๐Ÿ“ข ๋กœ๊ทธ์ธ ๋ฌธ์ œ ํ•ด๊ฒฐ ์•ˆ๋‚ด โ€” ์˜ค๋Š˜ ์ผ๋ถ€ ์‚ฌ์šฉ์ž์—๊ฒŒ PixAI ๊ณ„์ •์ด ์˜ˆ๊ธฐ์น˜ ์•Š๊ฒŒ ๋กœ๊ทธ์•„์›ƒ๋˜๋Š” ํ˜„์ƒ์ด ๋ฐœ์ƒํ–ˆ์Šต๋‹ˆ๋‹ค. ํ•ด๋‹น ๋ฌธ์ œ๋Š” ์„œ๋ฒ„ ์ธก ์˜ค๋ฅ˜๋กœ ํ™•์ธ๋˜์—ˆ์œผ๋ฉฐ, ํ˜„์žฌ๋Š” ์ •์ƒ์ ์œผ๋กœ ํ•ด๊ฒฐ๋˜์—ˆ์Šต๋‹ˆ๋‹ค. ๋กœ๊ทธ์•„์›ƒ๋œ ๊ฒฝ์šฐ ์•ฑ ๋˜๋Š” ๋ธŒ๋ผ์šฐ์ €๋ฅผ ๋‹ค์‹œ ์‹คํ–‰ํ•œ ๋’คโ€ฆ

์ž์„ธํžˆ ๋ณด๊ธฐ
AI art "Meisho Doto's Adorable Dizzy Day! ๐ŸŒธ" featuring #๋‹ค์ƒ‰ ๋จธ๋ฆฌ, #๋น™๊ธ€๋น™๊ธ€ ๋ˆˆ, #์ˆ„๋”๋ฐฑ, #์†Œ๋…€, #๋ง ๊ท€, #์šฐ๋งˆ๋ฌด์Šค๋ฉ” ํ”„๋ฆฌํ‹ฐ ๋”๋น„, #๋ฉ”์ด์‡ผ ๋„ํ†  and #ํฐ์ƒ‰ ์‚ฌ์ดํ•˜์ด ์‚ญ์Šค
์ƒˆ ์ž‘ํ’ˆ ์ƒ์„ฑ๋ฌด๋ฃŒ๋กœ ์ƒ์„ฑํ•˜๊ธฐ๋ฌด๋ฃŒ๋กœ ์ƒ์„ฑํ•˜๊ธฐ

Meisho Doto's Adorable Dizzy Day! ๐ŸŒธ

I just had to share this incredibly cute fanart of Meisho Doto from Umamusume! There's something so endearing about her dizzy expression and that signature ahoge that always makes me smile. If you love this precious horse girl as much as I do, please give it a like and follow for more art! Let me know what you think in the comments below~

#๋‹ค์ƒ‰ ๋จธ๋ฆฌ#๋น™๊ธ€๋น™๊ธ€ ๋ˆˆ#์ˆ„๋”๋ฐฑ#์†Œ๋…€#๋ง ๊ท€#์šฐ๋งˆ๋ฌด์Šค๋ฉ” ํ”„๋ฆฌํ‹ฐ ๋”๋น„#๋ฉ”์ด์‡ผ ๋„ํ† #ํฐ์ƒ‰ ์‚ฌ์ดํ•˜์ด ์‚ญ์Šค
๋” ๋ณด๊ธฐ

