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AI art "無題" featuring #워터마크
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#워터마크
Avatar image of ちきゃ
avatar-frame

ちきゃ

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detail illustration, clean outlines, smooth shading, very aesthetic, in a dark room, a silhouette of something like a person can be seen on the curtains. There is no person. Grey curtains. Dark room. Silhouette. Composition close to a window with curtains.
매개변수 표시
원본 프롬프트
暗い部屋の中、カーテンになにやら人影が見える。人はいない。灰色のカーテン。暗い部屋。人影。カーテンの着いた窓に寄った構図。
모드
lite
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1024 x 1024
워터마크
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Tsubaki.2 - AI Model 커버 이미지

PixAI DiT.2

Tsubaki.2
18.89k
* - AI Model 커버 이미지

사용자 LoRA

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1.68k

비슷한 작품

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AI artwork
as
soft pastel, airy paint, depth of field, kawaii, moe, cute, low saturated colors, highlight on hair, 1boy, young boy, black hair, middle part hairstyle, soft fluffy layered hair, standing inside his bedroom in front of a window, viewed from outside the house, front view, camera positioned outside the bedroom window, looking directly toward the front of the character through the window glass, opening his bedroom curtains in the morning, one hand holding and pulling the curtain aside, the other hand raised in front of his face to shield his eyes from the bright sunlight, sleepy squinting expression, slightly furrowed eyebrows, mouth slightly open, looking dazzled by the morning sunlight, warm golden sunlight illuminating his face and body, beautiful sun rays streaming into the bedroom, soft light flares, cozy bedroom interior visible behind him, window frame and curtains visible in the foreground, subtle outdoor foliage framing the edges of the composition, cinematic morning atmosphere, natural lighting, detailed background, clear character silhouette, natural anatomy
Apa Saja

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AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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