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AI art "A.I.D (OCs) / A.I.D(オリキャラ)"
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A.I.D (OCs) / A.I.D(オリキャラ)

SSet in an alternate universe, in which the Supernatural Protection Agency had the idea to have each and every Squad of Operators create a band, that at minimum three of the squad's members are required to participate in during their quote-unquote free time. これは並行世界(IF世界)のお話。超常保護機関(SPA)が、すべての執行官部隊にバンドを結成させ、いわゆる自由時間の間に少なくとも三人のメンバーが参加することを義務付けるというアイデアを思いついた世界線。 In this timeline, Aurora, Iris, and Dystean decided to be the three required members of their Squad to become a band. このタイムラインでは、オーロラ、アイリス、ディスティアンの三人が、部隊の義務を果たすためにバンドを組むことになった。 ...They were surprisingly good at it. ……そして彼女たちは、驚くほどそれに才能があった。 So much so that they went viral, as a three-girl band, with no vocalist, and only a bassist, drummer, & guitarist. ボーカルなし、ベース、ドラム、ギターのみの三人組ガールズバンドとして、ネットで大バズりするほどに。 Surprisingly enough, the three also found it quite fun, enjoying it far more than any of them had expected. 驚いたことに、彼女たちもこれをかなり楽しんでおり、自分たちの予想を遥かに超えてハマっていた。 They named the band "A.I.D", pronounced "AID", it's an acronym for their names, Aurora, Iris, Dystean. バンド名は『A.I.D(エイド)』。メンバーそれぞれの名前(Aurora, Iris, Dystean)の頭文字を取ったアクロニム(頭字語)だ。 ....Yeah I won't even lie, I'm kind of just making shit up as I go because I wanted to make art of the three in a band lmao! Enjoy the art, and the sort-of lore drop. ……うん、まぁ嘘ついてもしょうがないから白状すると、ただバンドを組んでる三人のイラストが作りたかったから、完全にその場のノリでテキトーに設定をデッチ上げただけなんだけどね(爆笑)! イラストと、この一応の公式設定(?)を楽しんでいってね。 And for anyone wondering, yes Aurora is a part of the same Squad as Iris & Dystean. You'll likely be seeing a bit more of her soon too! ちなみに気になってる人のために言っておくと、そう、オーロラはアイリスやディスティアンと同じ部隊のメンバーです。近いうちに彼女の姿をもっと見かけることになると思うよ!

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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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