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Elvorn

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Elvorn

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beautiful light, best shadow, color blink, pEoNyoFLoVe, painterly-anime, oil pastel texture, chalky grain surface, soft volumetric shading, diffused ambient light, luminous bloom, loose gestural impasto work, cobalt-periwinkle palette, warm pastel tones, soft pastel pink, white speckle scatter, standing, upper body, looking at viewer, masterpiece, high quality, 1boy, solo, male focus, Aventurine from Honkai: Star Rail, Honkai: Star Rail character, exact visual recreation of the supplied composition and character design, young adult male with a slim lean build, pale light skin, tousled short sandy-blonde hair with slightly pinkish warm undertones, layered fluffy hair with irregular pointed locks framing the face, long bangs falling between and around the eyes, distinctive braid extending down from the viewer-right side of his hair beside the neck, vivid luminous purple-blue eyes with intense bright iridescent highlights, narrow expressive eyes, confident mischievous expression, wide sharp toothy grin, relaxed smug facial expression, subtle dark shading around the eyes, small blood smear and red scratch-like blood marking across the viewer-right side of the cheek and mouth area, dark neck tattoo visible on the front-right side of the neck, black sunglasses resting above the forehead and partially embedded among the hair, sunglasses with dark lenses and a dark frame, all established facial features and accessories preserved exactly. The character is lying flat on his back on a hard worn gray-green industrial floor, viewed directly from above from a close overhead camera positioned above his body, his head located in the upper-center portion of the frame and his torso extending downward toward the lower-center, his body aligned approximately vertically through the center of the composition, face looking directly upward toward the camera/viewer, both arms raised outward and upward toward the upper-left and upper-right portions of the frame, elbows bent naturally, shoulders spread apart, both hands lifted beside his head with palms facing directly toward the camera, fingers naturally spread, both visible hands anatomically complete with one thumb and four individually defined fingers, believable finger joints and wrists, black fingerless gloves covering the palms and backs of the hands while leaving the fingers visibly exposed. The character wears a loose black short-sleeved shirt with a high dark neckline, layered with a dark tactical chest harness/utility rig wrapped across the upper torso, multiple thick black straps crossing horizontally and diagonally over the chest and abdomen, dark rectangular utility pouches attached to the front-right side of the chest harness, small metallic fasteners and hardware catching subtle highlights, a dark belt wrapped around the waist with a large rectangular silver-metal belt buckle positioned near the center of the lower-middle frame, black pants extending downward toward the bottom of the image, a small exposed strip of pale skin visible between the lower edge of the shirt and the waistband on the viewer-right side of the waist, natural fabric folds and compression where the character's body contacts the floor. Both forearms extend diagonally outward from the torso toward the upper corners, pale skin visible between the fingerless gloves and short sleeves, natural arm anatomy and believable elbow joints, viewer-left arm extending toward the far upper-left side of the frame, viewer-right arm extending toward the far upper-right side, hands remaining clearly visible and separated from the surrounding environment. The character's body is relaxed against the floor while his raised arms and confident grin create a playful, defiant pose. The immediate foreground and midground consist of a worn dark gray-green industrial or concrete-like floor surrounding the character, visibly textured with rough matte surfaces, scratches, grime, irregular tonal variation, scattered debris and damaged fragments. In the upper-left background, partially outside the main composition, a dark black firearm lies diagonally across the floor, its long barrel and dark mechanical body extending toward the upper-left frame edge, clearly separate from the character and positioned behind his raised viewer-left arm. Around the lower-left and lower-center background are several irregular pale broken fragments and debris pieces resting on the floor, with angular chipped shapes and muted off-white surfaces. Along the viewer-right side of the floor are multiple dark shoe or boot tread impressions arranged diagonally and partially fading toward the background, creating a visible trail of textured footprints. Additional damaged floor markings, cracks, grime, scattered fragments, and subtle industrial wear surround the character without obscuring him. The composition is a tight vertical portrait-oriented overhead shot, camera directly above the character and aimed