매개변수 표시
- 크기
- 720 x 1280
- 샘플링 단계
- 11
- 샘플링 방식
- Euler
- CFG 스케일
- 5
- 제외 조건
- low quality, worst quality, bad anatomy, bad hands, deformed hands, extra fingers, fused fingers, mutated hands, deformed, blurry, out of focus, lowres, jpeg artifacts, grainy, watermark, text, signature, logo, censored, bar censor, mosaic censor, pixelated, covered nipples, covered pussy, underwear, bra, panties, clothes, extra limbs, missing limbs, mutated, ugly, disfigured, poorly drawn face, bad proportions, child, loli, shota, underage, old woman, elderly, fat man, small penis, cartoon, anime, 3d render, painting, drawing, illustration, multiple boys, gangbang, other man, white man, asian man, mirror reflection error, extra heads, floating objects, overexposed, underexposed, blonde hair, long hair, ponytail, twintails, braids, long black hair, medium hair, wavy hair, curly hair, hair bun, pigtails, sidelocks, yellow hair, light hair, old woman, child, loli, bad anatomy, deformed, extra limbs, blurry, low quality, blonde hair on girl, blonde hair, yellow hair, light hair, long hair, hinata blonde, black hair on male, black haired man, dark hair on raikage, wrong hair color, hair color swap, hair color mix, bad hair, deformed hair, (low quality:1.3), (worst quality:1.3), (blurry:1.2), (text:1.1), (watermark:1.1), (ugly:1.1), (deformed:1.1), (extra limbs:1.1), (missing limbs:1.1), (bad anatomy:1.1), (nsfw:1.3), (explicit:1.3), (clothed:1.2), (visible eyes, open eyes:1.3)
모델 및 LoRA 사용
비슷한 작품
자세히 보기
An adult woman around 29 years old stands inside a quiet hotel elevator at 8:40 PM, caught in the middle of checking her reflection in the polished metal doors. She wears a dark teal blouse tucked into high-waisted cream trousers, with simple black loafers and a thin leather belt. She carries a small structured handbag in one hand, while the other rests casually near her pocket. Her long dark hair is naturally styled and falls over one shoulder.
Instead of looking directly at the camera, she looks at her own reflection with a subtle smug expression, as though she is silently pleased with herself. Her reflection gives the viewer a second perspective of the same expression: slightly raised eyebrow, relaxed eyelids, and a small asymmetric smirk. Her posture is casual and confident, with her shoulders relaxed and her weight shifted naturally onto one leg.
Photograph the scene from inside the elevator using a professional full-frame camera with a 50mm lens at f/2.0, positioned slightly behind and to the side of her rather than directly facing her. Compose the image so both the woman and her reflection are clearly visible, with the camera itself remaining outside the reflected line of sight. Use the elevator's vertical metal seams and mirrored surfaces to create subtle geometric symmetry.
The elevator is illuminated by soft recessed ceiling lights with a warm-neutral tone, producing gentle highlights across the brushed metal walls and her hair. The polished doors create realistic secondary reflections, including slight perspective differences and natural falloff toward the edges. The surrounding hallway should be visible through the open elevator doors in soft focus, with warm wall lighting and a faintly blurred carpet pattern.
Make the final image ultra-photorealistic and physically believable, with natural skin pores, realistic facial asymmetry, individual hair strands, accurate hands and anatomy, authentic clothing texture, physically correct reflections and mirror behavior, subtle imperfections on the metal surfaces, realistic depth of field, natural 50mm perspective, restrained cinematic color grading, fine film grain, and the appearance of a genuine professional photograph captured spontaneously in an elevator.
Hinata Clapper
An adult woman around 29 years old stands inside a quiet hotel elevator at 8:40 PM, caught in the middle of checking her reflection in the polished metal doors. She wears a dark teal blouse tucked into high-waisted cream trousers, with simple black loafers and a thin leather belt. She carries a small structured handbag in one hand, while the other rests casually near her pocket. Her long dark hair is naturally styled and falls over one shoulder.
Instead of looking directly at the camera, she looks at her own reflection with a subtle smug expression, as though she is silently pleased with herself. Her reflection gives the viewer a second perspective of the same expression: slightly raised eyebrow, relaxed eyelids, and a small asymmetric smirk. Her posture is casual and confident, with her shoulders relaxed and her weight shifted naturally onto one leg.
