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📢 로그인 문제 해결 안내 — 오늘 일부 사용자에게 PixAI 계정이 예기치 않게 로그아웃되는 현상이 발생했습니다. 해당 문제는 서버 측 오류로 확인되었으며, 현재는 정상적으로 해결되었습니다. 로그아웃된 경우 앱 또는 브라우저를 다시 실행한 뒤…

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AI art "yanami eating with nukumizu money"
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yanami eating with nukumizu money

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미각의 가을 — 크게 베어 무는 올해
#바보털#배꼽 노출#가슴골#식사#배꼽#단발 머리#야외#거유#흑발#파란 머리#음식#크롭탑#도넛#실사 배경#벽안#쇄골#셔츠#드러난 어깨#가방#소녀#소년#들고 있기#도시#건물#주간#닫은 입#중단발#야나미 안나#패배 히로인이 너무 많아!#누쿠미즈 카즈히코
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Daitrombe

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character: yanami_anna, nukumizu_kazuhiko masterpiece, best quality, highly detailed anime illustration, clean anime lineart, polished coloring, accurate character design, expressive facial expressions, detailed clothing and accessories, waist-up shot, medium shot, two characters walking side by side toward the right side of the image, dynamic walking poses, horizontal composition. Characters and Composition: Yanami Anna and Nukumizu Kazuhiko from "Make Heroine ga Oosugiru!", walking together along a city street. Both characters are standing and walking on the same ground plane, at the same physical height and distance from the ground. Yanami Anna is positioned on the left foreground, while Nukumizu Kazuhiko is positioned on the right background. Their bodies are arranged diagonally in the composition, with Anna appearing larger and Nukumizu appearing smaller due to perspective and their relative positions in the frame, NOT because of a height difference. They are walking close to each other in the same direction, with natural walking postures. Yanami Anna: Yanami Anna is a beautiful anime girl with medium-length blue hair, a distinctive ahoge, and bright blue eyes. She is positioned prominently in the left foreground. She wears a black-and-white gingham-patterned camisole with thin spaghetti straps, delicate frills exclusively along the edges of the camisole, and a cropped hem that exposes her stomach and navel. The gingham pattern consists of clearly defined black and white checks. Her left arm carries a brown kraft paper bag filled with numerous cream puffs, with several pastries visibly peeking out from the open top of the bag. Her right hand is raised near her mouth, holding one cream puff between her fingers. She is happily chewing a cream puff, with a satisfied, Small cream smears and tiny crumbs from the cream puff scattered around Yanami Anna's mouth and on both cheeks. A little white cream is visibly smeared on the corners of her mouth and lightly dabbed across her cheeks, with a few delicate cream crumbs clinging to the area around her lips. The cream marks look natural and slightly messy, as if she has been enthusiastically eating cream puffs. She continues happily chewing with her playful ""-shaped mouth and a blissful, carefree expression, carefree expression. Her mouth has a distinctive ""-shaped expression, with a playful, slightly goofy look while eating. Her cheeks and facial features convey genuine enjoyment of the delicious cream puff. Her gaze is directed generally forward as she walks. Nukumizu Kazuhiko: Nukumizu Kazuhiko is an anime boy with short brown hair and brown eyes, positioned on the right side of the image in the background. He wears a simple, plain white short-sleeved T-shirt. His upper body is angled naturally in the direction he is walking. His left hand holds a small black leather coin purse, approximately the size of his palm. The purse is compact, with a realistic leather appearance. His right hand and fingers are inserted into the small coin purse, actively rummaging around inside while searching for loose change. His right fingers are visibly engaged in searching the purse, making the action easy to understand. Only his eyes shift sideways toward Yanami Anna, giving her a suspicious, exasperated sideways glance while he continues searching for money. His head remains mostly oriented in the direction he is walking, with his eyes clearly looking toward Anna. His mouth forms a weary, unimpressed expression, conveying mild annoyance and resignation at Anna's behavior. Exactly one small anime-style sweat drop appears on his cheek, emphasizing his exasperation. Background and Environment: A wide horizontal urban street in a large modern Japanese city. The street extends horizontally from the left side of the image toward the right side, creating a clear horizontal visual flow that complements the characters' walking direction. A long road stretches across the scene along the horizontal horizon, with urban buildings, sidewalks, and subtle city details in the background. The street perspective reinforces the sense that both characters are walking together along the same street. The background remains secondary to the characters, with enough environmental detail to establish a lively city setting without distracting from their expressions and actions, blue sky. Camera and Visual Direction: Horizontal landscape composition, eye-level camera angle, waist-up framing from the waist to the top of both characters' heads. Both characters must be fully visible within the frame, with their heads, torsos, arms, hands, and relevant accessories clearly depicted. Anna is the dominant foreground subject, while Nukumizu is slightly farther back on the right. Maintain consistent perspective, natural body proportions, and believable spatial relationships. Emphasize the contrast between Anna's happy, carefree enjoyment of her food and Nukumizu's tired, exasperated sideways glance. Crisp details, natural daylight, balanced colors, clear character separation, readable hand gestures, detailed facial expressions.
매개변수 표시
원본 프롬프트
