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📢 로그인 문제 해결 안내 — 오늘 일부 사용자에게 PixAI 계정이 예기치 않게 로그아웃되는 현상이 발생했습니다. 해당 문제는 서버 측 오류로 확인되었으며, 현재는 정상적으로 해결되었습니다. 로그아웃된 경우 앱 또는 브라우저를 다시 실행한 뒤…

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pov, first-person view, driver pov, inside car, looking through windshield, car interior, silhouette, steering wheel, dashboard, cinematic wide shot, night, dark night, night scenery, empty road, rural road, asphalt road, two-lane road, no other cars, gas station, retro gas station, roadside, two fuel pumps, unlit building, dark office, illuminated sign, pole sign, fluorescent light, pale blue light, pool of light, headlights, rice fields, farmland, distant mountain, mountain silhouette, starry sky, anime background art, highly detailed background. From a first-person driver's point of view seated inside an automobile, the cinematic wide composition looks straight out through the clear front windshield. The lower foreground is anchored by the solid black silhouette of a right-hand steering wheel and the horizontal curve of the dashboard spanning the bottom edge of the frame. Through the glass, the car's headlights project an angled wedge of pale yellow light along an empty two-lane asphalt national highway, picking out faded painted lane markings before tapering into impenetrable darkness; the road stretches ahead completely barren, entirely devoid of oncoming traffic or other vehicles. Off to the left shoulder sits an old-fashioned rural gas station under a flat weathered canopy. Beneath the shelter, two vintage rectangular fuel pumps stand on a raised concrete island, starkly illuminated by the pale blue-white glare of exposed fluorescent strip lights mounted overhead. The harsh, cool light spills onto the concrete apron in a sharp geometric pool, leaving the single-story glass office building behind the pumps completely unlit, dark, and shuttered. Near the highway edge, a tall metal roadside pole holds a backlit rectangular signboard glowing cleanly in the dark with red lettering that reads "ガソリン". Beyond the station and across the right side of the highway, vast unlit farmland and flat rural fields stretch outward into deep blue shadow, flanked by the rhythmic cadence of utility poles and drooping telephone lines. On the far horizon, the dark, continuous silhouette of low rolling mountains meets a deep indigo night sky dusted with faint pinprick stars. The overhead fluorescent tubes cast sharp, elongated shadows of the fuel pump nozzles and coiled hoses across the pale concrete pad, while the windshield glass catches a faint, translucent optical reflection of the glowing roadside sign. The palette is disciplined in ink black, deep midnight navy, and muted asphalt gray, contrasted sharply against the stark cyan-white fluorescent glare and localized headlight illumination. Precise anime background art linework with painterly atmospheric depth. Quiet solitude.
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Tsubaki.3 Flash - AI Model 커버 이미지

PixAI DiT.3

Tsubaki.3 Flash
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Mio.2
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no humans, scenery, visual novel background, wide shot, one-point perspective, symmetrical, straight-on, head-on, dusk, twilight, starry sky, stars, wet asphalt, puddle, reflection, street, alley, residential area, japanese architecture, house, tiled roof, utility pole, power lines, street light, mercury vapor lamp, glowing, vending machine, shop window, window light, mist, calm, serene A wide symmetrical one-point perspective and dead-center head-on view down a quiet, rain-soaked Japanese residential alleyway at dusk, framed as an empty galgame evening transition background illustration, entirely devoid of people. The composition recedes toward a single vanishing point at the exact horizontal center of the frame. Flanking the narrow lane on both sides, a dense cluster of two-story Japanese houses with dark grey ceramic tile roofs, projecting wooden eaves, and compact balconies rises into the twilight, bordered by tall concrete telephone poles strung with a symmetrical lattice of dark black overhead cables. Wet, dark grey asphalt spans the entire road surface, glossy with pooled rainwater that forms sharp, vertically stretched mirror reflections of the overhead utility poles, roof silhouettes, and illumination sources. Suspended from poles along both flanks, blue-white mercury vapor streetlamps hum to life, casting cool, crisp cyan pools across the wet pavement and roof ridges, sharply contrasting with the warm amber glow spilling from frosted shop windows and residential shoji screens along the lower facade. On the left midground, an illuminated drinks vending machine casts a vibrant rectangle of cool white and turquoise light across the damp lane. Above the dense roofline, the deep blue and indigo twilight sky transitions softly to faint dusk purple at the distant horizon, pricked by a sparse scattering of faint, sharp stars, while a thin, semi-translucent mist clings low over the wet street. Detailed painterly background with high environmental fidelity, featuring sharp contrast between deep blue twilight tones and warm amber artificial glows, rendered in a soft painterly anime style with visible brush textures, layered color blocks, cool teal-blue atmosphere, and loose, sketch-like linework along architectural edges. Serene and tranquil.
glbzero

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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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