Photograph the scene from inside the elevator using a professional full-frame camera with a 50mm lens at f/2.0, positioned slightly behind and to the side of her rather than directly facing her. Compose the image so both the woman and her reflection are clearly visible, with the camera itself remaining outside the reflected line of sight. Use the elevator's vertical metal seams and mirrored surfaces to create subtle geometric symmetry.
The elevator is illuminated by soft recessed ceiling lights with a warm-neutral tone, producing gentle highlights across the brushed metal walls and her hair. The polished doors create realistic secondary reflections, including slight perspective differences and natural falloff toward the edges. The surrounding hallway should be visible through the open elevator doors in soft focus, with warm wall lighting and a faintly blurred carpet pattern.
Make the final image ultra-photorealistic and physically believable, with natural skin pores, realistic facial asymmetry, individual hair strands, accurate hands and anatomy, authentic clothing texture, physically correct reflections and mirror behavior, subtle imperfections on the metal surfaces, realistic depth of field, natural 50mm perspective, restrained cinematic color grading, fine film grain, and the appearance of a genuine professional photograph captured spontaneously in an elevator.
Hinata Clapper
An adult woman around 29 years old stands inside a quiet hotel elevator at 8:40 PM, caught in the middle of checking her reflection in the polished metal doors. She wears a dark teal blouse tucked into high-waisted cream trousers, with simple black loafers and a thin leather belt. She carries a small structured handbag in one hand, while the other rests casually near her pocket. Her long dark hair is naturally styled and falls over one shoulder.
Instead of looking directly at the camera, she looks at her own reflection with a subtle smug expression, as though she is silently pleased with herself. Her reflection gives the viewer a second perspective of the same expression: slightly raised eyebrow, relaxed eyelids, and a small asymmetric smirk. Her posture is casual and confident, with her shoulders relaxed and her weight shifted naturally onto one leg.
Photograph the scene from inside the elevator using a professional full-frame camera with a 50mm lens at f/2.0, positioned slightly behind and to the side of her rather than directly facing her. Compose the image so both the woman and her reflection are clearly visible, with the camera itself remaining outside the reflected line of sight. Use the elevator's vertical metal seams and mirrored surfaces to create subtle geometric symmetry.
The elevator is illuminated by soft recessed ceiling lights with a warm-neutral tone, producing gentle highlights across the brushed metal walls and her hair. The polished doors create realistic secondary reflections, including slight perspective differences and natural falloff toward the edges. The surrounding hallway should be visible through the open elevator doors in soft focus, with warm wall lighting and a faintly blurred carpet pattern.
Make the final image ultra-photorealistic and physically believable, with natural skin pores, realistic facial asymmetry, individual hair strands, accurate hands and anatomy, authentic clothing texture, physically correct reflections and mirror behavior, subtle imperfections on the metal surfaces, realistic depth of field, natural 50mm perspective, restrained cinematic color grading, fine film grain, and the appearance of a genuine professional photograph captured spontaneously in an elevator.
Hinata Clapper
An adult woman around 31 years old is standing inside a contemporary art gallery at approximately 8:50 PM during a private evening exhibition. She is wearing a tailored ivory suit with a slightly oversized blazer, a black silk blouse underneath, and elegant black pointed-toe heels. She carries a small minimalist handbag and wears delicate geometric earrings and a thin metallic bracelet. Her dark brown hair is styled in a sleek low ponytail, with a few loose strands around her face. Her posture is relaxed and composed, with one hand resting lightly on the edge of a nearby pedestal.
Her expression is distinctly smug and self-assured: a restrained asymmetrical smirk, one eyebrow subtly raised, relaxed eyes, and a direct, knowing gaze toward the camera. She appears quietly entertained by something happening around her, as though she already knows she is in control of the situation. The expression should communicate confidence and subtle superiority without becoming cartoonish or overly exaggerated. Preserve realistic facial asymmetry, natural skin texture, and tiny micro-expressions around the eyes and mouth.
The gallery has tall white walls, polished concrete floors, large contemporary paintings, sculptural installations, minimalist benches, and discreet track lighting mounted on the ceiling. Several sophisticated guests are slowly walking through the exhibition in the distant background, softly blurred. Large windows reveal a dark city skyline outside, while reflections from the gallery lighting appear subtly on the polished floor. The environment should feel exclusive but believable, like a real contemporary art exhibition.
Photograph the scene with a professional full-frame camera using a 50mm prime lens at approximately f/1.8. Position the camera at eye level approximately four meters away, using a subtle three-quarter angle. Frame the woman from approximately mid-thigh upward, placing her slightly off-cente
Hinata Clapper
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