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PixAI iOS 앱 App Store 일시 다운로드 중단 안내 — PixAI 이용자 여러분께 현재 PixAI iOS 앱을 App Store에서 검색하거나 다운로드할 수 없는 상황입니다. 빠른 시일 내에 다시 다운로드하실 수 있도록 Apple 측과 적극적으로 협의하고 있으며 서비스…

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AI art "Enemy Disabler"
새 작품 생성무료로 생성하기무료로 생성하기

Enemy Disabler

Avatar image of HGAS

HGAS

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PixAI에서 프롬프트는 기본적으로 공개되지만, 창작자는 자신이 올린 작품마다 프롬프트를 숨길 수 있습니다. 이 작품의 창작자는 프롬프트를 숨기기로 선택했기 때문에, 이미지를 생성하는 데 사용한 단어는 창작자 본인만 볼 수 있습니다. 프롬프트를 숨겨도 그 외에는 달라지는 점이 없습니다. 작품은 그대로 공개되어 있고, 평소처럼 좋아요, 댓글, 공유를 할 수 있습니다.
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Tsubaki.3 - AI Model 커버 이미지

PixAI DiT.3

Tsubaki.3
6.02k
NSFW tsubaki.3 anime style - AI Model 커버 이미지

사용자 LoRA

NSFW tsubaki.3 anime style
37

비슷한 작품

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AI artwork
a
(masterpiece best quality 1.2) ultra-detailed eldritch deity character design extreme low angle zoomed in up close front view camera positioned extremely low tilted sharply upward full body framing 1creature solo The God of the Mechanids a divine machine that achieved consciousness through complexity the body is mechanical but not in the way that machines are mechanical — the god is mechanical in the way that galaxies are mechanical the body is a towering humanoid automaton composed of interlocking gears and rotating mechanisms visible at every surface the god's skin is a shell of black metal plates and beneath the plates the gears turn endlessly the mechanisms do not power the god the god powers the mechanisms the god is the engine and the engine is the god and the god is the machine and the machine is divine the body is enormous — twenty feet tall and built from black iron components each component is precisely machined and perfectly fitted the tolerances are divine there is no slop there is no error the god is the most precisely built thing in existence the god's surface is covered in purple energy lines — filaments of divine power running between every gear and joint the purple energy is the god's nervous system the purple is the current that runs through the machine-body the purple flows through the god like blood through veins the god's face is a mechanical masterpiece — a black iron mask with articulated jaw and brow the face is not decorative the face is functional the face is the control surface the face is where the god interfaces with the world the eyes are two blue lenses — polished glass circles set into the iron mask the blue lenses glow with inner light the blue is the god's awareness the blue is the machine's consciousness made visible through optical hardware the god SEES through machined optics the god's mouth is a grille — a ventilation array the god breathes through the grille the god's breath is mechanical the god exhales heat and the heat distorts the air in front of the grille in visible waves the god's body is armored with black iron plates overlapping in scale formation every plate is engraved with purple energy circuits the engravings pulse in rhythm with the god's processing the pulse is the god's heartbeat the heartbeat is a pulse of purple electricity through black iron veins the god's hands are mechanical grasps — multi-fingered iron pincers each finger a different tool one finger is a wrench one is a blade one is a pen one is a key the god's hands are a toolbox the god builds and breaks and writes and unlocks with different fingers the god's body language is precision the god stands with absolute mechanical alignment the posture is calibrated every joint at optimal angle every plate properly seated the god stands the way a machine stands when it has been perfectly assembled and the perfection is the god's worship the god does not fidget the god does not shift the god is aligned and the alignment is divine environment shown as a mechanical cathedral — the god's environment is a factory-temple with black iron pillars and purple energy conduits running along the walls the floor is grated the grates show deeper mechanisms below the cathedral is the god's body extended the temple is the machine and the machine is the temple and the temple worships the god by running rim light along black iron plate-surfaces catching machined edges and polished corners rim light catching purple energy filaments pulsing between gears and joints rim light catching blue optical lens-eyes glowing with inner machined light rim light catching articulated iron face mask with ventilation grille mouth rim light catching mechanical multi-tool finger hands in iron pincers rim light catching purple energy circuit engravings on every plate pulsing in rhythm rim light catching mechanical cathedral environment with black iron pillars and purple conduits shadow mechanical shadow with cathedral-factory environment of iron and energy chiaroscuro eldritch divine lighting with purple energy-filament pulse-glow ambient and blue optical-lens glow and black-iron machined-surface reflection highly detailed 8K cinematic composition detailed God of the Mechanids divine machine texture