straight downward, strong top-down perspective with the character centered in the frame, head in the upper-center, chest and harness occupying the central region, waist and belt extending into the lower-center, both raised hands framing the head from the upper-left and upper-right sides, arms forming a broad diagonal V-like arrangement around the torso. The character fills most of the frame, with the hands approaching the upper side edges and the lower torso continuing toward the bottom edge. The floor remains visible around the silhouette, especially along the right side and lower-left regions. Preserve the exact relative proportions, framing, camera distance, body placement, limb positioning, and visual arrangement of the original composition. Lighting is subdued cinematic industrial illumination from above and slightly toward the viewer-right, producing soft directional highlights across the face, hair, exposed arms, gloves, tactical harness, belt buckle, and floor while maintaining deep muted shadows beneath the body and around clothing folds. A narrow brighter highlight crosses the viewer-right side of the face and cheek, emphasizing the blood marking and grin. Hair contains layered soft highlights with darker interior strands. The pale skin contrasts naturally against the predominantly black clothing and dark gray-green environment. Metallic buckles, harness hardware, sunglasses, and other small metal components produce restrained sharp reflections. Floor surfaces receive soft uneven illumination with darker grime-filled regions and subtle contact shadows beneath the character and scattered objects. Highly detailed polished anime illustration, Tsubaki.2 rendering, refined anime linework, expressive detailed eyes, layered individual hair strands, controlled cel-shaded and soft illustrative shading, detailed fabric folds, realistic material separation within anime rendering, carefully rendered tactical clothing and harness hardware, coherent anatomy, precise hands and fingers, detailed industrial floor texture, cinematic overhead composition, strong character-focused framing, muted dark color palette, subtle contrast, atmospheric gritty environment, dramatic but controlled lighting, high visual fidelity, crisp facial details, detailed eyes and hair, polished digital illustration, coherent perspective, physically consistent object placement, faithful character silhouette, faithful clothing construction, faithful accessories, faithful pose, faithful environment arrangement, faithful overhead viewpoint, exact same overall visual composition and scene structure as the supplied image, single character only, no scene redesign, no character redesign, clean image surfaces without captions or interface elements, maximum practical visual fidelity and consistency.
매개변수 표시
원본 프롬프트
1boy, solo, male focus, Aventurine from Honkai: Star Rail, Honkai: Star Rail character, exact visual recreation of the supplied composition and character design, young adult male with a slim lean build, pale light skin, tousled short sandy-blonde hair with slightly pinkish warm undertones, layered fluffy hair with irregular pointed locks framing the face, long bangs falling between and around the eyes, distinctive braid extending down from the viewer-right side of his hair beside the neck, vivid luminous purple-blue eyes with intense bright iridescent highlights, narrow expressive eyes, confident mischievous expression, wide sharp toothy grin, relaxed smug facial expression, subtle dark shading around the eyes, small blood smear and red scratch-like blood marking across the viewer-right side of the cheek and mouth area, dark neck tattoo visible on the front-right side of the neck, black sunglasses resting above the forehead and partially embedded among the hair, sunglasses with dark lenses and a dark frame, all established facial features and accessories preserved exactly. The character is lying flat on his back on a hard worn gray-green industrial floor, viewed directly from above from a close overhead camera positioned above his body, his head located in the upper-center portion of the frame and his torso extending downward toward the lower-center, his body aligned approximately vertically through the center of the composition, face looking directly upward toward the camera/viewer, both arms raised outward and upward toward the upper-left and upper-right portions of the frame, elbows bent naturally, shoulders spread apart, both hands lifted beside his head with palms facing directly toward the camera, fingers naturally spread, both visible hands anatomically complete with one thumb and four individually defined fingers, believable finger joints and wrists, black fingerless gloves covering the palms and backs of the hands while leaving the fingers visibly exposed. The character wears a loose black short-sleeved shirt with a high dark neckline, layered with a dark tactical chest harness/utility rig wrapped across the upper torso, multiple thick black straps crossing horizontally and diagonally over the chest and abdomen, dark rectangular utility pouches