. Her eyes are rounded wide and her mouth slightly agape in surprise as she clutches a square wooden masu measuring box securely against her chest with both hands, the box overflowing with spare dried beans. She is dressed in an oversized pastel knit cardigan layered over comfortable indoor lounge wear.
A spray of dried soybeans arcs across the dramatic perspective gap between midground and foreground, several pellets captured sharply mid-flight while loose stray beans settle along the recessed grooves of the woven tatami mats. Soft, diffuse winter daylight filters through the paper shoji panels, supplemented by the warm ambient glow of an unseen indoor ceiling light casting pale, sketchy shadows across the wooden floorboards. The rendering features loose, sketchy linework with an unfinished, hand-drawn texture, rendered in warm earth tones and charcoal-pencil contours accented by the bold primary colors of the tilted oni mask. Joyful holiday chaos.
THOMAS
character: misumi_nagisa, yukishiro_honoka, kujou_hikari
3girls, forced perspective, bold dynamic composition, close-up, profile, from side, sketch, rough sketch, pencil texture, loose linework, unfinished, setsubun, mamemaki, flying beans, fukumame, foreground, midground, background, short hair, unruly hair, brown hair, brown eyes, smirk, oni mask, pop oni mask, mask on side of head, tilted mask, casual winter indoor wear, knit sweater, long hair, black hair, dynamic pose, overhand throw, pitching form, follow-through, arm swung down, outstretched balancing arm, focused gaze, competitive grin, blonde hair, long hair, single braid, holding masu, holding with both hands, clutching, surprised expression, wide eyes, open mouth, traditional japanese house, tatami, shoji sliding doors, wooden pillars, indoor, winter, cheerful
Drawn from a dynamic close-up angle with dramatic forced perspective and deep spatial layering, the composition opens on the immediate foreground with the sharp side profile of a teenage girl with unruly, spiky warm-brown hair. Perched jauntily and tilted diagonally against the side of her head is a brightly stylized, pop-deformed red oni mask with blunt round horns and exaggerated comic fangs. Her profile shows a half-braced, mischievous smirk and squinted eye as she anticipates the barrage. Streaking across the open space in front of her face, a tight cluster of roasted soybeans is suspended mid-flight, caught in sharp foreshortening. In the midground on the open tatami matting, a second teenage girl with long, smooth blue-black hair executes a full-power overhand pitch directly toward the foreground girl; her dominant throwing arm is snapped completely downward across her hip at the finish of her follow-through, fingers flicked wide, while her opposite arm extends outward horizontally behind her to counterbalance her forward-lunging torso. Her weight presses heavily into her bent front knee, and her fierce, joyful gaze locks unwaveringly on her target beneath an exhilarated open-mouthed grin. Both girls are dressed in cozy, relaxed winter indoor wear, including soft, thick-knit sweaters with cuffs pushed up the forearms. Further back in the deep background, framed between heavy, aged wooden posts and paper-paned shoji sliding doors, a third girl with long golden-blonde hair styled in a side braid clutches a square wooden masu measuring box securely against her chest with both hands, her round eyes wide in comical shock and her mouth parted in an astonished gasp. Scattered soybeans litter the woven rush flooring, casting crisp small drop shadows along the seams of the tatami mats where they have bounced to a stop. Rendered in unrefined hand-drawn linework with loose pencil-like textures, rapid hatching, and an unfinished artistic quality, capturing a moment of lively, cheerful domestic chaos.
