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AI art "ナルト達のカラオケパーティー!" featuring #나루토, #우즈마키 나루토, #하루노 사쿠라, #우치하 사스케, #노래하기, #악기, #노래방, #실내, #나루토 질풍전 and #나루토
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ナルト達のカラオケパーティー!

『NARUTO』のメンバーがカラオケで大盛り上がり!サスケの照れながら歌う姿や、ナルトの分身たちの演奏が可愛くて、つい見入ってしまいました。この楽しそうな雰囲気が大好きです!気に入ったらいいねとフォローをお願いします。次はどんな曲を歌うのかな?コメントで教えてね〜

#나루토#우즈마키 나루토#하루노 사쿠라#우치하 사스케#노래하기#악기#노래방#실내#나루토 질풍전#나루토
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character: uchiha_sasuke, uzumaki_naruto 5girls? no -- 5 subjects, uchiha sasuke, uzumaki naruto, three naruto clones, sakura haruno, karaoke box interior, singing, embarrassed, blushing, looking away, holding microphone, closed mouth nervous, three clones, multiple boys, clone, playing instrument, guitar, tambourine, drum, cheering, open mouth, excited, casual summer clothes, short sleeves, t-shirt, from below, dutch angle, wide shot, dynamic composition, warm karaoke lighting, colorful, night, looking at another, blush, sweatdrop, varied expressions, group The view is a low, tilted wide shot from the far corner of a small karaoke box, tilted just enough to make the room feel like it is tipping toward the singer. The back wall is a padded dark-grey acoustic panel grid crossed by a strip of colour-changing LED; a chunky CRT-style monitor on a shelf in the upper-left of the frame shows a bright bouncing-note lyric screen with the words washed into illegible glow. On the low table in the midground: two long-necked microphones lying crossed, a sweating pitcher of iced oolong beaded with condensation, four glass tumblers, a black tambourine, and a wire basket of snacks. The narrow room's benches are upholstered in deep teal. At frame centre, seated but half-risen off the bench, Sasuke sings. He holds the microphone in his right hand close to his chin, left hand fisted against his chest. His head is turned away from the lens toward the monitor, chin dipped; a hard flush sits high on both cheekbones and along the rims of his ears, his brow knotted, one eye squinted nearly shut in a wince, mouth opened only just enough to sing. Black hair, short and spiky at the back, sticks slightly to his temple. He wears a casual summer outfit: a loose short-sleeved camp-collar shirt in washed indigo, open over a plain white tee, and pale chino shorts; both elbows bare, the shirt hanging away from his body with the tilt of his shoulders. To his right, three identical blond young men in the same casual summer clothes -- white-and-orange short-sleeved tees and grey shorts, no headbands, sleeves rolled -- are crammed into the corner bench, each with blond spiky hair and three whisker-like marks on each cheek. The clone nearest the lens leans forward over an acoustic guitar, fretting a chord with the left hand and strumming with the right, knees spread, head cocked toward Sasuke with a wide open-mouthed grin. The middle clone is up on one knee on the bench, one arm flung out, shaking a tambourine overhead in a blur of motion, mouth wide in a shout of encouragement. The farthest clone sits hunched around a small hand drum clamped between both knees, striking it with both palms, grinning and leaning the upper body toward Sasuke. All three faces are turned toward Sasuke; blue eyes fixed on him, and each shows a delighted, teasing energy. At the left of the frame, Sakura leans in from the bench's far end, torso twisted toward Sasuke, both hands raised in a clap, mouth open in a cheer; she has short pink hair, a bright short-sleeved summer blouse in coral with a fitted tank beneath, and denim shorts. Her gaze is pinned on Sasuke, and her cheering is aimed at him. Sasuke is caught between them: body angled toward the monitor, one shoulder pulled up defensively, and the flush deepens where the LED strip grazes his cheek. Light: a single warm amber ceiling spot over Sasuke is the key, throwing his shadow down-left across the teal upholstery; the LED strip colours the back of each blond head a cool magenta and rinses the monitor shelf in cyan. Every face is lit from the front by the monitor's glow, low and saturated. Palette: teal benches, indigo and white on Sasuke, orange-white-grey on the clones, coral on Sakura, magenta-cyan wash behind. On the table the pitcher's condensation runs down and pools in a ring on the laminate, and the tambourine's jingles blur into a fan of streaks where the plastic dome catches the spot. Noise and warmth and friendly chaos, tenderly embarrassing.
