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AI art "Wait, wait! I’m not going to attack you!! 08"
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Wait, wait! I’m not going to attack you!! 08

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PixAI Tsubaki.3 창작 콘테스트 오픈#Tsubaki.3
#눈물#모자#흑발#공포#벌레#입 벌리기#셔츠#바지#가방#소년#달리기#실내#우는#해골#도망#검은 바지
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nagka

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A hilarious Japanese gag manga illustration inside a grand natural history museum after closing time. A terrified male night security guard is desperately sprinting away from a gigantic living dinosaur skeleton, while the bewildered skeleton rushes after him trying to explain that it means no harm. The central joke is the contrast between the guard's extreme fear and the skeleton's equally extreme panic at being misunderstood. Both characters are flustered, both display exaggerated comic sweat marks, but for completely different reasons. In the left foreground, the adult male security guard is running at absurd full speed in an exaggerated Japanese gag manga pose. His torso pitches sharply forward, his legs stretch into a frantic stride, and his arms flail wildly as he tries to escape. He wears a dark navy museum security uniform, a crooked cap, a utility belt, and black shoes. His face shows exaggerated panic: enormous bulging eyes, tiny trembling pupils, sharply raised eyebrows, a huge open screaming mouth, and dense crosshatched stress lines across his forehead. Large stylized blue comic sweat drops burst outward from both sides of his face, with several smaller droplets flying above and behind his head like a fountain. His expression and body language unmistakably communicate "AAAAH! DON'T COME NEAR ME!" without requiring written dialogue. Dust puffs and jagged motion marks trail behind his shoes. He stares desperately in the direction he is fleeing, never looking at the viewer. Immediately behind him, a towering articulated dinosaur skeleton is running after him on its long bony legs. Its enormous skull, curved rib cage, vertebrae, exposed joints, and long tail are clearly recognizable as a museum skeleton exhibit that has mysteriously come alive. Despite its imposing size, its personality is gentle and harmless. Its long neck bends forward, its skull tilts awkwardly to one side, and its jaws are slightly open in an anxious attempt to call out. One bony forelimb reaches toward the guard with an open, non-threatening palm, as if pleading "Wait, wait! Please stop running! I'm not trying to hurt you!" Its other forelimb swings awkwardly as it struggles to keep up. The skeleton is trying to reassure the guard, not attack or capture him. The dinosaur skeleton also has unmistakable exaggerated Japanese manga panic symbols. Several large stylized blue comic sweat drops burst outward around the sides of its skull and temple bones, with smaller droplets scattered above its head and near its neck. The marks float clearly outside the bare bone structure, like the conventional oversized sweat symbols used to show a flustered character in Japanese gag manga. They are graphic symbols, not actual sweat on bone. The skeleton's awkwardly tilted skull, raised bony forelimb, and explosive sweat marks make it obvious that it is desperately worried about being misunderstood. Its comical distress contrasts with the guard's terror: the guard fears being eaten, while the dinosaur is simply trying to explain that it is friendly. The chase is captured from a dynamic low three-quarter side angle. The guard occupies a large portion of the left foreground, with his face, flailing arms, flying sweat drops, and full-body running gesture immediately readable. The towering skeleton fills the center and right middle ground, visibly several times taller than the human, with its skull and upper rib cage clearly visible. Both characters move in the same general direction, establishing an unmistakable chase, but the skeleton's open hand and exaggerated comic sweat symbols communicate confusion and good intentions rather than aggression. Their silhouettes remain distinct and neither character obscures the other's key expression. The museum is a recognizable natural history exhibition hall with a lofty vaulted ceiling, polished stone floors, dinosaur display platforms, glass cases, specimen cabinets, information stands, and velvet rope barriers. Warm exhibit spotlights illuminate the bones and displays, balanced by cool blue shadows that create depth in the architecture. The guard's feet kick up small comic dust puffs, while the skeleton's long strides create a slightly awkward, ungainly running movement. A few rope barriers sway from the rush of air, but the surroundings remain largely intact. The background supports the chase without competing with the characters or their expressive sweat marks. The entire image should read as an energetic, funny Japanese gag manga scene at first glance: one human screaming in terror, one giant skeleton sweating with nervous frustration while trying to reassure him, and an absurd misunderstanding spiraling out of control. Both characters show exaggerated physical comedy, but the dinosaur's kindness is unmistakable. Bold clean ink outlines, dynamic diagonal composition, exaggerated cartoon facial expressions, oversized comic sweat drops, dramatic manga stress lines, elastic slapstick body language, strong readable silhouettes, crisp motion marks, vibrant but controlled colors, clear staging, polished 2D anime illustration, masterpiece, best quality, highly detailed background
매개변수 표시
원본 프롬프트
