📢 로그인 문제 해결 안내 — 오늘 일부 사용자에게 PixAI 계정이 예기치 않게 로그아웃되는 현상이 발생했습니다. 해당 문제는 서버 측 오류로 확인되었으며, 현재는 정상적으로 해결되었습니다. 로그아웃된 경우 앱 또는 브라우저를 다시 실행한 뒤…

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AI art "end day Lui" featuring #붉은 달, #핑거리스 글러브, #보름달, #빛나는 눈, #홀로라이브 프로덕션, #타카네 루이 and #타카네 루이
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end day Lui

#붉은 달#핑거리스 글러브#보름달#빛나는 눈#홀로라이브 프로덕션#타카네 루이#타카네 루이
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character: takane_lui_\(1st_costume\). A high-angle side view depicts takane_lui_\(1st_costume\) jumping backward and running away from the viewer, looking in the opposite direction. She has a berserk expression of reluctance, with glowing killer eyes and blood splattered across her face. Her signature pink hair is adorned with a black hairband and head-wings. She wears her first costume—a white long-sleeved shirt with a necktie and high-waist shorts with pantyhose—which is now damaged and covered in dust. In her hand, she firmly grips a long black whip, which creates visible waving traces in the air. The scene is set during a "Zombie Night" under a massive blood moon, with a dusty, dreamlike atmosphere. The foreground features the afterimage of a zombie being blasted away, as she has just swung her weapon into the zombie's stomach. The image has a refined, hand-painted animation style with dramatic light and shadow, emphasizing the motion of her limbs.
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원본 프롬프트
Correct number of fingers,Dusty background,Dreamlike,from side, high view fierce angry looking zombies , night , Dreamy Light and Shadow,Refined style,A look of reluctance,Zombie Night,swinging the Odachi zombie in the stomach.,berserk expression, blood moon background, blood on face,Damaged clothes,hand-painted feelingm,solo,clear animation style,foucs main character and limbs,perfect hands, detailed hands, The afterimage of the zombie being blasted away,Takane Lui(hololive,1st costume,Dust on clothing,Damaged clothing,Killer eyes(Eyes light),Holding long whip(black,traces of waving) ,Whip zombie,Jump backward,running,looking other way
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AI artwork
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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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