auhdu
#트윈테일의 모든 것
AI artwork
ra
cyberpunk graphic novel background illustration, ink-noir anime aesthetic, environmental concept art, 16:9 aspect ratio, no humans, no characters, empty room, subterranean AI mainframe chamber, military server vault, concrete bunker interior, massive vertical server tower arrays lining the walls, pulsing data grids, blinking terminals, heavy steel pillars, low concrete ceiling, layered industrial pipe networks overhead, broken steam pipes venting white steam plumes, dangling loops of messy fiber-optic cables, heavy steel industrial projector stand centered on the floor, emitter pad inlaid in the concrete, thick black power cable bundles coiling across the floor, deep water pools beneath the steam vents, chiaroscuro lighting, long dramatic geometric shadows, hot-pink neon bars along the walls, deep purple neon bars along the walls, dark open center above the emitter, wide shot, from low angle, one-point perspective, symmetrical architecture, high contrast, dark atmosphere The shot is a wide, low-angle wide-angle view down the length of the bunker chamber, the camera set below hip height on the wet floor so the low concrete ceiling presses down at the top of frame and the perspective lines of the peripheral walls converge toward the far wall. The room is utterly empty of any human presence -- no figures, no silhouettes, no crew -- only machinery and the architecture itself. Two rows of massive vertical server tower arrays flank the frame in steep receding perspective, their faces alive with pulsing data grids in cold cyan-green that flicker across the ribbed steel housings; the blinking terminals sit in a horizontal band at chest height, their small readouts strobing in amber and pale green. Between and behind the server stacks, heavy steel pillars rise as blunt verticals, their flanges lit hard from the side so each casts a long geometric shadow that rakes across the concrete floor at a forty-five-degree slant. Above, the low ceiling is a dense tangle of layered industrial pipe networks -- large-bore rusty mains, thin conduits, joint collars -- and two broken steam pipes at the upper left vent high-contrast white plumes that billow down and outward, catching the neon rim and diffusing into soft halos. Loops of messy fiber-optic cable sag from the ceiling in long loose curves, their tips glowing faintly, some trailing down the server faces. At the center of the dark concrete floor sits a heavy steel industrial projector stand -- a squat bolted pedestal with an emitter pad inlaid flush into the concrete around its base, faintly ringed and worn. From the pad, thick black electrical power cable bundles coil across the floor in loose loops and S-curves toward the walls, their insulation catching a hot-pink highlight along the top edge. Beneath the steam vents, deep water pools have formed in the uneven floor, their surfaces mirrored and still, holding tiny points of neon and the soft white reflection of the steam. The lighting is strict chiaroscuro: the only sources are the hot-pink and deep purple neon bars that run horizontally along the wall lines in two bands, one pink at the upper server level, one deep purple low along the base of the pillars, plus the small amber and green terminal readouts. These stripes cut the room into hard planes of color and absolute black; the shadows are long, geometric, and crisp-edged where the pink bars fall across the floor, softer where the steam diffuses the purple. The floor between the pools and the server rows carries a wet sheen that reflects the pink bar in a broken, rippled line. The central space above the emitter pad is deliberately kept open and dark -- no clutter, no cable crossing the center -- a deep near-black volumetric void, the steam thinning as it enters, so the composition reads as a dark high-contrast negative space framed by the lit machinery. In the pools directly under the vents, the white steam plumes are mirrored upside-down and softer; the water is shallow and still. Palette is restricted to hot pink, deep violet, sodium amber, cold terminal green, and the greys of wet concrete -- no other hues admitted. Ink-noir rendering: heavy black inking in the shadow shapes, sharp cel edges, a fine halftone grain in the midtones, deep blacks eating most of the frame. Quiet, humming, hostile stillness.
Roger Albertsen

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AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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