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Darmani

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Darmani

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character: darmani black outline, sketch style, anime painting, colorful pop tone, image1 shows Darmani seated on his dais — keep his face, dreadlocks, beard, mighty bared torso; image2 shows the household partaking in the harvest — keep the faces of the red-haired boy with braid and glasses, the short-haired girl in white, the blue-haired girl, the black-haired girl. New scene: the Lord ascendant. Darmani has been reshaped by his two devoted lovers and his own will into the dominant fantasy male who will reign over Nerima: he rises from the dais towering and magnificent, and from behind his broad shoulders unfold four additional mighty arms — six arms in total, each sculpted in hyper-defined power, forming a graceful fan like a wrathful deity of old statuary, some hands holding emblems of rule: a golden key, a folded fan, a heart-shaped vessel of light. Gold vein-light runs across his dark skin, his dreadlocks crowned with a simple gold circlet, his expression keen with vast comprehension, serene command and beauty together. At his feet flank his two closest lovers, shaped to match him: Soun the reborn fairy-winged man with silk-perfect mustache and lean hyper-defined grace, and Kasumi in her garden-graced rapture, both utterly devoted, adoring him with upturned faces, hands pressed to their hearts, gold light binding the three of them in ribbons. Pulp 1950s romance-comic illustration meets 1990s anime OVA style, dramatic lantern lighting, cinematic wide composition, 1950s pulp romance comic style, 1990s anime OVA cel shading, 1280x853.
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원본 프롬프트
image1 shows Darmani seated on his dais — keep his face, dreadlocks, beard, mighty bared torso; image2 shows the household partaking in the harvest — keep the faces of the red-haired boy with braid and glasses, the short-haired girl in white, the blue-haired girl, the black-haired girl. New scene: the Lord ascendant. Darmani has been reshaped by his two devoted lovers and his own will into the dominant fantasy male who will reign over Nerima: he rises from the dais towering and magnificent, and from behind his broad shoulders unfold four additional mighty arms — six arms in total, each sculpted in hyper-defined power, forming a graceful fan like a wrathful deity of old statuary, some hands holding emblems of rule: a golden key, a folded fan, a heart-shaped vessel of light. Gold vein-light runs across his dark skin, his dreadlocks crowned with a simple gold circlet, his expression keen with vast comprehension, serene command and beauty together. At his feet flank his two closest lovers, shaped to match him: Soun the reborn fairy-winged man with silk-perfect mustache and lean hyper-defined grace, and Kasumi in her garden-graced rapture, both utterly devoted, adoring him with upturned faces, hands pressed to their hearts, gold light binding the three of them in ribbons. Pulp 1950s romance-comic illustration meets 1990s anime OVA style, dramatic lantern lighting,cinematic wide composition, 1950s pulp romance comic style, 1990s anime OVA cel shading, 1280x853.,black outline,sketch style,anime painting,colorful pop tone
모드
pro
품질 태그
﹝프롬프트﹞
크기
992 x 992
제외 조건
lowres, worst quality, low quality, bad anatomy, explicit
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Tsubaki.3 - AI Model 커버 이미지

