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PixAI iOS 앱 App Store 일시 다운로드 중단 안내 — PixAI 이용자 여러분께 현재 PixAI iOS 앱을 App Store에서 검색하거나 다운로드할 수 없는 상황입니다. 빠른 시일 내에 다시 다운로드하실 수 있도록 Apple 측과 적극적으로 협의하고 있으며 서비스…

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AI art "♡" featuring #Tsubaki.3
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#Tsubaki.3
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""", flat shading, soft gradient, clean lineart, flat shading, pale color, sketch, detail illustration, -2::simple illustration, cool lighting, pale color Create a realistic vertical smartphone screenshot showing only the BeReal. post screen, from the BeReal. logo to the bottom send button. Do not show a smartphone status bar, time, Wi-Fi, battery, signal icons, or anything above the BeReal. logo. Use a completely black background and a clean, minimal BeReal. interface. At the top, place the white "BeReal." logo centered horizontally. Below the logo, place the Japanese text "キャプションを追加..." in light gray, aligned toward the left. Below the caption, place one large rounded-corner photograph with a strict 3:4 portrait aspect ratio. The large photograph is the rear-camera photo. The large photograph should have a moderate height and leave enough black space below it for the send button. [REAR CAMERA PHOTO: 1girl,short bob cut, chin-length bob, bright pink hair, vibrant pink hair, smooth bob, soft hair, straight bangs, blunt bangs, single ahoge, crossed pink hair clip, glossy hair, hair highlights,large amber eyes, golden brown eyes, orange-gold gradient eyes, detailed irises, sparkling eyes, long eyelashes, soft gaze, gentle expression, slight smile, tiny mouth, tiny fang, light blush, fair skin,youthful face, small nose,cute face, round face, soft cheeks, warm amber eyes, vivid pink hair, iconic ahoge, crossed hairpin, the girl sitting at a stylish cafe, happily looking at a decorated dessert on the table, one hand lightly holding a spoon, natural relaxed pose, floral dress, light cream cardigan, small handbag beside her, photographed by another person from across the table, third-person photograph, not a selfie, no smartphone, no arm reaching toward the camera, stylish cafe interior clearly visible, tables, chairs and decorations in the background, realistic casual photograph] The rear-camera photograph is a third-person photograph taken by another person, not a selfie. The photographed character is not holding a camera or smartphone. Inside the upper-left area of the large 3:4 rear-camera photograph, place a clearly visible front-camera inset photo. The front-camera inset photo should be moderately large, approximately 30% of the width of the main photograph. The front-camera inset photo should have a portrait rectangular shape, slightly taller than it is wide, with clearly rounded corners. It must look like a real small smartphone photograph, not a tiny icon, not a tiny thumbnail, and not a square image. Place the front-camera inset photo inside the upper-left area of the large rear-camera photograph with a small margin from the top and left edges. The entire front-camera inset photo must remain inside the large 3:4 rear-camera photograph. The front-camera inset photo must have a clearly visible thick black rounded rectangular border around all four sides. The black border must completely surround the front-camera inset photo, including its rounded corners. The black border should be clearly separated from the rear-camera photograph and make the front-camera inset photo look like a distinct framed picture-in-picture window. [FRONT CAMERA PHOTO: 1girl, solo,long blue-gray hair, muted steel-blue hair, subtle white-silver hair streaks, a few thin white strands, white streaks in front hair, long straight hair, soft wavy ends, flat side-swept bangs, bangs swept to one side, flowing separated bang strands, forehead partially visible, long face-framing strands, long side locks, small side braid, long flowing hair, muted gray-brown eyes, mauve-gray irises, large almond-shaped eyes ,the girl taking a selfie while sitting inside a stylish cafe, smiling naturally, dessert and drink visible on the table, one arm naturally extended toward the camera as if taking a selfie, slightly high-angle selfie pose, face slightly tilted upward toward the camera, beige knit sweater, brown skirt, stylish cafe interior clearly visible behind her, tables, chairs and decorations in the background, realistic front-camera photograph] In the upper-right corner of the large rear-camera photograph, place a medium gray circular button with a white "×". Along the bottom portion of the large rear-camera photograph, place four interface controls in one horizontal row: a dark gray circular person icon, a dark gray rounded button with a group icon and "私の友達", a dark gray rounded button with a crossed-out speaker icon and "オフ", and a dark gray circular music note button. Keep all four controls comfortably inside the rear-camera photograph with visible space around them. Below the rear-camera photograph, leave a clearly visible large black footer area. At the center of this black footer area, place the large white Japanese text "送信" followed immediately by a white right-pointing triangle "▶". The complete "送信 ▶" must be clearly visible with generous black space around it. The bottom footer area and the "送信 ▶" control are an important part of the composition and must remain fully visible. Keep the rear-camera photograph moderately sized so that the BeReal. logo, caption, entire rear-camera photograph, front-camera inset photo, photo controls, black footer, and "送信 ▶" can all fit comfortably on the same screen. The final screen should clearly show this vertical order: BeReal. キャプションを追加... large 3:4 rear-camera photograph front-camera inset photo in the upper-left of the rear-camera photograph photo controls black footer 送信 ▶ Keep the interface clean and uncluttered. Do not add extra buttons, photographs, people, logos, menus, or text.