๋Œ“๊ธ€

Height 164 cm Chest circumference 99 cm Waist circumference 61 cm Hip circumference 89 cm Shoe size 25 cm Hair color Brown Eye color Purple Overall silhouette: stylized anime figure with smooth contours. Head: relatively large compared to realistic human proportions; small face with large eyes. Neck: moderate length, partially covered by a collar. Shoulders: soft shoulder line, without strongly defined musculature. Chest: rounded upper silhouette; chest circumference in profile โ€” 99 cm. Waist: noticeably narrower than the chest and hips; circumference โ€” 61 cm. Pelvis and hips: smooth transition from the waist to rounded hips; circumference โ€” 89 cm. Arms: thin, stylized, with elongated forearms; hands covered by gloves. Legs: slender, relatively long within the anime stylization; knees and shins are smoothed, without emphasized musculature. Feet: in closed shoes; shoe length in profile โ€” 25 cm. Hair Short brown hair, the ends of which curl inward and frame the face. In the center of the bangs, there is a large white strand. On the crown โ€” a separate white curl, resembling a zigzag spring. Eyes Large purple eyes with curled spiral pupils. The facial expression is usually soft and slightly anxious. Ears and accessories Brown messenger bag with golden trim. Pink strap runs diagonally across the torso. On the bag โ€” a bow and a small carrot-shaped accessory. Light-colored stockings with repeating blue and red angular patterns. White shoes with pink ribbons Tail: brown, matching the hair; long and noticeable behind the back. Tail shape: for the model, a voluminous strand with a smooth curve and separate ends would be suitable. Ears: often twitch slightly and droop; this is a characteristic feature of Doto. Pose: for recognizability, a slightly shy stance can be chosen with shoulders slightly leaned forward. Facial expression: unsure expression, large eyes and slight tension in the eyebrows.