매개변수 표시
원본 프롬프트
カラオケボックスにいる サスケとナルトとサクラ サスケが恥ずかしそうに歌を歌っており 3人に分身したナルトがそれぞれ楽器を演奏してサスケを見ながら応援している サクラもサスケを応援している 三人ともcasualな夏服を着ている
모드
pro
품질 태그
﹝프롬프트﹞
크기
1744 x 1152
제외 조건
lowres, worst quality, low quality, bad anatomy, explicit
프롬프트 도우미

모델 및 LoRA 사용

비슷한 작품

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AI artwork
Avatar image of Yiğit Şerif Yaman The Man
character: tsunade_(naruto), uchiha_sasuke, hatake_kakashi, uzumaki_naruto, jiraiya_(naruto) 7 characters, multi-panel sequence, comic panel layout, four panels, split screen composition, searching for someone, hiding, open-mouthed shouting, running, indoors, outdoors, blonde hair, short hair, blue eyes, facial mark, forehead protector, orange jacket, long sleeves, pink hair, long hair, pink eyes, forehead protector, red qipao top, black shorts, black hair, short hair, red eyes, black shirt, black pants, grey hair, spiked hair, hair between eyes, heterochromia, mouth mask, black gloves, forehead protector flak vest, white hair, long hair, black eyes, red facial mark, green jacket, green pants, fishnets, forehead protector, blonde long hair, facial mark, green kimono, forehead mark, long dark blue hair, pale eyes, white jacket, purple hair, dark skin, red eyes, white hair, search lights, tension, tag run, from behind, over-shoulder composition, from below, from above, close-up, wide shot, dutch angle, looking to the side, looking at another, hiding, crouching, pressed against wall, hand on chest, holding breath, running, pointing, shading eyes, hands cupped around mouth, clenched fist, worried expression, sweatdrop, gritted teeth, wide-eyed, furrowed brows, side ponytail, twin tails, veins, smirk, serious expression, silhouette, shadows, night, moonlit, moonlight, blue palette, orange jacket, cinematic lighting, dramatic lighting, atmospheric. The image is a four-panel manga-style sequence laid out as a single page, sharing one moonlit night. In the first broad panel, framed from below, six figures fan out searching a dim street outside a wooden house: a young man with black hair and red eyes in a dark shirt and pants strides ahead, jaw set, one fist clenched, eyes cutting left toward an alley; beside him a woman with long pink hair and a red qipao top cups both hands around her mouth mid-shout, brows drawn, her ponytail swinging as she steps forward; a masked man with silver spiked hair and a forehead protector slanted over one eye stands half-turned, one gloved hand shading his eye as he sweeps his gaze along the rooftops; a girl with long dark-blue hair and pale eyes in a light jacket halts by a doorway, fingertips resting on the frame, eyes wide and searching; a tall white-haired man in a green jacket leans over a fence with his chin lifted, looking down the far street with a hard squint; and a blonde woman in a green kimono, forehead mark between her brows, plants one hand on her hip and points sharply toward a side path with the other, her long hair blown back across her shoulder. Their footfalls and the night wind push their clothes and hair into motion against weathered stone. In the second narrow panel, framed from above, a young man with short blond hair, blue eyes, whisker marks on his cheeks and a forehead protector on his bandana-covered head crouches behind the raised edge of a wooden interior ledge, back flat to the wall, one knee drawn up, one hand clamped flat over his own mouth, the other palm pressed to the floor for balance; his eyes are angled up and to the side toward a latticed window through which thin moonlight spills in a pale stripe across his hunched shoulder and the floorboards, and beyond that stripe the interior sits in deep shadow. The third panel cuts to a low close-up from outside: the six searchers' shadows rake across the wooden wall of the house, exaggerated and long under the moon, and the same young man's silhouette shows only through the frosted paper of the window, hunched and still. The fourth panel returns low and wide: the six figures walk away around the far corner in a loose arc, still looking and pointing, while behind them, in the window of the house, the hidden young man peeks out from behind the sill with one eye showing over the wood edge. The light is one source -- a full moon high and off to the upper right -- casting hard, silver-edged shadows and leaving unlit walls in absolute blue-black; the palette is moonlit blue and silver on the street, warm amber lamplight only inside the house, a scatter of orange where the boy's sleeve catches the window glow, and a thin thread of pink in the shouting woman's hair and the red qipao, restrained. A single dried leaf skitters across the flagstones and comes to rest against a boot heel. Tense, covert.