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원본 프롬프트
, flat shading, soft gradient, clean lineart, flat shading, pale color, sketch, detail illustration, -2::simple illustration, cool lighting, pale color Create a realistic vertical smartphone screenshot showing only the BeReal. post screen, from the BeReal. logo to the bottom send button. Do not show a smartphone status bar, time, Wi-Fi, battery, signal icons, or anything above the BeReal. logo. Use a completely black background and a clean, minimal BeReal. interface. At the top, place the white "BeReal." logo centered horizontally. Below the logo, place the Japanese text "キャプションを追加..." in light gray, aligned toward the left. Below the caption, place one large rounded-corner photograph with a strict 3:4 portrait aspect ratio. The large photograph is the rear-camera photo. The large photograph should have a moderate height and leave enough black space below it for the send button. [REAR CAMERA PHOTO: 1girl,short bob cut, chin-length bob, bright pink hair, vibrant pink hair, smooth bob, soft hair, straight bangs, blunt bangs, single ahoge, crossed pink hair clip, glossy hair, hair highlights,large amber eyes, golden brown eyes, orange-gold gradient eyes, detailed irises, sparkling eyes, long eyelashes, soft gaze, gentle expression, slight smile, tiny mouth, tiny fang, light blush, fair skin,youthful face, small nose,cute face, round face, soft cheeks, warm amber eyes, vivid pink hair, iconic ahoge, crossed hairpin, the girl sitting at a stylish cafe, happily looking at a decorated dessert on the table, one hand lightly holding a spoon, natural relaxed pose, floral dress, light cream cardigan, small handbag beside her, photographed by another person from across the table, third-person photograph, not a selfie, no smartphone, no arm reaching toward the camera, stylish cafe interior clearly visible, tables, chairs and decorations in the background, realistic casual photograph] The rear-camera photograph is a third-person photograph taken by another person, not a selfie. The photographed character is not holding a camera or smartphone. Inside the upper-left area of the large 3:4 rear-camera photograph, place a clearly visible front-camera inset photo. The front-camera inset photo should be moderately large, approximately 30% of the width of the main photograph. The front-camera inset photo should have a portrait rectangular shape, slightly taller than it is wide, with clearly rounded corners. It must look like a real small smartphone photograph, not a tiny icon, not a tiny thumbnail, and not a square image. Place the front-camera inset photo inside the upper-left area of the large rear-camera photograph with a small margin from the top and left edges. The entire front-camera inset photo must remain inside the large 3:4 rear-camera photograph. The front-camera inset photo must have a clearly visible thick black rounded rectangular border around all four sides. The black border must completely surround the front-camera inset photo, including its rounded corners. The black border should be clearly separated from the rear-camera photograph and make the front-camera inset photo look like a distinct framed picture-in-picture window. [FRONT CAMERA PHOTO: 1girl, solo,long blue-gray hair, muted steel-blue hair, subtle white-silver hair streaks, a few thin white strands, white streaks in front hair, long straight hair, soft wavy ends, flat side-swept bangs, bangs swept to one side, flowing separated bang strands, forehead partially visible, long face-framing strands, long side locks, small side braid, long flowing hair, muted gray-brown eyes, mauve-gray irises, large almond-shaped eyes ,the girl taking a selfie while sitting inside a stylish cafe, smiling naturally, dessert and drink visible on the table, one arm naturally extended toward the camera as if taking a selfie, slightly high-angle selfie pose, face slightly tilted upward toward the camera, beige knit sweater, brown skirt, stylish cafe interior clearly visible behind her, tables, chairs and decorations in the background, realistic front-camera photograph] In the upper-right corner of the large rear-camera photograph, place a medium gray circular button with a white "×". Along the bottom portion of the large rear-camera photograph, place four interface controls in one horizontal row: a dark gray circular person icon, a dark gray rounded button with a group icon and "私の友達", a dark gray rounded button with a crossed-out speaker icon and "オフ", and a dark gray circular music note button. Keep all four controls comfortably inside the rear-camera photograph with visible space around them. Below the rear-camera photograph, leave a clearly visible large black footer area. At the center of this black footer area, place the large white Japanese text "送信" followed immediately by a white right-pointing triangle "▶". The complete "送信 ▶" must be clearly visible with generous black space around it. The bottom footer area and the "送信 ▶" control are an important part of the composition and must remain fully visible. Keep the rear-camera photograph moderately sized so that the BeReal. logo, caption, entire rear-camera photograph, front-camera inset photo, photo controls, black footer, and "送信 ▶" can all fit comfortably on the same screen. The final screen should clearly show this vertical order: BeReal. キャプションを追加... large 3:4 rear-camera photograph front-camera inset photo in the upper-left of the rear-camera photograph photo controls black footer 送信 ▶ Keep the interface clean and uncluttered. Do not add extra buttons, photographs, people, logos, menus, or text.
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character: tenma_tsukasa "", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
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Avatar image of リオ
character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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