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むぎ

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1woman, adult, solo, full body, standing, inward knees, pigeon-toed, uchimata, inward-curled bob, uchimaki bob, bangs, black hair, modest face, shy, insecure, timid, looking at viewer, downward gaze, slight blush, showa retro sportswear, vintage gym shirt, white t-shirt, short sleeves, navy athletic shorts, buruma, white socks, crew socks, uwabaki, retro gymnasium, wooden floor, gymnasium interior, soft 1970s lighting, faded colors, film grain, nostalgic japanese aesthetic In a full-body composition captured from a straight-on eye-level view, an adult Japanese woman stands self-consciously in the center of an expansive Showa-era school gymnasium. Her dark hair is styled in a neat inward-curled bob (uchimaki) with blunt straight bangs framing a plain, modest face devoid of makeup. Her expression is distinctly shy and insecure: her delicate brows tilt slightly in hesitant worry, her dark eyes cast a timid upward glance from under lowered lashes, a faint blush dusts her cheekbones, and her lips remain gently pressed together in quiet reservation. Her posture reflects her timidity, with shoulders rounded inward, elbows held close to her torso, and both hands nervously clasping each other in front of her waist against the hem of her shirt. Her legs angle distinctly inward with knees gently touching, and her feet are planted pigeon-toed upon the polished floorboards. She wears period-accurate Showa sportswear comprising a plain white cotton short-sleeved gym shirt with a ribbed crew neck, deep navy blue short athletic bloomers with elasticized leg openings, white ribbed cotton crew socks gathered neatly on her calves, and classic white canvas Japanese uwabaki shoes with red rubber toe caps and flat rubber soles pressing against the cedar floor. Behind her, the retro gymnasium stretches out with faded yellow and white court lines painted on the lacquered wooden planks, while wooden stall bars line the distant wall beneath tall, frosted multi-pane clerestory windows. Soft, diffused daylight pours through the high glass at an angle, illuminating a scattering of slow-drifting dust motes in the air and casting soft, elongated contact shadows beneath her inward-turned feet, with the glossy varnish catching a faint, soft-edged reflection of her white socks and shoes. The color palette is gently desaturated in the style of 1970s color film stock, dominated by warm honey wood tones, mellowed cream whites, and muted indigo, overlaid with a subtle, fine-grained analog texture. Quiet, nostalgic vulnerability.
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Japanese adult woman, Showa retro sportswear, white vintage gym shirt, navy short athletic pants, inward‑curled bob haircut (uchimaki bob), plain modest face, shy and insecure expression, standing pigeon‑toed with inward knees, white socks and classic Japanese uwabaki shoes, full‑body composition, soft 1970s film-like lighting, slightly faded colors, retro schoolyard or gymnasium background, subtle grain texture, nostalgic Japanese aesthetic
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flash
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1104 x 1824
프롬프트 도우미