A hilarious Japanese gag manga illustration inside a grand natural history museum after closing time. A terrified male night security guard is desperately sprinting away from a gigantic living dinosaur skeleton, while the bewildered skeleton rushes after him trying to explain that it means no harm. The central joke is the contrast between the guard's extreme fear and the skeleton's equally extreme panic at being misunderstood. Both characters are flustered, both display exaggerated comic sweat marks, but for completely different reasons. In the left foreground, the adult male security guard is running at absurd full speed in an exaggerated Japanese gag manga pose. His torso pitches sharply forward, his legs stretch into a frantic stride, and his arms flail wildly as he tries to escape. He wears a dark navy museum security uniform, a crooked cap, a utility belt, and black shoes. His face shows exaggerated panic: enormous bulging eyes, tiny trembling pupils, sharply raised eyebrows, a huge open screaming mouth, and dense crosshatched stress lines across his forehead. Large stylized blue comic sweat drops burst outward from both sides of his face, with several smaller droplets flying above and behind his head like a fountain. His expression and body language unmistakably communicate "AAAAH! DON'T COME NEAR ME!" without requiring written dialogue. Dust puffs and jagged motion marks trail behind his shoes. He stares desperately in the direction he is fleeing, never looking at the viewer. Immediately behind him, a towering articulated dinosaur skeleton is running after him on its long bony legs. Its enormous skull, curved rib cage, vertebrae, exposed joints, and long tail are clearly recognizable as a museum skeleton exhibit that has mysteriously come alive. Despite its imposing size, its personality is gentle and harmless. Its long neck bends forward, its skull tilts awkwardly to one side, and its jaws are slightly open in an anxious attempt to call out. One bony forelimb reaches toward the guard with an open, non-threatening palm, as if pleading "Wait, wait! Please stop running! I'm not trying to hurt you!" Its other forelimb swings awkwardly as it struggles to keep up. The skeleton is trying to reassure the guard, not attack or capture him. The dinosaur skeleton also has unmistakable exaggerated Japanese manga panic symbols. Several large stylized blue comic sweat drops burst outward around the sides of its skull and temple bones, with smaller droplets scattered above its head and near its neck. The marks float clearly outside the bare bone structure, like the conventional oversized sweat symbols used to show a flustered character in Japanese gag manga. They are graphic symbols, not actual sweat on bone. The skeleton's awkwardly tilted skull, raised bony forelimb, and explosive sweat marks make it obvious that it is desperately worried about being misunderstood. Its comical distress contrasts with the guard's terror: the guard fears being eaten, while the dinosaur is simply trying to explain that it is friendly. The chase is captured from a dynamic low three-quarter side angle. The guard occupies a large portion of the left foreground, with his face, flailing arms, flying sweat drops, and full-body running gesture immediately readable. The towering skeleton fills the center and right middle ground, visibly several times taller than the human, with its skull and upper rib cage clearly visible. Both characters move in the same general direction, establishing an unmistakable chase, but the skeleton's open hand and exaggerated comic sweat symbols communicate confusion and good intentions rather than aggression. Their silhouettes remain distinct and neither character obscures the other's key expression. The museum is a recognizable natural history exhibition hall with a lofty vaulted ceiling, polished stone floors, dinosaur display platforms, glass cases, specimen cabinets, information stands, and velvet rope barriers. Warm exhibit spotlights illuminate the bones and displays, balanced by cool blue shadows that create depth in the architecture. The guard's feet kick up small comic dust puffs, while the skeleton's long strides create a slightly awkward, ungainly running movement. A few rope barriers sway from the rush of air, but the surroundings remain largely intact. The background supports the chase without competing with the characters or their expressive sweat marks. The entire image should read as an energetic, funny Japanese gag manga scene at first glance: one human screaming in terror, one giant skeleton sweating with nervous frustration while trying to reassure him, and an absurd misunderstanding spiraling out of control. Both characters show exaggerated physical comedy, but the dinosaur's kindness is unmistakable. Bold clean ink outlines, dynamic diagonal composition, exaggerated cartoon facial expressions, oversized comic sweat drops, dramatic manga stress lines, elastic slapstick body language, strong readable silhouettes, crisp motion marks, vibrant but controlled colors, clear staging, polished 2D anime illustration, masterpiece, best quality, highly detailed background,
모드
pro
스타일
네온 포스터
품질 태그
﹝프롬프트﹞
크기
1632 x 1232
제외 조건
lowres, worst quality, low quality, bad anatomy, explicit, photorealism, realistic subtle expressions, Western cartoon style, horror atmosphere, aggressive dinosaur, predatory posture, biting, striking, attacking, claws reaching to grab the guard, threatening roar, angry skeleton, skeleton intentionally chasing prey, flesh-covered dinosaur, living dinosaur with skin, actual perspiration on bones, sweat absent from dinosaur, sweat absent from guard, tiny invisible sweat drops, ordinary realistic droplets, calm guard, calm skeleton, guard walking, guard posing for camera, characters looking at viewer, static composition, unclear chase direction, dinosaur standing motionless on display, dinosaur too small, human-sized skeleton, guard too small to read facial expression, skeleton blocking the guard, cropped skull, cropped guard face, duplicated characters, extra security guards, multiple living skeletons, distorted bones, fused joints, extra limbs, malformed anatomy, excessive background clutter, excessive motion blur hiding the action, extreme fisheye distortion, bird's-eye view, flat lifeless poses, gloomy horror lighting, blood, gore, violence, broken museum exhibits everywhere, speech bubbles, garbled text, watermark, logo, signature,
스타일: 네온 포스터
프롬프트 도우미

모델 및 LoRA 사용

Tsubaki.3 - AI Model 커버 이미지

PixAI DiT.3

Tsubaki.3
6.58k

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Avatar image of Kani x
character: tenma_tsukasa "", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
4#프로젝트 세카이 컬러풀 스테이지!#텐마 츠카사
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Avatar image of リオ
character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
21#카가미네 린#보컬로이드#로파이(Lofi) 드림
AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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