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AI art "Rainbow Fin Albacore(?)" featuring #물, #수중, #물고기, #아무도 없다, #동물, #뾰족니, #나뭇잎 사이로 비치는 햇빛, #다랑어, #햇빛, #빛내림, #수영, #월드 오브 워크래프트 and #광선
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Rainbow Fin Albacore(?)

Another attempt to reconstruct a fictional fish from World of Warcraft. The Rainbow Fin Albacore is a low-level fish found along the coast of Kalimdor. Considering that players can casually stuff these things into their bags in stacks of 200 or even 1,000, I never gave much thought to what kind of fish it was supposed to be. I'm not particularly familiar with fish names, so it took me a surprisingly long time to realize that **albacore actually refers to the longfin tuna**. For this reconstruction, I used the yellowfin tuna as the anatomical starting point, then recolored it according to the original in-game icon. There's one small problem, though: the icon doesn't really look like a tuna at all. So I took considerable liberties with the anatomy, borrowing only a few details from the icon, particularly the rather suspicious teeth. Whether this resembles what the original Warcraft artists had in mind is anyone's guess. At least it's now recognizable as something belonging to the tuna family. Probably.

#물#수중#물고기#아무도 없다#동물#뾰족니#나뭇잎 사이로 비치는 햇빛#다랑어#햇빛#빛내림#수영#월드 오브 워크래프트#광선
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Myrmex

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Convert image1 to a digital anime style: clean uniform outlines, smooth cel shading, and vibrant colors, while keeping image1's composition — a large, mottled grey fish with a yellow lateral stripe, sharp teeth, and elongated iridescent blue and purple fins swimming to the right — and the shallow, sunlit underwater background with bright light caustics on the sandy seabed and sparse patches of sea grass unchanged.
매개변수 표시
원본 프롬프트
Re-render the whole image in an anime style
모드
flash
크기
1888 x 1056
프롬프트 도우미

모델 및 LoRA 사용

Tsubaki.3 Flash - AI Model 커버 이미지

PixAI DiT.3

Tsubaki.3 Flash
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AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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