๋งค๊ฐœ๋ณ€์ˆ˜ ํ‘œ์‹œ
์›๋ณธ ํ”„๋กฌํ”„ํŠธ
ะ ะพัั‚ 164 ัะผ ะžะฑั…ะฒะฐั‚ ะณั€ัƒะดะธ 99 ัะผ ะžะฑั…ะฒะฐั‚ ั‚ะฐะปะธะธ 61 ัะผ ะžะฑั…ะฒะฐั‚ ะฑั‘ะดะตั€ 89 ัะผ ะ ะฐะทะผะตั€ ะพะฑัƒะฒะธ 25 ัะผ ะฆะฒะตั‚ ะฒะพะปะพั ะšะพั€ะธั‡ะฝะตะฒั‹ะน ะฆะฒะตั‚ ะณะปะฐะท ะคะธะพะปะตั‚ะพะฒั‹ะน ะžะฑั‰ะธะน ัะธะปัƒัั‚: ัั‚ะธะปะธะทะพะฒะฐะฝะฝะฐั ะฐะฝะธะผะต-ั„ะธะณัƒั€ะฐ ั ะฟะปะฐะฒะฝั‹ะผะธ ะบะพะฝั‚ัƒั€ะฐะผะธ. ะ“ะพะปะพะฒะฐ: ะพั‚ะฝะพัะธั‚ะตะปัŒะฝะพ ะบั€ัƒะฟะฝะฐั ะฟะพ ัั€ะฐะฒะฝะตะฝะธัŽ ั ั€ะตะฐะปะธัั‚ะธั‡ะฝั‹ะผะธ ั‡ะตะปะพะฒะตั‡ะตัะบะธะผะธ ะฟั€ะพะฟะพั€ั†ะธัะผะธ; ะปะธั†ะพ ะฝะตะฑะพะปัŒัˆะพะต, ั ะฑะพะปัŒัˆะธะผะธ ะณะปะฐะทะฐะผะธ. ะจะตั: ัƒะผะตั€ะตะฝะฝะพะน ะดะปะธะฝั‹, ั‡ะฐัั‚ะธั‡ะฝะพ ะทะฐะบั€ั‹ั‚ะฐ ะฒะพั€ะพั‚ะฝะธะบะพะผ. ะŸะปะตั‡ะธ: ะผัะณะบะฐั ะปะธะฝะธั ะฟะปะตั‡, ะฑะตะท ัะธะปัŒะฝะพ ะฒั‹ั€ะฐะถะตะฝะฝะพะน ะผัƒัะบัƒะปะฐั‚ัƒั€ั‹. ะ“ั€ัƒะดะฝะฐั ะบะปะตั‚ะบะฐ: ะพะบั€ัƒะณะปั‹ะน ะฒะตั€ั…ะฝะธะน ัะธะปัƒัั‚; ะพะฑั…ะฒะฐั‚ ะณั€ัƒะดะธ ะฟะพ ะฟั€ะพั„ะธะปัŽ โ€” 99 ัะผ. ะขะฐะปะธั: ะทะฐะผะตั‚ะฝะพ ัƒะถะต ะณั€ัƒะดะธ ะธ ะฑั‘ะดะตั€; ะพะฑั…ะฒะฐั‚ โ€” 61 ัะผ. ะขะฐะท ะธ ะฑั‘ะดั€ะฐ: ะฟะปะฐะฒะฝั‹ะน ะฟะตั€ะตั…ะพะด ะพั‚ ั‚ะฐะปะธะธ ะบ ะพะบั€ัƒะณะปั‹ะผ ะฑั‘ะดั€ะฐะผ; ะพะฑั…ะฒะฐั‚ โ€” 89 ัะผ. ะ ัƒะบะธ: ั‚ะพะฝะบะธะต, ัั‚ะธะปะธะทะพะฒะฐะฝะฝั‹ะต, ั ัƒะดะปะธะฝั‘ะฝะฝั‹ะผะธ ะฟั€ะตะดะฟะปะตั‡ัŒัะผะธ; ะบะธัั‚ะธ ะทะฐะบั€ั‹ั‚ั‹ ะฟะตั€ั‡ะฐั‚ะบะฐะผะธ. ะะพะณะธ: ัั‚ั€ะพะนะฝั‹ะต, ะพั‚ะฝะพัะธั‚ะตะปัŒะฝะพ ะดะปะธะฝะฝั‹ะต ะฒ ั€ะฐะผะบะฐั… ะฐะฝะธะผะต-ัั‚ะธะปะธะทะฐั†ะธะธ; ะบะพะปะตะฝะธ ะธ ะณะพะปะตะฝะธ ัะณะปะฐะถะตะฝั‹, ะฑะตะท ะฟะพะดั‡ั‘ั€ะบะฝัƒั‚ะพะน ะผัƒัะบัƒะปะฐั‚ัƒั€ั‹. ะกั‚ะพะฟั‹: ะฒ ะทะฐะบั€ั‹ั‚ั‹ั… ั‚ัƒั„ะปัั…; ะดะปะธะฝะฐ ะพะฑัƒะฒะธ ะฟะพ ะฟั€ะพั„ะธะปัŽ โ€” 25 ัะผ. ะ’ะพะปะพัั‹ ะšะพั€ะพั‚ะบะธะต ะบะพั€ะธั‡ะฝะตะฒั‹ะต ะฒะพะปะพัั‹, ะบะพะฝั‡ะธะบะธ ะบะพั‚ะพั€ั‹ั… ะทะฐะณะธะฑะฐัŽั‚ัั ะฒะฝัƒั‚ั€ัŒ ะธ ะพะฑั€ะฐะผะปััŽั‚ ะปะธั†ะพ. ะ’ ั†ะตะฝั‚ั€ะฐะปัŒะฝะพะน ั‡ะฐัั‚ะธ ั‡ั‘ะปะบะธ ะฝะฐั…ะพะดะธั‚ัั ะบั€ัƒะฟะฝะฐั ะฑะตะปะฐั ะฟั€ัะดัŒ. ะะฐ ะผะฐะบัƒัˆะบะต