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모니카, 두근두근 문예부!

It’s my first time trying this sort of style — there’s a typo, but hang on, is she looking at me?

#니삭스#블레이저#치마#포니테일#조끼#영어#나비매듭#장발#갈색머리#하이앵글#검은색 사이하이 삭스#미소#리본#교복#제4의 벽#재킷#커서#녹안#셔츠#소녀#전신#파란 스커트#흰 셔츠#두근두근 문예부!#모니카#창
Avatar image of Spider_D

Spider_D

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character: monika_(doki_doki_literature_club), copyright: doki_doki_literature_club monika_(doki_doki_literature_club), 1girl, solo, monika, long brown hair, high ponytail, white bow in hair, emerald green eyes, fair skin, school uniform, brown blazer, white collared shirt, red necktie, blue pleated skirt, black thighhighs, brown loafers, high-angle shot looking straight down from above, vertical composition, almost full-body view, a young woman walking naturally forward between the white painted lines on a gray asphalt road surface, casual everyday street scene with no complex background, only the flat gray pavement and crisp white lane markings visible beneath her, the entire image is framed by a thin clean white rectangular border creating the impression of a still extracted from a surveillance camera feed, two thin technical cyan-blue object detection boxes: one tightly framing her head and another framing her feet, both with precise thin digital edges in the style of automated computer vision systems, from the head detection box a thin cyan-blue data line extends to a secondary analysis panel positioned near her waist on the right side of the frame; this secondary panel shows a close-up crop of her exact face with the same expression, hairstyle and angle, overlaid with a semi-transparent cyan-blue image segmentation mask that tints the skin and facial features while leaving all original facial structure, eyes, hair strands and details clearly visible underneath; the text "FEMALE" appears in small sharp technical font above the head detection box; the secondary face panel is labeled "#4D4F4E494B41" in matching technical type, from the foot detection box a second thin cyan-blue data line extends to another secondary analysis panel located in the lower-left area near her knees; this panel displays a close-up of her exact feet and shoes in the same pose, also covered by a semi-transparent cyan-blue image segmentation overlay that highlights the silhouette and contours of the feet and footwear while preserving all original details, texture and shape; the text "UNDER" appears above the foot detection box on the main image; the secondary foot panel is labeled "#76TE61", a yellow warning triangle icon "⚠" floats near the head detection box and its connecting data line, suggesting the system has flagged an anomalous feature, in the upper-left corner inside the white border the small sharp technical text "CCTV 01" appears, directly beneath it the line "The All-Knowing Girl" in the same minimal digital surveillance font, in the upper-right corner inside the white border the text "SIMULATION 05/20" is displayed in matching technical style, a classic white Windows-style mouse cursor with black outline in the shape of an arrow "➤" is overlaid on the image and points directly at the character, overall aesthetic of a retro-digital CCTV object analysis interface: thin HUD lines, cyan-blue data connections, small sharp technical typography, semi-transparent cyan-blue segmentation overlays applied only to the face and feet regions inside their respective analysis panels (never flooding the entire panels or replacing the original details with solid color blocks), cold desaturated color palette of cool grays, deep denim blues and soft ivory whites, medium-low saturation, clear but restrained contrast, heavy analog film grain, visible digital noise, subtle scanline effect, slightly soft focus typical of old surveillance cameras, mild chromatic aberration along edges for a retro digital look,painterly digital rendering,chunky brushwork,broad opaque strokes,faceted shapes,angular color blocking,hard-edged shading,painterly edges,soft tonal transitions,diffused highlights,ambient lighting,cinematic lighting,subtle bloom,rough painterly anime illustration,expressive textured brushwork,chunky brushstrokes,chalky dry-brush texture,scraped pigment,blocky paint application,soft blended shading,visible paint texture,sketchy painted details,glossy highlights,atmospheric depth,blocky-like illustration,loose textured pencil linework,crayon-like lineart,flat minimal shading,dry-brush textured transitions,chalky stippling,bold saturated tonal palette,high-contrast color blocks,
매개변수 표시
원본 프롬프트
