시간의 여신, 환상적인 시계탑의 주인
이번엔 은은한 핑크빛 머릿결이 매력적인 소녀를 그려봤어요. 거대한 시계탑 한가운데서 고요하게 미소 짓는 모습을 보니 마치 시간마저 멈춘 듯한 기분이 들더라고요. 여러분은 이 몽환적인 분위기가 마음에 드시나요? 마음에 드셨다면 좋아요와 팔로우 부탁드려요! 댓글로 함께 이야기해요〜
매개변수 표시
- 크기
- 768 x 1280
- 샘플링 단계
- 8
- 샘플링 방식
- Euler a
- CFG 스케일
- 1.2
- 제외 조건
- nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands
모델 및 LoRA 사용
비슷한 작품
자세히 보기
붉은 달과 시간의 틈새, 마치
별빛
붕괴: 스타레일 - 마치 사랑을 고백하는 듯한 핑크빛 소녀
별빛
시간의 여신, 에포나
이누
斯
1girl, kaleidoscope, velvet, and curiosity inspired modern geometric outfit, deep plum main color, smoky rose secondary color, ink navy structural accents, restrained muted teal hidden details, below-the-knee skirt length, compact structured upper silhouette combined with a softly angular semi-flared lower silhouette, smoky-rose three-quarter-sleeved stretch inner top, deep-plum cropped sleeveless vest with a deep clean V neckline and compact tailored shape, natural waist defined by a slim ink-navy matte leather belt, below-the-knee semi-flared skirt constructed from approximately eight triangular-to-trapezoidal facet panels, panels varying deliberately in width and angle rather than repeating uniformly, radial construction spreading outward from the central upper skirt toward the hem to abstract the changing geometry of a kaleidoscope without literal kaleidoscope prints, deep-plum outer panels remaining dominant, selected concealed inner panel surfaces in smoky rose and very limited muted teal appearing only as the skirt opens during movement, neighboring deep-plum velvet panels cut with deliberately different nap directions so identical fabric shifts visually between darker plum, warmer reddish plum and near-black violet depending on viewing angle and light direction, one narrow triangular muted-teal inset concealed near one side of the waist and visible only during movement or changes in body orientation, fine ink-navy geometric piping following selected facet seams, small functional polygonal clasp at the vest front, short repeated triangular stitch groups used sparingly, tiny matte-silver rivets placed only at selected panel junctions, restrained radial stitching across the waist belt, compact double-line back tab, extremely small muted-teal triangular accent tab, matte lightweight cotton velvet cropped vest, lightweight velvet used for major skirt facets combined with thin matte twill on selected inner panels to prevent excessive heaviness, soft stretch-jersey inner top, muted-teal matte satin used only for the concealed accent facet, ink-navy matte leather belt, compact thin facet-inspired side card-case pouch shaped as a pentagonal form with one clipped corner, ink-navy pouch body, deep-plum flap, tiny muted-teal inner tab and small matte-silver fastening, ink-navy low-heel strap shoes with subtly square-rounded toes, low block heels, deep-plum diagonal side panels, fine smoky-rose inner edging and small matte-silver polygonal buckles, sophisticated geometric and quietly playful aesthetic, rich tactile depth without classical costume styling, visual interest changing through viewing angle and movement, memorable radial facet skirt and velvet nap-direction construction, strict deep plum, smoky rose, ink navy and restrained muted teal color placement, below-the-knee semi-flared silhouette, no literal kaleidoscope prints, no rainbow palette, no excessive gemstones, no excessive metallic decoration, no excessive frills, no excessive ribbons, no idol-stage styling, no gothic-lolita styling, no fantasy robe styling
斯波将輝
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