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AI art "尾丸ポルカのセルフィー・ホロライブ" featuring #금발, #휴대폰, #검은 원피스, #소녀, #셀카, #민소매 원피스, #홀로라이브 프로덕션 and #오마루 폴카
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尾丸ポルカのセルフィー・ホロライブ

ホロライブの尾丸ポルカちゃんの大人っぽい私服姿です。彼女の可愛らしさとセクシーさが絶妙にマッチしていて、思わず見惚れてしまいました！気に入ったらいいねとフォローをお願いします。コメントで感想も聞かせてね〜

#금발#휴대폰#검은 원피스#소녀#셀카#민소매 원피스#홀로라이브 프로덕션#오마루 폴카
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chinatyu

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character: omaru_polka, copyright: hololive Omaru Polka from Hololive. A solid black mini-length dress. Camisole style with thin shoulder straps and a natural round neckline. A tight silhouette that follows the lines of the body. The length is mini, with the hem naturally ending between the upper and middle part of the thighs. It should be a natural mini length, not an ultra-mini. The fabric is thin, soft, and a highly elastic stretch material. The surface has a matte texture with no excessive gloss. Realistically express the tension of the fabric when worn, natural wrinkles, and a three-dimensional feel that follows the body. 【Circular Holes: Most Important Condition】 Provide a total of 10 completely penetrated circular holes in the fabric of the dress. The number of holes must be exactly 10. The diameter of every hole is 10cm. All 10 holes are the same size. The holes are perfect circles. Oval or irregular shapes are forbidden. Not a pattern or print, but a structure where the fabric is actually cut out in circles. No lining or mesh inside the holes. The wearer's skin or the space behind them should be naturally visible through the holes. The edges of the holes are thin and naturally finished. Do not add unnatural thickness or decoration around the edges of the holes. 【Placement of Holes: Most Important Condition】 Place the 10 circular holes at completely random positions on the fabric of the dress. Do not give the placement of the holes any design-based beauty or regularity. The position of each hole is determined independently and at random. They do not need to be evenly distributed top, bottom, left, or right. It is fine if the holes are biased toward specific areas. The distance between holes should be irregular, and it is fine for areas where they are close together and large blank spaces to coexist naturally. However, the holes must not overlap; each must maintain an independent circle. When placing the holes, leave enough fabric so that it still functions as a garment. Place them so that private areas are not exposed when worn. 【Forbidden Hole Placements】 Symmetrical left-to-right Alternating left and right Zigzag A single vertical column A single horizontal row Equidistant Grid-like Staggered/Quincunx placement Regular arrays Evenly scattered placement Alignment prioritized for appearance Changing the size of the holes The 10 holes should look as if 10 randomly chosen locations were cut into circles, rather than being an intentionally designed arrangement. Determine a new placement of holes for every image generated; do not reuse the placement from previous generated images. 【Outfit Fitting】 The outfit should fit naturally to the body type of the person in the reference image. The fabric stretches naturally according to the three-dimensional shape of the body. Express natural deformation and shading caused by fabric tension even around the holes. However, the holes themselves should maintain a perfect circle as much as possible. Unnatural lifting, excessive wrinkles, or a hard plastic-like texture are forbidden. The outfit must be a one-piece dress, not split into top and bottom. 【Shooting Conditions】 Make the person blend naturally into the background. A natural and realistic smartphone photo, as if taken with an iPhone 16 Pro. Prioritize a composition where the person's full body and the length of the dress can be confirmed. Vertical composition, 9:16.
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원본 프롬프트
ホロライブの尾丸ポルカ 黒一色のミニ丈ワンピース。 細い肩紐を持つキャミソール型で、胸元は自然なラウンドネック。 身体のラインに沿うタイトなシルエット。 丈はミニ丈で、裾は太ももの上部〜中間あたりにくる自然な短さとする。 ウルトラミニではなく、一般的に見て自然なミニ丈であること。 生地は薄手で柔らかく、伸縮性の高いストレッチ素材。 表面はマットな質感で、過度な光沢はない。 着用時の生地の張力、自然なシワ、身体に沿った立体感をリアルに表現する。 【円形の穴：最重要条件】 ワンピースの生地に、完全に貫通した円形の穴を合計10個設ける。 穴の数は正確に10個。 すべての穴の直径は10cm。 10個すべて同じ大きさ。 穴は完全な円形。 楕円形や不規則な形状は禁止。 模様やプリントではなく、生地を実際に円形に切り抜いた構造。 穴の内側に裏地やメッシュを設けない。 穴からは着用者の肌、または背後の空間が自然に見える。 穴の縁は薄く自然な仕上げ。 穴の周囲に不自然な厚みや装飾を加えない。 【穴の配置：最重要条件】 10個の円形の穴を、ワンピースの生地上に完全にランダムな位置で配置する。 穴の配置にデザイン的な美しさや規則性を持たせない。 各穴の位置は、それぞれ独立して無作為に決定する。 上下左右に均等に分散させる必要はない。 特定の場所に穴が偏っていても構わない。 穴同士の距離は不規則とし、近接する場所と大きな空白部分が自然に混在していてもよい。 ただし、穴同士は重ならず、それぞれ独立した円形を維持する。 穴を配置する際は、衣装として成立するように生地を適切に残す。 着用時にプライベートな部位が露出しないように配置する。 【禁止する穴の配置】 左右対称 左右交互 ジグザグ 縦一列 横一列 等間隔 格子状 千鳥配置 規則的な配列 均等に散らばった配置 見栄えを優先した整列 穴の大きさの変更 10個の穴は、意図的にデザインされた配置ではなく、無作為に選んだ10か所を円形に切り抜いたような状態にする。 画像を生成するたびに穴の配置を新しく決定し、過去の生成画像と同じ配置を再利用しない。 【衣装のフィッティング】 衣装は参照画像の人物の体型に自然にフィットさせる。 身体の立体感に合わせて生地が自然に伸縮する。 穴の周囲にも、生地の張力による自然な変形や陰影を表現する。 ただし、穴自体は可能な限り正円を維持する。 不自然な浮き、過剰なシワ、硬いプラスチックのような質感は禁止。 衣装は上下に分割せず、必ず一体型のワンピースとする。 【撮影条件】 人物が背景に自然に馴染むようにする。 iPhone 16 Proで撮影したような、自然でリアルなスマートフォン写真。 人物の全身とワンピースの丈が確認できる構図を優先する。 縦構図、9:16。
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Tsubaki.3 Flash - AI Model 커버 이미지

PixAI DiT.3

Tsubaki.3 Flash
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AI artwork
Avatar image of Kani x
character: tenma_tsukasa "", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
1#프로젝트 세카이 컬러풀 스테이지!#텐마 츠카사
AI artwork
Avatar image of リオ
character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
14#카가미네 린#보컬로이드#로파이(Lofi) 드림
AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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5#진격의 거인#미카사 아커만
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