THOMAS
character: misumi_nagisa, yukishiro_honoka, kujou_hikari
3girls, multiple girls, foreground, close-up, profile, dynamic angle, extreme perspective, foreshortening, rough sketch, pencil sketch, loose lines, construction lines, minimal shading, throwing, overhand throw, arm down, balance, aiming, surprised, holding masu, beans, flying beans, motion lines, oni mask, mask on head, tilted mask, short spiky brown hair, long dark ponytail, long blonde hair, single braid, winter clothes, loungewear, hoodie, sweater, cardigan, traditional japanese room, tatami, shoji, sliding doors, cheerful
Framed in a bold, dynamic wide-angle perspective from a low eye-level within a historic Japanese interior, three figures engage in a lively Setsubun bean-tossing celebration. In the immediate left foreground, an extreme close-up captures the side profile of a girl with short, spiky warm-brown hair, her wide eye alight with playful anticipation and her mouth parted in an energetic laugh. Perched diagonally across the side of her forehead is a stylized, pop-deformed oni demon mask with stubby horns and exaggerated fangs. She is dressed in an oversized, thick winter loungewear hoodie with a bunched cowl framing the nape of her neck, her cheek and jawline dominating the near edge of the frame. In the midground, a second girl with long dark hair tied into a high ponytail whips forward in the forceful follow-through of an athletic overhand pitch. Her weight drops deeply forward onto a bent front knee, her right arm swung fully downward past her hip with fingers splayed open after releasing a volley of roasted soybeans, while her left arm extends backward to maintain balance. Her determined, laughing gaze is locked directly onto the foreground girl. She wears a cozy winter knit sweater with ribbed cuffs pushed slightly up her forearms and casual lounge trousers. A spray of loose, tumbling soybeans travels across the middle space between them, foreshortened and streaking with swift graphite motion lines toward the foreground profile. In the deeper background to the right, a third girl with long golden-blonde hair falling in a neat braid over her shoulder stands frozen in surprised bewilderment, her eyes rounded, her eyebrows raised high, and both hands clamping the wooden corners of a square cedar masu measuring box tightly against her chest. She wears a soft, buttoned winter cardigan over a high-collared shirt. The scene is grounded on woven tatami mats whose seams form sharp converging linear perspective lines leading back to wood-framed sliding shoji screens and sturdy cedar support pillars. Soft ambient indoor illumination reveals form through minimal pencil shading, while the airborne beans cast small, sharp traveling ellipses onto the woven tatami surface directly beneath their flight path. Rendered in loose, unrefined graphite or pencil linework with visible construction marks and minimal shading across a raw paper ground. Cheerful, chaotic playfulness.
THOMAS
character: misumi_nagisa, yukishiro_honoka, kujou_hikari
character: misumi_nagisa, yukishiro_honoka, kujou_hikari 3girls, profile, close-up, extreme close-up, perspective, bold perspective, depth of field, setsubun, mamemaki, throwing, overhand throw, beans mid-air, oni mask, mask on forehead, tilted mask, short hair, spiky hair, brown hair, open mouth, cheerful, laughing, foreground, long hair, dark hair, throwing pose, full-force throw, dynamic pose, midground, blonde hair, long hair, side braid, background, surprised, wide-eyed, wooden box, casual loungewear, winter clothes, oversized sweater, knit sweater, traditional japanese house, tatami, shoji, sliding doors, wooden pillars, simple watercolor, hand-painted watercolor, soft watercolor washes, transparent watercolor, paper texture, loose hand-drawn lines, soft colored linework
A bold dynamic perspective composition of a playful Setsubun bean-throwing scene, rendered as a simple hand-painted watercolor illustration with loose hand-drawn lines, soft transparent watercolor washes, visible paper texture, and gentle uneven color application.
In the immediate foreground, Misumi Nagisa appears in an extreme close-up profile, with her short choppy brown hair and a small cute oni mask tilted diagonally on her forehead, leaving her face unobstructed. She is laughing cheerfully while bracing against the incoming beans. Her face is turned toward Yukishiro Honoka in the midground, and her eyes are directed toward Honoka.
In the midground, Yukishiro Honoka with long dark hair is performing a powerful overhand bean throw toward Nagisa in the foreground. Her body is dynamically leaning forward in a full-force throwing motion, with her throwing arm extended in follow-through and soybeans flying toward Nagisa. Honoka's face is turned toward Nagisa, and her eyes are clearly looking directly at Nagisa in the foreground.
In the deep background, Kujou Hikari with long blonde hair gathered into a neat side braid stands holding a square wooden masu box with both hands. She watches the bean-throwing battle with a surprised expression. Hikari's face is turned toward Honoka in the midground, and her eyes are clearly looking directly at Honoka, not at Nagisa.
The three girls form a clear visual chain of attention: Hikari looks at Honoka, Honoka looks at Nagisa, and Nagisa faces Honoka. Keep their gazes visually connected across the depth of the scene.
Small roasted soybeans fly through the air along the perspective lines from Honoka toward Nagisa, with several beans scattered across the tatami floor. The room is a traditional Japanese interior with wooden pillars, shoji screens, sliding doors, and tatami mats, illuminated by soft natural indoor daylight.
Use simple, restrained watercolor coloring rather than monochrome rendering. Keep the colors pale and slightly uneven, with transparent watercolor washes, soft edges, subtle pigment variation, visible paper grain, and an innocent handmade picture-book quality. Avoid heavy digital rendering, glossy shading, strong contrast, thick black outlines, or highly polished coloring.
THOMAS
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