monika_(doki_doki_literature_club), 1girl, solo, monika, long brown hair, high ponytail, white bow in hair, emerald green eyes, fair skin, school uniform, brown blazer, white collared shirt, red necktie, blue pleated skirt, black thighhighs, brown loafers, high-angle shot looking straight down from above, vertical composition, almost full-body view, a young woman walking naturally forward between the white painted lines on a gray asphalt road surface, casual everyday street scene with no complex background, only the flat gray pavement and crisp white lane markings visible beneath her, the entire image is framed by a thin clean white rectangular border creating the impression of a still extracted from a surveillance camera feed, two thin technical cyan-blue object detection boxes: one tightly framing her head and another framing her feet, both with precise thin digital edges in the style of automated computer vision systems, from the head detection box a thin cyan-blue data line extends to a secondary analysis panel positioned near her waist on the right side of the frame; this secondary panel shows a close-up crop of her exact face with the same expression, hairstyle and angle, overlaid with a semi-transparent cyan-blue image segmentation mask that tints the skin and facial features while leaving all original facial structure, eyes, hair strands and details clearly visible underneath; the text "FEMALE" appears in small sharp technical font above the head detection box; the secondary face panel is labeled "#4D4F4E494B41" in matching technical type, from the foot detection box a second thin cyan-blue data line extends to another secondary analysis panel located in the lower-left area near her knees; this panel displays a close-up of her exact feet and shoes in the same pose, also covered by a semi-transparent cyan-blue image segmentation overlay that highlights the silhouette and contours of the feet and footwear while preserving all original details, texture and shape; the text "UNDER" appears above the foot detection box on the main image; the secondary foot panel is labeled "#76TE61", a yellow warning triangle icon "⚠" floats near the head detection box and its connecting data line, suggesting the system has flagged an anomalous feature, in the upper-left corner inside the white border the small sharp technical text "CCTV 01" appears, directly beneath it the line "The All-Knowing Girl" in the same minimal digital surveillance font, in the upper-right corner inside the white border the text "SIMULATION 05/20" is displayed in matching technical style, a classic white Windows-style mouse cursor with black outline in the shape of an arrow "➤" is overlaid on the image and points directly at the character, overall aesthetic of a retro-digital CCTV object analysis interface: thin HUD lines, cyan-blue data connections, small sharp technical typography, semi-transparent cyan-blue segmentation overlays applied only to the face and feet regions inside their respective analysis panels (never flooding the entire panels or replacing the original details with solid color blocks), cold desaturated color palette of cool grays, deep denim blues and soft ivory whites, medium-low saturation, clear but restrained contrast, heavy analog film grain, visible digital noise, subtle scanline effect, slightly soft focus typical of old surveillance cameras, mild chromatic aberration along edges for a retro digital look,painterly digital rendering,chunky brushwork,broad opaque strokes,faceted shapes,angular color blocking,hard-edged shading,painterly edges,soft tonal transitions,diffused highlights,ambient lighting,cinematic lighting,subtle bloom,rough painterly anime illustration,expressive textured brushwork,chunky brushstrokes,chalky dry-brush texture,scraped pigment,blocky paint application,soft blended shading,visible paint texture,sketchy painted details,glossy highlights,atmospheric depth,blocky-like illustration,loose textured pencil linework,crayon-like lineart,flat minimal shading,dry-brush textured transitions,chalky stippling,bold saturated tonal palette,high-contrast color blocks,
모드
pro
품질 태그
﹝프롬프트﹞
크기
1056 x 1888
제외 조건
lowres, worst quality, low quality, bad anatomy, explicit
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비슷한 작품

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bd
character: monika_(doki_doki_literature_club). A medium shot from a front-facing angle depicts monika_(doki_doki_literature_club) centered in a void of absolute darkness. She is a young woman with long brown hair tied in a high ponytail with a large white ribbon, wearing a grey school blazer over a white shirt and a red ribbon tie. Her expression is unsettlingly neutral, characterized by a flat, straight-line mouth and a heavy, unnatural blush on her cheeks, while her eyes stare blankly at the viewer. Her hands are held stiffly at her sides, fingers slightly curled. The environment is a pitch-black abyss, fragmented by chaotic digital glitches and scattered multicolored pixels that tear through the image. The atmosphere is eerie and distorted, with sharp visual artifacts and high-contrast lighting that creates a claustrophobic and scary mood.
B D
#두근두근 문예부!#모니카

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당신에게 추천

AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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