매개변수 표시
- 모드
- ultra
- 품질 태그
- ﹝프롬프트﹞
- 크기
- 2496 x 2496
- 제외 조건
- lowres, worst quality, low quality, bad anatomy, explicit
모델 및 LoRA 사용
비슷한 작품
자세히 보기
liberalio (nikke), 1girl, she has a petite loli body. light purple hair, high twintails, short twintails, fluffy hair, M-shaped bangs, hair between eyes, choppy bangs, long sidelocks, a left fang; wearing a solid tan deerstalker hat with a brown plaid trim band wrapped around the middle and back of the hat, its crown and brim in solid tan color, with a brown satin ribbon bow on top; brown satin ribbon decorations on the twin tails; no other head accessories except the brown plaid deerstalker hat and the brown satin ribbons on the twin tails. Wearing a clean white shirt with a dark brown bow tie, a short brown detective coat with a brown plaid shoulder cape design, decorative buttons on the cuffs, a brown plaid pleated mini skirt with exquisite gold trim on the hem, brown leather gloves, fingers enclosed together in a single pouch rather than separated, brown ski boots matched with the ski bindings, white short socks visible above the boots, and one black thigh strap only on the left thigh (none on the right).
The camera is positioned directly in front of her downhill path, mounted at snow level, with one of her ski boots passing extremely close to the lens, almost brushing against it, causing strong fisheye-like distortion on that nearer boot and ski, which appears dramatically oversized and slightly cropped at the frame edge. The other boot and ski remain farther from the lens and appear smaller by comparison, creating an exaggerated asymmetric depth difference between her two legs. The camera is looking steeply upward from ground level, with the lens physically lower than both skis and boots. She is above and slightly beyond the camera, flying toward and over the lens. The camera is never above her, never level with her torso, and never looking downward at her.
The perspective is strongly bottom-up with extreme wide-angle-lens-like distortion. The nearer boot and ski dominate a large portion of the lower foreground at dramatic scale, while her legs extend upward and backward from them toward her torso, growing progressively smaller and more distant with height. Her torso is farther away, and her head is higher and farther from the lens than her boots, creating clear vertical foreshortening from the snow surface up to her face. The viewer should feel physically underneath her, almost close enough to be grazed by her ski, as she passes overhead.
She is airborne during a steep downhill jump, leaning forward as she launches over the camera. Her body is tilted dynamically along the slope, with one knee bent higher than the other and one ski angled slightly higher than the other. Her arms spread unevenly for balance, both ski poles extending downward and backward toward the snow behind the camera, gripping the ski poles with a standard forward-facing grip, hands wrapped naturally around the pole handles with thumbs over the top, wrists in a straight natural line with the forearms. Her face turns downward toward the camera, maintaining direct eye contact while looking at the viewer beneath her.
Her hair, twin tails and plaid coat cape stream upward and backward from the force of her movement. Her expression is excited and lively, with a soft smile and slightly open mouth, bright eyes and flushed cheeks. The pose is asymmetric and dynamic, with the entire body suspended above the lens rather than standing upright or facing the camera like a portrait.
foreground: the extreme foreground is the snow immediately surrounding the camera lens and the nearer ski boot passing close by. Large amounts of snow powder, broken snow chunks and countless fine ice crystals explode upward from the skis as they pass extremely close to the camera, creating dense, layered snow spray at multiple depths. Thick bursts of powder erupt violently from both ski edges, with individual snow clumps and crystals visibly scattering outward in different directions and forming curved trails through the air. Some larger snow chunks and sharply defined ice crystals pass extremely close to the lens, while finer particles fill the surrounding air with a soft sparkling haze. Direct sunlight strikes the airborne snow crystals, producing intense pinpoint highlights, brilliant white flashes and clearly visible prismatic rainbow refractions. Individual ice crystals catch and split the sunlight into tiny spectral bands of red, orange, yellow, green, blue and violet, with subtle rainbow glints scattered throughout the snow spray. The nearest ski and boot dominate the lower portion of the frame with strong foreshortening and slight lens-edge cropping. Dense snow spray partially overlaps the lens without hiding her face.
midground: her legs, skis, boots and lower body occupy the central perspective above the camera, with the legs visibly extending away from the lens toward her torso. Her upper body remains sharply readable while appearing farther away than the skis and boots.
background: the steep snow slope rises behind and above her, extending uphill into the distance. The snow surface is seen from the camera's low position as a slanted plane receding behind her, with wind-carved ridges, disturbed powder and ski tracks. Only a narrow portion of pale sky and distant sunlit mountain peaks appears high behind her. The background remains secondary to the dramatic upward perspective.
Low winter sunlight shines from behind and above her, creating a bright rim of warm golden light around her hair, twin tails, coat cape and shoulders. Sunlight passes directly through the dense airborne snow spray, causing countless individual snowflakes and ice crystals to sparkle like tiny prisms. Each crystal catches the backlight with sharp specular highlights and produces delicate rainbow-colored refractions, creating scattered spectral glints throughout the illuminated snow cloud. The brightest crystals show distinct miniature bands of rainbow color rather than a single diffuse glow. Cool blue-white reflected light from the snow softly illuminates the underside of her body and face so that her expression remains visible despite the strong backlight. The skis, leather boots, bindings and plaid fabric receive sharp directional highlights while deeper shadows remain beneath her body and around the foreground snow spray. Strong atmospheric depth, extreme perspective, cinematic action composition, powerful sense of height, speed and motion, with brilliant sunlight sparkling through the dense flying snow.