masterpiece, best quality, highly detailed anime illustration, clean anime lineart, polished coloring, accurate character design, expressive facial expressions, detailed clothing and accessories, waist-up shot, medium shot, two characters walking side by side toward the right side of the image, dynamic walking poses, horizontal composition. Characters and Composition: Yanami Anna and Nukumizu Kazuhiko from "Make Heroine ga Oosugiru!", walking together along a city street. Both characters are standing and walking on the same ground plane, at the same physical height and distance from the ground. Yanami Anna is positioned on the left foreground, while Nukumizu Kazuhiko is positioned on the right background. Their bodies are arranged diagonally in the composition, with Anna appearing larger and Nukumizu appearing smaller due to perspective and their relative positions in the frame, NOT because of a height difference. They are walking close to each other in the same direction, with natural walking postures. Yanami Anna: Yanami Anna is a beautiful anime girl with medium-length blue hair, a distinctive ahoge, and bright blue eyes. She is positioned prominently in the left foreground. She wears a black-and-white gingham-patterned camisole with thin spaghetti straps, delicate frills exclusively along the edges of the camisole, and a cropped hem that exposes her stomach and navel. The gingham pattern consists of clearly defined black and white checks. Her left arm carries a brown kraft paper bag filled with numerous cream puffs, with several pastries visibly peeking out from the open top of the bag. Her right hand is raised near her mouth, holding one cream puff between her fingers. She is happily chewing a cream puff, with a satisfied, Small cream smears and tiny crumbs from the cream puff scattered around Yanami Anna's mouth and on both cheeks. A little white cream is visibly smeared on the corners of her mouth and lightly dabbed across her cheeks, with a few delicate cream crumbs clinging to the area around her lips. The cream marks look natural and slightly messy, as if she has been enthusiastically eating cream puffs. She continues happily chewing with her playful ""-shaped mouth and a blissful, carefree expression, carefree expression. Her mouth has a distinctive ""-shaped expression, with a playful, slightly goofy look while eating. Her cheeks and facial features convey genuine enjoyment of the delicious cream puff. Her gaze is directed generally forward as she walks. Nukumizu Kazuhiko: Nukumizu Kazuhiko is an anime boy with short brown hair and brown eyes, positioned on the right side of the image in the background. He wears a simple, plain white short-sleeved T-shirt. His upper body is angled naturally in the direction he is walking. His left hand holds a small black leather coin purse, approximately the size of his palm. The purse is compact, with a realistic leather appearance. His right hand and fingers are inserted into the small coin purse, actively rummaging around inside while searching for loose change. His right fingers are visibly engaged in searching the purse, making the action easy to understand. Only his eyes shift sideways toward Yanami Anna, giving her a suspicious, exasperated sideways glance while he continues searching for money. His head remains mostly oriented in the direction he is walking, with his eyes clearly looking toward Anna. His mouth forms a weary, unimpressed expression, conveying mild annoyance and resignation at Anna's behavior. Exactly one small anime-style sweat drop appears on his cheek, emphasizing his exasperation. Background and Environment: A wide horizontal urban street in a large modern Japanese city. The street extends horizontally from the left side of the image toward the right side, creating a clear horizontal visual flow that complements the characters' walking direction. A long road stretches across the scene along the horizontal horizon, with urban buildings, sidewalks, and subtle city details in the background. The street perspective reinforces the sense that both characters are walking together along the same street. The background remains secondary to the characters, with enough environmental detail to establish a lively city setting without distracting from their expressions and actions, blue sky. Camera and Visual Direction: Horizontal landscape composition, eye-level camera angle, waist-up framing from the waist to the top of both characters' heads. Both characters must be fully visible within the frame, with their heads, torsos, arms, hands, and relevant accessories clearly depicted. Anna is the dominant foreground subject, while Nukumizu is slightly farther back on the right. Maintain consistent perspective, natural body proportions, and believable spatial relationships. Emphasize the contrast between Anna's happy, carefree enjoyment of her food and Nukumizu's tired, exasperated sideways glance. Crisp details, natural daylight, balanced colors, clear character separation, readable hand gestures, detailed facial expressions.
모드
ultra
품질 태그
﹝프롬프트﹞
크기
1632 x 1232
샘플링 방식
Euler
제외 조건
lowres, worst quality, low quality, bad anatomy, explicit
프롬프트 도우미

모델 및 LoRA 사용

Tsubaki.3 - AI Model 커버 이미지

PixAI DiT.3

Tsubaki.3
5.68k

비슷한 작품

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AI artwork
ト
copyright: sword_art_online the girl(kirigaya suguha \(sao\), official art, anime style, short black hair, hair clip, teal eyes, large breasts) the boy(original boy, short hair, black eyes, undercut hair,18 years old man) Sword Art Online anime style, A poor student's apartment room, a poor student boyfriend, a supermarket bag of treats brought by his girlfriend, animal-shaped castella cakes, melonpan, smiles, a window, a bed.
トットトット
#키리토#소드 아트 온라인#키리가야 스구하

추천 사용자

당신에게 추천

AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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