PixAI DiT.3

Tsubaki.3
6.03k
colored comic style - AI Model 커버 이미지

사용자 LoRA

colored comic style
64

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AI artwork
Avatar image of Darmani
character: darmani black outline, sketch style, anime painting, colorful pop tone, image1 shows Darmani seated on his dais — keep his face, dreadlocks, beard, mighty bared torso; image2 shows the household partaking in the harvest — keep the faces of the red-haired boy with braid and glasses, the short-haired girl in white, the blue-haired girl, the black-haired girl. New scene: the Lord ascendant. Darmani has been reshaped by his two devoted lovers and his own will into the dominant fantasy male who will reign over Nerima: he rises from the dais towering and magnificent, and from behind his broad shoulders unfold four additional mighty arms — six arms in total, each sculpted in hyper-defined power, forming a graceful fan like a wrathful deity of old statuary, some hands holding emblems of rule: a golden key, a folded fan, a heart-shaped vessel of light. Gold vein-light runs across his dark skin, his dreadlocks crowned with a simple gold circlet, his expression keen with vast comprehension, serene command and beauty together. At his feet flank his two closest lovers, shaped to match him: Soun the reborn fairy-winged man with silk-perfect mustache and lean hyper-defined grace, and Kasumi in her garden-graced rapture, both utterly devoted, adoring him with upturned faces, hands pressed to their hearts, gold light binding the three of them in ribbons. Pulp 1950s romance-comic illustration meets 1990s anime OVA style, dramatic lantern lighting, cinematic wide composition, 1950s pulp romance comic style, 1990s anime OVA cel shading, 1280x853.
Darmani
AI artwork
Avatar image of Darmani
character: darmani black outline, sketch style, anime painting, colorful pop tone, image1 shows Darmani seated on his dais — keep his face, dreadlocks, beard, mighty bared torso; image2 shows the household partaking in the harvest — keep the faces of the red-haired boy with braid and glasses, the short-haired girl in white, the blue-haired girl, the black-haired girl. New scene: the Lord ascendant. Darmani has been reshaped by his two devoted lovers and his own will into the dominant fantasy male who will reign over Nerima: he rises from the dais towering and magnificent, and from behind his broad shoulders unfold four additional mighty arms — six arms in total, each sculpted in hyper-defined power, forming a graceful fan like a wrathful deity of old statuary, some hands holding emblems of rule: a golden key, a folded fan, a heart-shaped vessel of light. Gold vein-light runs across his dark skin, his dreadlocks crowned with a simple gold circlet, his expression keen with vast comprehension, serene command and beauty together. At his feet flank his two closest lovers, shaped to match him: Soun the reborn fairy-winged man with silk-perfect mustache and lean hyper-defined grace, and Kasumi in her garden-graced rapture, both utterly devoted, adoring him with upturned faces, hands pressed to their hearts, gold light binding the three of them in ribbons. Pulp 1950s romance-comic illustration meets 1990s anime OVA style, dramatic lantern lighting, cinematic wide composition, 1950s pulp romance comic style, 1990s anime OVA cel shading, 1280x853.
Darmani
AI artwork
Avatar image of Darmani
character: darmani black outline, sketch style, anime painting, colorful pop tone, image1 shows Darmani seated on his dais — keep his face, dreadlocks, beard, mighty bared torso; image2 shows the household partaking in the harvest — keep the faces of the red-haired boy with braid and glasses, the short-haired girl in white, the blue-haired girl, the black-haired girl. New scene: the Lord ascendant. Darmani has been reshaped by his two devoted lovers and his own will into the dominant fantasy male who will reign over Nerima: he rises from the dais towering and magnificent, and from behind his broad shoulders unfold four additional mighty arms — six arms in total, each sculpted in hyper-defined power, forming a graceful fan like a wrathful deity of old statuary, some hands holding emblems of rule: a golden key, a folded fan, a heart-shaped vessel of light. Gold vein-light runs across his dark skin, his dreadlocks crowned with a simple gold circlet, his expression keen with vast comprehension, serene command and beauty together. At his feet flank his two closest lovers, shaped to match him: Soun the reborn fairy-winged man with silk-perfect mustache and lean hyper-defined grace, and Kasumi in her garden-graced rapture, both utterly devoted, adoring him with upturned faces, hands pressed to their hearts, gold light binding the three of them in ribbons. Pulp 1950s romance-comic illustration meets 1990s anime OVA style, dramatic lantern lighting, cinematic wide composition, 1950s pulp romance comic style, 1990s anime OVA cel shading, 1280x853.
Darmani
AI artwork
Avatar image of Darmani
A cinematic, wide-composition illustration of the character from image1 towering magnificently as an ascendant lord on a dais, flanked at his feet by the two characters from image2. The massive man from image1 retains his dark skin, full black beard, dreadlocks, and mighty bared muscular torso, but now has six arms in total. Four additional hyper-defined arms unfold from behind his broad shoulders in a graceful fan like a wrathful deity. His hands hold emblems of rule: a golden key, a folded hand fan, and a heart-shaped vessel of light. Glowing gold vein-light runs across his skin, and his dreadlocks are crowned with a simple gold circlet. His expression radiates vast comprehension, serene command, and beauty. Crouched at his feet are the two figures from image2, gazing up with adoring faces and hands pressed to their hearts. On one side is the lean, hyper-defined muscular man from the right of image2, keeping his long black hair, blue eyes, and prominent black mustache, now with fairy wings on his back. On the other side is the woman from the left of image2, keeping her long black hair and blue eyes, rapturous in her dark off-the-shoulder kimono. Ribbons of solid gold light bind the three figures together. The environment is bathed in dramatic lantern lighting. The style is changed to a blend of 1950s pulp romance comic illustration and 1990s anime OVA cel shading.
Darmani

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AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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