attached to the front-right side of the chest harness, small metallic fasteners and hardware catching subtle highlights, a dark belt wrapped around the waist with a large rectangular silver-metal belt buckle positioned near the center of the lower-middle frame, black pants extending downward toward the bottom of the image, a small exposed strip of pale skin visible between the lower edge of the shirt and the waistband on the viewer-right side of the waist, natural fabric folds and compression where the character's body contacts the floor. Both forearms extend diagonally outward from the torso toward the upper corners, pale skin visible between the fingerless gloves and short sleeves, natural arm anatomy and believable elbow joints, viewer-left arm extending toward the far upper-left side of the frame, viewer-right arm extending toward the far upper-right side, hands remaining clearly visible and separated from the surrounding environment. The character's body is relaxed against the floor while his raised arms and confident grin create a playful, defiant pose. The immediate foreground and midground consist of a worn dark gray-green industrial or concrete-like floor surrounding the character, visibly textured with rough matte surfaces, scratches, grime, irregular tonal variation, scattered debris and damaged fragments. In the upper-left background, partially outside the main composition, a dark black firearm lies diagonally across the floor, its long barrel and dark mechanical body extending toward the upper-left frame edge, clearly separate from the character and positioned behind his raised viewer-left arm. Around the lower-left and lower-center background are several irregular pale broken fragments and debris pieces resting on the floor, with angular chipped shapes and muted off-white surfaces. Along the viewer-right side of the floor are multiple dark shoe or boot tread impressions arranged diagonally and partially fading toward the background, creating a visible trail of textured footprints. Additional damaged floor markings, cracks, grime, scattered fragments, and subtle industrial wear surround the character without obscuring him. The composition is a tight vertical portrait-oriented overhead shot, camera directly above the character and aimed straight downward, strong top-down perspective with the character centered in the frame, head in the upper-center, chest and harness occupying the central region, waist and belt extending into the lower-center, both raised hands framing the head from the upper-left and upper-right sides, arms forming a broad diagonal V-like arrangement around the torso. The character fills most of the frame, with the hands approaching the upper side edges and the lower torso continuing toward the bottom edge. The floor remains visible around the silhouette, especially along the right side and lower-left regions. Preserve the exact relative proportions, framing, camera distance, body placement, limb positioning, and visual arrangement of the original composition. Lighting is subdued cinematic industrial illumination from above and slightly toward the viewer-right, producing soft directional highlights across the face, hair, exposed arms, gloves, tactical harness, belt buckle, and floor while maintaining deep muted shadows beneath the body and around clothing folds. A narrow brighter highlight crosses the viewer-right side of the face and cheek, emphasizing the blood marking and grin. Hair contains layered soft highlights with darker interior strands. The pale skin contrasts naturally against the predominantly black clothing and dark gray-green environment. Metallic buckles, harness hardware, sunglasses, and other small metal components produce restrained sharp reflections. Floor surfaces receive soft uneven illumination with darker grime-filled regions and subtle contact shadows beneath the character and scattered objects. Highly detailed polished anime illustration, Tsubaki.2 rendering, refined anime linework, expressive detailed eyes, layered individual hair strands, controlled cel-shaded and soft illustrative shading, detailed fabric folds, realistic material separation within anime rendering, carefully rendered tactical clothing and harness hardware, coherent anatomy, precise hands and fingers, detailed industrial floor texture, cinematic overhead composition, strong character-focused framing, muted dark color palette, subtle contrast, atmospheric gritty environment, dramatic but controlled lighting, high visual fidelity, crisp facial details, detailed eyes and hair, polished digital illustration, coherent perspective, physically consistent object placement, faithful character silhouette, faithful clothing construction, faithful accessories, faithful pose, faithful environment arrangement, faithful overhead viewpoint, exact same overall visual composition and scene structure as the supplied image, single character only, no scene redesign, no character redesign, clean image surfaces without captions or interface elements, maximum practical visual fidelity and consistency.
모드
standard
크기
960 x 1280