모델 및 LoRA 사용

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AI artwork
Avatar image of むぎ
1woman, adult, solo, full body, standing, inward knees, pigeon-toed, uchimata, inward-curled bob, uchimaki bob, bangs, black hair, modest face, shy, insecure, timid, looking at viewer, downward gaze, slight blush, showa retro sportswear, vintage gym shirt, white t-shirt, short sleeves, navy athletic shorts, buruma, white socks, crew socks, uwabaki, retro gymnasium, wooden floor, gymnasium interior, soft 1970s lighting, faded colors, film grain, nostalgic japanese aesthetic In a full-body composition captured from a straight-on eye-level view, an adult Japanese woman stands self-consciously in the center of an expansive Showa-era school gymnasium. Her dark hair is styled in a neat inward-curled bob (uchimaki) with blunt straight bangs framing a plain, modest face devoid of makeup. Her expression is distinctly shy and insecure: her delicate brows tilt slightly in hesitant worry, her dark eyes cast a timid upward glance from under lowered lashes, a faint blush dusts her cheekbones, and her lips remain gently pressed together in quiet reservation. Her posture reflects her timidity, with shoulders rounded inward, elbows held close to her torso, and both hands nervously clasping each other in front of her waist against the hem of her shirt. Her legs angle distinctly inward with knees gently touching, and her feet are planted pigeon-toed upon the polished floorboards. She wears period-accurate Showa sportswear comprising a plain white cotton short-sleeved gym shirt with a ribbed crew neck, deep navy blue short athletic bloomers with elasticized leg openings, white ribbed cotton crew socks gathered neatly on her calves, and classic white canvas Japanese uwabaki shoes with red rubber toe caps and flat rubber soles pressing against the cedar floor. Behind her, the retro gymnasium stretches out with faded yellow and white court lines painted on the lacquered wooden planks, while wooden stall bars line the distant wall beneath tall, frosted multi-pane clerestory windows. Soft, diffused daylight pours through the high glass at an angle, illuminating a scattering of slow-drifting dust motes in the air and casting soft, elongated contact shadows beneath her inward-turned feet, with the glossy varnish catching a faint, soft-edged reflection of her white socks and shoes. The color palette is gently desaturated in the style of 1970s color film stock, dominated by warm honey wood tones, mellowed cream whites, and muted indigo, overlaid with a subtle, fine-grained analog texture. Quiet, nostalgic vulnerability.
むぎ
AI artwork
Avatar image of むぎ
1woman, adult, solo, full body, standing, inward knees, pigeon-toed, uchimata, inward-curled bob, uchimaki bob, bangs, black hair, modest face, shy, insecure, timid, looking at viewer, downward gaze, slight blush, showa retro sportswear, vintage gym shirt, white t-shirt, short sleeves, navy athletic shorts, buruma, white socks, crew socks, uwabaki, retro gymnasium, wooden floor, gymnasium interior, soft 1970s lighting, faded colors, film grain, nostalgic japanese aesthetic In a full-body composition captured from a straight-on eye-level view, an adult Japanese woman stands self-consciously in the center of an expansive Showa-era school gymnasium. Her dark hair is styled in a neat inward-curled bob (uchimaki) with blunt straight bangs framing a plain, modest face devoid of makeup. Her expression is distinctly shy and insecure: her delicate brows tilt slightly in hesitant worry, her dark eyes cast a timid upward glance from under lowered lashes, a faint blush dusts her cheekbones, and her lips remain gently pressed together in quiet reservation. Her posture reflects her timidity, with shoulders rounded inward, elbows held close to her torso, and both hands nervously clasping each other in front of her waist against the hem of her shirt. Her legs angle distinctly inward with knees gently touching, and her feet are planted pigeon-toed upon the polished floorboards. She wears period-accurate Showa sportswear comprising a plain white cotton short-sleeved gym shirt with a ribbed crew neck, deep navy blue short athletic bloomers with elasticized leg openings, white ribbed cotton crew socks gathered neatly on her calves, and classic white canvas Japanese uwabaki shoes with red rubber toe caps and flat rubber soles pressing against the cedar floor. Behind her, the retro gymnasium stretches out with faded yellow and white court lines painted on the lacquered wooden planks, while wooden stall bars line the distant wall beneath tall, frosted multi-pane clerestory windows. Soft, diffused daylight pours through the high glass at an angle, illuminating a scattering of slow-drifting dust motes in the air and casting soft, elongated contact shadows beneath her inward-turned feet, with the glossy varnish catching a faint, soft-edged reflection of her white socks and shoes. The color palette is gently desaturated in the style of 1970s color film stock, dominated by warm honey wood tones, mellowed cream whites, and muted indigo, overlaid with a subtle, fine-grained analog texture. Quiet, nostalgic vulnerability.
むぎ
AI artwork
Avatar image of むぎ
1woman, adult, solo, full body, standing, inward knees, pigeon-toed, uchimata, inward-curled bob, uchimaki bob, bangs, black hair, modest face, shy, insecure, timid, looking at viewer, downward gaze, slight blush, showa retro sportswear, vintage gym shirt, white t-shirt, short sleeves, navy athletic shorts, buruma, white socks, crew socks, uwabaki, retro gymnasium, wooden floor, gymnasium interior, soft 1970s lighting, faded colors, film grain, nostalgic japanese aesthetic In a full-body composition captured from a straight-on eye-level view, an adult Japanese woman stands self-consciously in the center of an expansive Showa-era school gymnasium. Her dark hair is styled in a neat inward-curled bob (uchimaki) with blunt straight bangs framing a plain, modest face devoid of makeup. Her expression is distinctly shy and insecure: her delicate brows tilt slightly in hesitant worry, her dark eyes cast a timid upward glance from under lowered lashes, a faint blush dusts her cheekbones, and her lips remain gently pressed together in quiet reservation. Her posture reflects her timidity, with shoulders rounded inward, elbows held close to her torso, and both hands nervously clasping each other in front of her waist against the hem of her shirt. Her legs angle distinctly inward with knees gently touching, and her feet are planted pigeon-toed upon the polished floorboards. She wears period-accurate Showa sportswear comprising a plain white cotton short-sleeved gym shirt with a ribbed crew neck, deep navy blue short athletic bloomers with elasticized leg openings, white ribbed cotton crew socks gathered neatly on her calves, and classic white canvas Japanese uwabaki shoes with red rubber toe caps and flat rubber soles pressing against the cedar floor. Behind her, the retro gymnasium stretches out with faded yellow and white court lines painted on the lacquered wooden planks, while wooden stall bars line the distant wall beneath tall, frosted multi-pane clerestory windows. Soft, diffused daylight pours through the high glass at an angle, illuminating a scattering of slow-drifting dust motes in the air and casting soft, elongated contact shadows beneath her inward-turned feet, with the glossy varnish catching a faint, soft-edged reflection of her white socks and shoes. The color palette is gently desaturated in the style of 1970s color film stock, dominated by warm honey wood tones, mellowed cream whites, and muted indigo, overlaid with a subtle, fine-grained analog texture. Quiet, nostalgic vulnerability.
むぎ
AI artwork
Avatar image of wangf91gun
Eye-level full body shot, FRONT view, torso faces the camera, framed from head to feet. ayatsuji tsukasa, amagami, slender, slim waist, slim limbs, Classic Japanese gym uniform, red buruma, navy blue cotton knee-high socks, white-and-blue sneakers. Standing on the school running track, both feet flat on the track, arms hanging at his sides, hands not touching his legs or heels. Looks at the viewer, not smiling, gentle reserved expression. Daytime, school athletic field, a PE equipment warehouse behind him, chain-link fence, trees, background only. Bright daylight, clean anime illustration, sharp face, full body visible including both feet.
wangf91gun

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AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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