โ€” ะพั‚ะดะตะปัŒะฝั‹ะน ะฑะตะปั‹ะน ะทะฐะฒะธั‚ะพะบ, ะฝะฐะฟะพะผะธะฝะฐัŽั‰ะธะน ะทะธะณะทะฐะณะพะพะฑั€ะฐะทะฝัƒัŽ ะฟั€ัƒะถะธะฝะบัƒ. ะ“ะปะฐะทะฐ ะ‘ะพะปัŒัˆะธะต ั„ะธะพะปะตั‚ะพะฒั‹ะต ะณะปะฐะทะฐ ั ะทะฐะบั€ัƒั‡ะตะฝะฝั‹ะผะธ ัะฟะธั€ะฐะปะตะฒะธะดะฝั‹ะผะธ ะทั€ะฐั‡ะบะฐะผะธ. ะ’ั‹ั€ะฐะถะตะฝะธะต ะปะธั†ะฐ ะพะฑั‹ั‡ะฝะพ ะผัะณะบะพะต ะธ ะฝะตะผะฝะพะณะพ ั‚ั€ะตะฒะพะถะฝะพะต. ะฃัˆะธ ะธ ะฐะบัะตัััƒะฐั€ั‹ ะšะพั€ะธั‡ะฝะตะฒะฐั ััƒะผะบะฐ ะฟะพั‡ั‚ะฐะปัŒะพะฝะฐ ั ะทะพะปะพั‚ะธัั‚ะพะน ะพะบะฐะฝั‚ะพะฒะบะพะน. ะ ะพะทะพะฒั‹ะน ั€ะตะผะตะฝัŒ ะฟั€ะพั…ะพะดะธั‚ ะฟะพ ะดะธะฐะณะพะฝะฐะปะธ ั‡ะตั€ะตะท ั‚ัƒะปะพะฒะธั‰ะต. ะะฐ ััƒะผะบะต โ€” ะฑะฐะฝั‚ ะธ ะผะฐะปะตะฝัŒะบะธะน ะฐะบัะตัััƒะฐั€ ะฒ ั„ะพั€ะผะต ะผะพั€ะบะพะฒะบะธ. ะกะฒะตั‚ะปั‹ะต ั‡ัƒะปะบะธ ั ะฟะพะฒั‚ะพั€ััŽั‰ะธะผะธัั ัะธะฝะธะผะธ ะธ ะบั€ะฐัะฝั‹ะผะธ ัƒะณะปะพะฒะฐั‚ั‹ะผะธ ัƒะทะพั€ะฐะผะธ. ะ‘ะตะปั‹ะต ั‚ัƒั„ะปะธ ั ั€ะพะทะพะฒั‹ะผะธ ะปะตะฝั‚ะฐะผะธ ะฅะฒะพัั‚: ะบะพั€ะธั‡ะฝะตะฒั‹ะน, ะฒ ั‚ะพะฝ ะฒะพะปะพัะฐะผ; ะดะปะธะฝะฝั‹ะน ะธ ะทะฐะผะตั‚ะฝั‹ะน ะทะฐ ัะฟะธะฝะพะน. ะคะพั€ะผะฐ ั…ะฒะพัั‚ะฐ: ะดะปั ะผะพะดะตะปะธ ะฟะพะดะพะนะดั‘ั‚ ะพะฑัŠั‘ะผะฝะฐั ะฟั€ัะดัŒ ั ะฟะปะฐะฒะฝั‹ะผ ะธะทะณะธะฑะพะผ ะธ ะพั‚ะดะตะปัŒะฝั‹ะผะธ ะบะพะฝั‡ะธะบะฐะผะธ. ะฃัˆะธ: ั‡ะฐัั‚ะพ ัะปะตะณะบะฐ ะดั€ะพะถะฐั‚ ะธ ะพะฟัƒัะบะฐัŽั‚ัั; ัั‚ะพ ั…ะฐั€ะฐะบั‚ะตั€ะฝะฐั ั‡ะตั€ั‚ะฐ ะ”ะพั‚ะพ. ะŸะพะทะฐ: ะดะปั ัƒะทะฝะฐะฒะฐะตะผะพัั‚ะธ ะผะพะถะฝะพ ะฒั‹ะฑั€ะฐั‚ัŒ ะฝะตะผะฝะพะณะพ ะทะฐัั‚ะตะฝั‡ะธะฒัƒัŽ ัั‚ะพะนะบัƒ ั ะฟะปะตั‡ะฐะผะธ, ัะปะตะณะบะฐ ะฟะพะดะฐะฝะฝั‹ะผะธ ะฒะฟะตั€ั‘ะด. ะœะธะผะธะบะฐ: ะฝะตัƒะฒะตั€ะตะฝะฝะพะต ะฒั‹ั€ะฐะถะตะฝะธะต, ะฑะพะปัŒัˆะธะต ะณะปะฐะทะฐ ะธ ะฝะตะฑะพะปัŒัˆะพะต ะฝะฐะฟั€ัะถะตะฝะธะต ะฒ ะฑั€ะพะฒัั….
๋ชจ๋“œ
pro
ํ’ˆ์งˆ ํƒœ๊ทธ
๏นํ”„๋กฌํ”„ํŠธ๏นž
ํฌ๊ธฐ
1104 x 1824
์ œ์™ธ ์กฐ๊ฑด
lowres, worst quality, low quality, bad anatomy, explicit
ํ”„๋กฌํ”„ํŠธ ๋„์šฐ๋ฏธ

๋ชจ๋ธ ๋ฐ LoRA ์‚ฌ์šฉ

๋น„์Šทํ•œ ์ž‘ํ’ˆ

์ž์„ธํžˆ ๋ณด๊ธฐ

์ถ”์ฒœ ์‚ฌ์šฉ์ž

๋‹น์‹ ์—๊ฒŒ ์ถ”์ฒœ

AI artwork
์Œ์•ˆ
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
์Œ๋ญ์ง€ ์•ˆ๋˜์„œ ๋‹ค์‹œ ๋ถ€๊ณ„๋งŒ๋“ฌ