Yiğit Şerif Yaman The Man
AI artwork
Avatar image of Yiğit Şerif Yaman The Man
character: tsunade_(naruto), uchiha_sasuke, hatake_kakashi, uzumaki_naruto, jiraiya_(naruto) 7 characters, multi-panel sequence, comic panel layout, four panels, split screen composition, searching for someone, hiding, open-mouthed shouting, running, indoors, outdoors, blonde hair, short hair, blue eyes, facial mark, forehead protector, orange jacket, long sleeves, pink hair, long hair, pink eyes, forehead protector, red qipao top, black shorts, black hair, short hair, red eyes, black shirt, black pants, grey hair, spiked hair, hair between eyes, heterochromia, mouth mask, black gloves, forehead protector flak vest, white hair, long hair, black eyes, red facial mark, green jacket, green pants, fishnets, forehead protector, blonde long hair, facial mark, green kimono, forehead mark, long dark blue hair, pale eyes, white jacket, purple hair, dark skin, red eyes, white hair, search lights, tension, tag run, from behind, over-shoulder composition, from below, from above, close-up, wide shot, dutch angle, looking to the side, looking at another, hiding, crouching, pressed against wall, hand on chest, holding breath, running, pointing, shading eyes, hands cupped around mouth, clenched fist, worried expression, sweatdrop, gritted teeth, wide-eyed, furrowed brows, side ponytail, twin tails, veins, smirk, serious expression, silhouette, shadows, night, moonlit, moonlight, blue palette, orange jacket, cinematic lighting, dramatic lighting, atmospheric. The image is a four-panel manga-style sequence laid out as a single page, sharing one moonlit night. In the first broad panel, framed from below, six figures fan out searching a dim street outside a wooden house: a young man with black hair and red eyes in a dark shirt and pants strides ahead, jaw set, one fist clenched, eyes cutting left toward an alley; beside him a woman with long pink hair and a red qipao top cups both hands around her mouth mid-shout, brows drawn, her ponytail swinging as she steps forward; a masked man with silver spiked hair and a forehead protector slanted over one eye stands half-turned, one gloved hand shading his eye as he sweeps his gaze along the rooftops; a girl with long dark-blue hair and pale eyes in a light jacket halts by a doorway, fingertips resting on the frame, eyes wide and searching; a tall white-haired man in a green jacket leans over a fence with his chin lifted, looking down the far street with a hard squint; and a blonde woman in a green kimono, forehead mark between her brows, plants one hand on her hip and points sharply toward a side path with the other, her long hair blown back across her shoulder. Their footfalls and the night wind push their clothes and hair into motion against weathered stone. In the second narrow panel, framed from above, a young man with short blond hair, blue eyes, whisker marks on his cheeks and a forehead protector on his bandana-covered head crouches behind the raised edge of a wooden interior ledge, back flat to the wall, one knee drawn up, one hand clamped flat over his own mouth, the other palm pressed to the floor for balance; his eyes are angled up and to the side toward a latticed window through which thin moonlight spills in a pale stripe across his hunched shoulder and the floorboards, and beyond that stripe the interior sits in deep shadow. The third panel cuts to a low close-up from outside: the six searchers' shadows rake across the wooden wall of the house, exaggerated and long under the moon, and the same young man's silhouette shows only through the frosted paper of the window, hunched and still. The fourth panel returns low and wide: the six figures walk away around the far corner in a loose arc, still looking and pointing, while behind them, in the window of the house, the hidden young man peeks out from behind the sill with one eye showing over the wood edge. The light is one source -- a full moon high and off to the upper right -- casting hard, silver-edged shadows and leaving unlit walls in absolute blue-black; the palette is moonlit blue and silver on the street, warm amber lamplight only inside the house, a scatter of orange where the boy's sleeve catches the window glow, and a thin thread of pink in the shouting woman's hair and the red qipao, restrained. A single dried leaf skitters across the flagstones and comes to rest against a boot heel. Tense, covert.