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비슷한 작품

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AI artwork
Avatar image of Elvorn
beautiful light, best shadow, color blink, pEoNyoFLoVe, painterly-anime, oil pastel texture, chalky grain surface, soft volumetric shading, diffused ambient light, luminous bloom, loose gestural impasto work, cobalt-periwinkle palette, warm pastel tones, soft pastel pink, white speckle scatter, standing, upper body, looking at viewer, masterpiece, high quality, 1boy, solo, male focus, Aventurine from Honkai: Star Rail, Honkai: Star Rail character, exact visual recreation of the supplied composition and character design, young adult male with a slim lean build, pale light skin, tousled short sandy-blonde hair with slightly pinkish warm undertones, layered fluffy hair with irregular pointed locks framing the face, long bangs falling between and around the eyes, distinctive braid extending down from the viewer-right side of his hair beside the neck, vivid luminous purple-blue eyes with intense bright iridescent highlights, narrow expressive eyes, confident mischievous expression, wide sharp toothy grin, relaxed smug facial expression, subtle dark shading around the eyes, small blood smear and red scratch-like blood marking across the viewer-right side of the cheek and mouth area, dark neck tattoo visible on the front-right side of the neck, black sunglasses resting above the forehead and partially embedded among the hair, sunglasses with dark lenses and a dark frame, all established facial features and accessories preserved exactly. The character is lying flat on his back on a hard worn gray-green industrial floor, viewed directly from above from a close overhead camera positioned above his body, his head located in the upper-center portion of the frame and his torso extending downward toward the lower-center, his body aligned approximately vertically through the center of the composition, face looking directly upward toward the camera/viewer, both arms raised outward and upward toward the upper-left and upper-right portions of the frame, elbows bent naturally, shoulders spread apart, both hands lifted beside his head with palms facing directly toward the camera, fingers naturally spread, both visible hands anatomically complete with one thumb and four individually defined fingers, believable finger joints and wrists, black fingerless gloves covering the palms and backs of the hands while leaving the fingers visibly exposed. The character wears a loose black short-sleeved shirt with a high dark neckline, layered with a dark tactical chest harness/utility rig wrapped across the upper torso, multiple thick black straps crossing horizontally and diagonally over the chest and abdomen, dark rectangular utility pouches attached to the front-right side of the chest harness, small metallic fasteners and hardware catching subtle highlights, a dark belt wrapped around the waist with a large rectangular silver-metal belt buckle positioned near the center of the lower-middle frame, black pants extending downward toward the bottom of the image, a small exposed strip of pale skin visible between the lower edge of the shirt and the waistband on the viewer-right side of the waist, natural fabric folds and compression where the character's body contacts the floor. Both forearms extend diagonally outward from the torso toward the upper corners, pale skin visible between the fingerless gloves and short sleeves, natural arm anatomy and believable elbow joints, viewer-left arm extending toward the far upper-left side of the frame, viewer-right arm extending toward the far upper-right side, hands remaining clearly visible and separated from the surrounding environment. The character's body is relaxed against the floor while his raised arms and confident grin create a playful, defiant pose. The immediate foreground and midground consist of a worn dark gray-green industrial or concrete-like floor surrounding the character, visibly textured with rough matte surfaces, scratches, grime, irregular tonal variation, scattered debris and damaged fragments. In the upper-left background, partially outside the main composition, a dark black firearm lies diagonally across the floor, its long barrel and dark mechanical body extending toward the upper-left frame edge, clearly separate from the character and positioned behind his raised viewer-left arm. Around the lower-left and lower-center background are several irregular pale broken fragments and debris pieces resting on the floor, with angular chipped shapes and muted off-white surfaces. Along the viewer-right side of the floor are multiple dark shoe or boot tread impressions arranged diagonally and partially fading toward the background, creating a visible trail of textured footprints. Additional damaged floor markings, cracks, grime, scattered fragments, and subtle industrial wear surround the character without obscuring him. The composition is a tight vertical portrait-oriented overhead shot, camera directly above the character and aimed straight downward, strong top-down perspective with the character centered in the frame, head in the upper-center, chest and harness occupying the central region, waist and belt extending into the lower-center, both raised hands framing the head from the upper-left and upper-right sides, arms forming a broad diagonal V-like arrangement around the torso. The character fills most of the frame, with the hands approaching the upper side edges and the lower torso continuing toward the bottom edge. The floor remains visible around the silhouette, especially along the right side and lower-left regions. Preserve the exact relative proportions, framing, camera distance, body placement, limb positioning, and visual arrangement of the original composition. Lighting is subdued cinematic industrial illumination from above and slightly toward the viewer-right, producing soft directional highlights across the face, hair, exposed arms, gloves, tactical harness, belt buckle, and floor while maintaining deep muted shadows beneath the body and around clothing folds. A narrow brighter highlight crosses the viewer-right side of the face and cheek, emphasizing the blood marking and grin. Hair contains layered soft highlights with darker interior strands. The pale skin contrasts naturally against the predominantly black clothing and dark gray-green environment. Metallic buckles, harness hardware, sunglasses, and other small metal components produce restrained sharp reflections. Floor surfaces receive soft uneven illumination with darker grime-filled regions and subtle contact shadows beneath the character and scattered objects. Highly detailed polished anime illustration, Tsubaki.2 rendering, refined anime linework, expressive detailed eyes, layered individual hair strands, controlled cel-shaded and soft illustrative shading, detailed fabric folds, realistic material separation within anime rendering, carefully rendered tactical clothing and harness hardware, coherent anatomy, precise hands and fingers, detailed industrial floor texture, cinematic overhead composition, strong character-focused framing, muted dark color palette, subtle contrast, atmospheric gritty environment, dramatic but controlled lighting, high visual fidelity, crisp facial details, detailed eyes and hair, polished digital illustration, coherent perspective, physically consistent object placement, faithful character silhouette, faithful clothing construction, faithful accessories, faithful pose, faithful environment arrangement, faithful overhead viewpoint, exact same overall visual composition and scene structure as the supplied image, single character only, no scene redesign, no character redesign, clean image surfaces without captions or interface elements, maximum practical visual fidelity and consistency.
Elvorn

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추천 사용자

당신에게 추천

AI artwork
Avatar image of Kani x
character: tenma_tsukasa "", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
#프로젝트 세카이 컬러풀 스테이지!#텐마 츠카사
AI artwork
Avatar image of リオ
character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
9#카가미네 린#보컬로이드#로파이(Lofi) 드림
AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
4#진격의 거인#미카사 아커만
홈모델생성프로필