A cinematic anime illustration in Muromachi-futurism style, fusing Sengoku-era Japanese aesthetics with steampunk and biopunk technology. A young woman with long black hair stands on the wooden balcony of a treehouse dwelling, wearing a loose, casual yukata slipping off one shoulder; her visible left arm is a polished cybernetic prosthetic with brass fittings, copper gears and glowing teal seams, and a mechanical kitsune mask hangs from her obi sash. She rests one hand on the wooden railing, gazing out over the city in a relaxed, elegant pose. The treehouse city: colossal ancient trees with wooden houses, neon-lit shoji screens and carbon-fiber reinforced beams built among the branches, connected by arched wooden bridges wrapped in steam pipes and copper valves. Below the balcony flows an open-air hot spring river, thick water vapor rising into warm lantern light; in the background a crowd of men and women in colorful yukata cross the great bridge, while groups of naked men and women soak in the steaming spring river below, their forms softly veiled by rising onsen steam. Bioluminescent moss on the woodwork, glowing paper lanterns, a floating pagoda silhouette in the misty distance. Warm golden evening lighting mixed with teal neon accents, soft atmospheric haze, wide-angle view from slightly behind and above the girl showing the sprawling forest city and hot spring river below, extremely detailed anime background art, dramatic layered lighting.
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