PixAI에서 프롬프트는 기본적으로 공개되지만, 창작자는 자신이 올린 작품마다 프롬프트를 숨길 수 있습니다. 이 작품의 창작자는 프롬프트를 숨기기로 선택했기 때문에, 이미지를 생성하는 데 사용한 단어는 창작자 본인만 볼 수 있습니다. 프롬프트를 숨겨도 그 외에는 달라지는 점이 없습니다. 작품은 그대로 공개되어 있고, 평소처럼 좋아요, 댓글, 공유를 할 수 있습니다.
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모델 및 LoRA 사용
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ぜせわ
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桜吹雪の忍姫
松縞環奈
nns_metallicglow_std, a polished anime style with clean linework, glossy reflective highlights, luminous skin, soft color transitions, and smooth illustrative shading, masterpiece, best quality, score_7, safe, 1girl, solo, An original young swordswoman in a pale pink and white kimono is caught mid-swing, her katana slicing diagonally through the golden light of a twilight garden. She has long wavy pink-white hair loosely tied with a floral hairpin, soft rose-colored eyes, and a determined half-smile. Her expression is confident and focused. Her right hand swings the katana forward in a decisive diagonal cut, her left hand is raised behind her for balance with the sleeve flaring outward, both arms clearly visible, her kimono skirt and long hair sweeping dramatically with the motion. A brilliant pink-white slash effect cuts across the entire frame like a glowing elemental arc, cherry blossom petals and light particles bursting outward along the blade's path, soft trailing motion streaks following the sword tip. Blooming cherry trees and a low wooden garden fence fill the background, warm golden-hour sunlight filters through the branches, floating petals drift across the scene. Warm golden and soft pink color palette, strong backlighting from the low sun, glowing rim light along the blade and petals, atmospheric depth, refined anime rendering, energetic and radiant mood. COMPOSITION: Compose the image as a dynamic diagonal composition at eye level, with the katana and slash effect crossing from one corner of the frame to the other. Show her from the waist up so the sword swing and facial expression are both clearly visible. Keep the swordswoman visually dominant in the frame. Keep the glowing slash arc clearly readable as it crosses the composition. Keep the cherry blossoms recognizable but secondary to the action.
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