Yiğit Şerif Yaman The Man
AI artwork
Avatar image of Yiğit Şerif Yaman The Man
character: tsunade_(naruto), uchiha_sasuke, hatake_kakashi, uzumaki_naruto, jiraiya_(naruto) 7 characters, multi-panel sequence, comic panel layout, four panels, split screen composition, searching for someone, hiding, open-mouthed shouting, running, indoors, outdoors, blonde hair, short hair, blue eyes, facial mark, forehead protector, orange jacket, long sleeves, pink hair, long hair, pink eyes, forehead protector, red qipao top, black shorts, black hair, short hair, red eyes, black shirt, black pants, grey hair, spiked hair, hair between eyes, heterochromia, mouth mask, black gloves, forehead protector flak vest, white hair, long hair, black eyes, red facial mark, green jacket, green pants, fishnets, forehead protector, blonde long hair, facial mark, green kimono, forehead mark, long dark blue hair, pale eyes, white jacket, purple hair, dark skin, red eyes, white hair, search lights, tension, tag run, from behind, over-shoulder composition, from below, from above, close-up, wide shot, dutch angle, looking to the side, looking at another, hiding, crouching, pressed against wall, hand on chest, holding breath, running, pointing, shading eyes, hands cupped around mouth, clenched fist, worried expression, sweatdrop, gritted teeth, wide-eyed, furrowed brows, side ponytail, twin tails, veins, smirk, serious expression, silhouette, shadows, night, moonlit, moonlight, blue palette, orange jacket, cinematic lighting, dramatic lighting, atmospheric. The image is a four-panel manga-style sequence laid out as a single page, sharing one moonlit night. In the first broad panel, framed from below, six figures fan out searching a dim street outside a wooden house: a young man with black hair and red eyes in a dark shirt and pants strides ahead, jaw set, one fist clenched, eyes cutting left toward an alley; beside him a woman with long pink hair and a red qipao top cups both hands around her mouth mid-shout, brows drawn, her ponytail swinging as she steps forward; a masked man with silver spiked hair and a forehead protector slanted over one eye stands half-turned, one gloved hand shading his eye as he sweeps his gaze along the rooftops; a girl with long dark-blue hair and pale eyes in a light jacket halts by a doorway, fingertips resting on the frame, eyes wide and searching; a tall white-haired man in a green jacket leans over a fence with his chin lifted, looking down the far street with a hard squint; and a blonde woman in a green kimono, forehead mark between her brows, plants one hand on her hip and points sharply toward a side path with the other, her long hair blown back across her shoulder. Their footfalls and the night wind push their clothes and hair into motion against weathered stone. In the second narrow panel, framed from above, a young man with short blond hair, blue eyes, whisker marks on his cheeks and a forehead protector on his bandana-covered head crouches behind the raised edge of a wooden interior ledge, back flat to the wall, one knee drawn up, one hand clamped flat over his own mouth, the other palm pressed to the floor for balance; his eyes are angled up and to the side toward a latticed window through which thin moonlight spills in a pale stripe across his hunched shoulder and the floorboards, and beyond that stripe the interior sits in deep shadow. The third panel cuts to a low close-up from outside: the six searchers' shadows rake across the wooden wall of the house, exaggerated and long under the moon, and the same young man's silhouette shows only through the frosted paper of the window, hunched and still. The fourth panel returns low and wide: the six figures walk away around the far corner in a loose arc, still looking and pointing, while behind them, in the window of the house, the hidden young man peeks out from behind the sill with one eye showing over the wood edge. The light is one source -- a full moon high and off to the upper right -- casting hard, silver-edged shadows and leaving unlit walls in absolute blue-black; the palette is moonlit blue and silver on the street, warm amber lamplight only inside the house, a scatter of orange where the boy's sleeve catches the window glow, and a thin thread of pink in the shouting woman's hair and the red qipao, restrained. A single dried leaf skitters across the flagstones and comes to rest against a boot heel. Tense, covert.
Yiğit Şerif Yaman The Man

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AI artwork
Avatar image of Kani x
character: tenma_tsukasa "", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
AI artwork
Avatar image of リオ
character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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