AGDY
liberalio (nikke), 1girl, she has a petite loli body. light purple hair, high twintails, short twintails, fluffy hair, M-shaped bangs, hair between eyes, choppy bangs, long sidelocks, a left fang; wearing a solid tan deerstalker hat with a brown plaid trim band wrapped around the middle and back of the hat, its crown and brim in solid tan color, with a brown satin ribbon bow on top; brown satin ribbon decorations on the twin tails; no other head accessories except the brown plaid deerstalker hat and the brown satin ribbons on the twin tails. Wearing a clean white shirt with a dark brown bow tie, a short brown detective coat with a brown plaid shoulder cape design, decorative buttons on the cuffs, a brown plaid pleated mini skirt with exquisite gold trim on the hem, brown leather gloves, fingers enclosed together in a single pouch rather than separated, brown ski boots matched with the ski bindings, white short socks visible above the boots, and one black thigh strap only on the left thigh (none on the right).
The camera is positioned directly in front of her downhill path, mounted at snow level, with one of her ski boots passing extremely close to the lens, almost brushing against it, causing strong fisheye-like distortion on that nearer boot and ski, which appears dramatically oversized and slightly cropped at the frame edge. The other boot and ski remain farther from the lens and appear smaller by comparison, creating an exaggerated asymmetric depth difference between her two legs. The camera is looking steeply upward from ground level, with the lens physically lower than both skis and boots. She is above and slightly beyond the camera, flying toward and over the lens. The camera is never above her, never level with her torso, and never looking downward at her.
The perspective is strongly bottom-up with extreme wide-angle-lens-like distortion. The nearer boot and ski dominate a large portion of the lower foreground at dramatic scale, while her legs extend upward and backward from them toward her torso, growing progressively smaller and more distant with height. Her torso is farther away, and her head is higher and farther from the lens than her boots, creating clear vertical foreshortening from the snow surface up to her face. The viewer should feel physically underneath her, almost close enough to be grazed by her ski, as she passes overhead.
She is airborne during a steep downhill jump, leaning forward as she launches over the camera. Her body is tilted dynamically along the slope, with one knee bent higher than the other and one ski angled slightly higher than the other. Her arms spread unevenly for balance, both ski poles extending downward and backward toward the snow behind the camera, gripping the ski poles with a standard forward-facing grip, hands wrapped naturally around the pole handles with thumbs over the top, wrists in a straight natural line with the forearms. Her face turns downward toward the camera, maintaining direct eye contact while looking at the viewer beneath her.
Her hair, twin tails and plaid coat cape stream upward and backward from the force of her movement. Her expression is excited and lively, with a soft smile and slightly open mouth, bright eyes and flushed cheeks. The pose is asymmetric and dynamic, with the entire body suspended above the lens rather than standing upright or facing the camera like a portrait.
foreground: the extreme foreground is the snow immediately surrounding the camera lens and the nearer ski boot passing close by. Large amounts of snow powder, broken snow chunks and countless fine ice crystals explode upward from the skis as they pass extremely close to the camera, creating dense, layered snow spray at multiple depths. Thick bursts of powder erupt violently from both ski edges, with individual snow clumps and crystals visibly scattering outward in different directions and forming curved trails through the air. Some larger snow chunks and sharply defined ice crystals pass extremely close to the lens, while finer particles fill the surrounding air with a soft sparkling haze. Direct sunlight strikes the airborne snow crystals, producing intense pinpoint highlights, brilliant white flashes and clearly visible prismatic rainbow refractions. Individual ice crystals catch and split the sunlight into tiny spectral bands of red, orange, yellow, green, blue and violet, with subtle rainbow glints scattered throughout the snow spray. The nearest ski and boot dominate the lower portion of the frame with strong foreshortening and slight lens-edge cropping. Dense snow spray partially overlaps the lens without hiding her face.
midground: her legs, skis, boots and lower body occupy the central perspective above the camera, with the legs visibly extending away from the lens toward her torso. Her upper body remains sharply readable while appearing farther away than the skis and boots.
background: the steep snow slope rises behind and above her, extending uphill into the distance. The snow surface is seen from the camera's low position as a slanted plane receding behind her, with wind-carved ridges, disturbed powder and ski tracks. Only a narrow portion of pale sky and distant sunlit mountain peaks appears high behind her. The background remains secondary to the dramatic upward perspective.
Low winter sunlight shines from behind and above her, creating a bright rim of warm golden light around her hair, twin tails, coat cape and shoulders. Sunlight passes directly through the dense airborne snow spray, causing countless individual snowflakes and ice crystals to sparkle like tiny prisms. Each crystal catches the backlight with sharp specular highlights and produces delicate rainbow-colored refractions, creating scattered spectral glints throughout the illuminated snow cloud. The brightest crystals show distinct miniature bands of rainbow color rather than a single diffuse glow. Cool blue-white reflected light from the snow softly illuminates the underside of her body and face so that her expression remains visible despite the strong backlight. The skis, leather boots, bindings and plaid fabric receive sharp directional highlights while deeper shadows remain beneath her body and around the foreground snow spray. Strong atmospheric depth, extreme perspective, cinematic action composition, powerful sense of height, speed and motion, with brilliant sunlight sparkling through the dense flying snow.
AGDY
detective
AGDY
detective
AGDY
댓글