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AI art "巫女"
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巫女

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Sandy

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harukav2 style, crisp color blocking, defined shading, cool reflected light, luminous highlights, chunky stylized hair shapes, soft gradients, clean lineart, cel shading, glossy highlights, glossy hair, dense layered shading, sharp highlights, pearlescent sheen, rich color separation, polished rendering, white cross-collar inner lining. Adopting the cross-collar structure common in Japanese kimono. A small section of red V-shaped decoration is added to the center of the collar, so the white top does not look monotonous. Red sleeve covers/long sleeves, with bright red long strips of fabric hanging from both sides of the arms. There are white areas and red piping near the cuffs, possessing the typical visual characteristics of miko clothing. Chest decorations, using two sets of red decorations similar to kumihimo/knotted ropes on the chest. The center below is connected to the waist with a red rope belt, adding a traditional Japanese style. A black belt is used to secure the clothing. In the dead center is a striking, large golden circular waist ornament. Red decorative rope knots hang below. The red skirt unfolds downwards from the waist, forming a very distinct red-and-white contrast. The skirt is primarily bright red. The hem has white lotus leaves/ruffles. Detailed white decorative lines are added to the edges. The length of the skirt is relatively short. Both sides have very wide white sleeves: the sleeves are long and loose flare-shaped. Red stripe decorations are used on the edges. Both the cuffs and the hem have multiple layers of fabric. Golden bells and red tassels hang below the sleeves. Additionally, there are serrated/diamond-shaped white fabric strips below the sleeves, increasing the sense of fluttering. Wearing white sock-covers. The shoes are in a distinct Japanese geta/wooden clog style. Using red straps. The soles are wood-colored.
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원본 프롬프트
harukav2 style, crisp color blocking, defined shading, cool reflected light, luminous highlights, chunky stylized hair shapes, soft gradients, clean lineart, cel shading, glossy highlights, glossy hair, dense layered shading, sharp highlights, pearlescent sheen, rich color separation, polished rendering, 白色交領內襯 採用日式和服常見的交領結構。 領口中央加入一小段紅色 V 字裝飾，讓白色上衣不會顯得單調。紅色袖套／長袖，手臂兩側垂下鮮紅色長條布料。袖口附近有白色區域與紅色滾邊，具有巫女服的典型視覺特徵。胸前裝飾，胸口使用兩組類似組紐／結繩的紅色裝飾。中央下方則以紅色繩帶連接腰部，增添傳統和風感。使用黑色腰帶固定服裝。正中央有一枚醒目的大型金色圓形腰飾。下方垂著紅色裝飾繩結。紅色裙裝從腰部向下展開，形成非常鮮明的紅白對比。裙子以鮮紅色為主。下擺有白色荷葉／褶邊。邊緣加入細緻的白色裝飾線。裙子的長度偏短。兩側都有非常寬大的白色袖袍：袖子呈長而寬鬆的喇叭狀。邊緣使用紅色條紋裝飾。袖口與下擺都有多層布料。袖子下方還掛著金色鈴鐺與紅色流蘇。此外，袖袍下方還有鋸齒／菱形狀的白色布條，增加飄動感。穿著白色襪套。鞋子是明顯的日式木屐／下駄風格。使用紅色鞋帶。鞋底呈木頭色。
모드
pro
품질 태그
﹝프롬프트﹞
크기
1104 x 1824
제외 조건
lowres, worst quality, low quality, bad anatomy, explicit
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AI artwork
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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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