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Mister E

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Mister E

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1girl, solo, medium hair, dark blonde hair, bedhead, messy hair, heart ahoge, brown eyes, star-shaped pupils, glowing eyes, supernatural glow, :3, cat mouth, tongue out, fangs, vampire fangs, glasses, black choker, brass heart pendant, mole on nose, thick lips, puffy lips, red lipstick, lipstick, thicc, massive breasts, exaggerated hourglass figure, thick thighs, wide hips, creamy skin, vampire costume, halloween costume, black satin cape, pointy collar cape, high collar, detailed costume, bats, halloween, night, full moon, void background, black background, cinematic horror lighting, heavy shadows, oppressive atmosphere, looming close-up, intimidating proximity, close-up, from below, foreshortening, looking down at viewer, leaning forward, head tilt, hands on own cape, grin, chromatic aberration, vhs aesthetic, found footage style, vignette, horror The camera sits low, tilted up from just below the girl's collarbone height, so her body towers over the lens in a looming close-up and her head fills the upper third of the frame, tipped forward and slightly to one side to look down at the viewer through the wide-angle distortion that swells her near shoulder and pulls the tips of her bedhead hair out past the edges. She leans forward, weight pushed onto her right leg with the left knee soft and forward, cape held open by both hands gripping its front edges at hip level — fingers curled into the black satin, the fabric pulled taut from the grip and the pointy stand-up collar rising behind the nape of her neck. Her glasses sit square on the bridge of her small nose, catching a hard rim-light along the top of the lenses; above them her brows lift thinly and her mouth pulls into the flat wide :3 line, tongue pushed out past the curl of her full lower lip under the twin points of her fangs. Her brown eyes, pupils drawn as four-pointed stars, glow from within — a pale supernatural light that floods the lenses from behind rather than striking them from the scene — and she looks straight down into the lens. Medium dark-blonde hair hangs to her jawline, caught out of shape by sleep, strands sticking up at the temples and the top, and from the crown a single heart-shaped ahoge curls up and to the left, swung by the motion of her lean. The black choker rings her throat close and tight; the brass heart pendant hangs from it below the hollow of her throat, still swinging fractionally forward from the tilt — the only thing in the frame caught off-centre by gravity. The mole sits low on the left side of her nose, one small dark dot on creamy skin; red lipstick is thick on the puffy lips, standing out as the one saturated note on her face. She wears the vampire costume over her full exaggerated hourglass figure — massive breast volume and wide hips set against a cinched waist, thick thighs filling the lower corners of the frame — costume detailed with narrow satin bands and a fitted torso emphasized by the open black satin cape flaring out from her shoulders like torn wings. The ragged silhouette of the satin, its highlights bright along every fold and crease, is the only tactile surface in the image. Behind her, the void background is pure absolute black, and hard against the upper right of the frame sits the full moon: pale, cold, and cratered, an overexposed disc that bleeds its glow into the darkness around it. Its light comes from the back-right, rims her shoulders, the cape's collar points and the heart pendant, and leaves her face lit only by the hard underlight of her own glowing eyes — so a band of cold light runs across the crown of her hair and her chin and mouth stay the brightest true-lit feature next to the glasses. Silent bats wheel through the black around her, near-black silhouettes crossing the moon, and the nearest few are close enough to break the edge of the frame. Beneath and around her is nothing at all: no ground, no wall, no horizon. The whole frame is treated as a degraded VHS still, with scanline banding, a slight colour-bleed smear, and red and cyan chromatic aberration fringing the outer edges of her hair, the rims of her glowing lenses and the edges of the moon. The low angle, the closeness, the blackness at her back and the hard glow in her eyes make the cuteness invasive rather than sweet. Unsettling, magnetic.
매개변수 표시
원본 프롬프트
1girl, medium hair, dark-blonde hair, bedhead, heart ahoge, brown eyes, star-shaped pupils, :3, glasses, black choker, brass heart pendant, thicc body, massive breasts, exaggerated hourglass figure, thick thighs, wide hips, creamy skin, thick lips, detailed lips, puffy lips, red lipstick, mole on nose, vampire costume, halloween costume, black satin cape, pointy collar cape, vampire fangs, tongue, bats, halloween, night time, detailed costume, full moon, cute atmosphere, vhs aesthetic, chromatic aberration, void background, cinematic horror lighting, looming close-up, intimidating proximity, supernatural glow eyes, heavy shadows, oppressive atmosphere, found footage style
모드
flash
크기
1232 x 1632
프롬프트 도우미

모델 및 LoRA 사용

Tsubaki.3 Flash - AI Model 커버 이미지

PixAI DiT.3

Tsubaki.3 Flash
1.31k

비슷한 작품

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AI artwork
me
1girl, solo, medium hair, dark blonde hair, bedhead, messy hair, heart ahoge, brown eyes, star-shaped pupils, glowing eyes, supernatural glow, :3, cat mouth, tongue out, fangs, vampire fangs, glasses, black choker, brass heart pendant, mole on nose, thick lips, puffy lips, red lipstick, lipstick, thicc, massive breasts, exaggerated hourglass figure, thick thighs, wide hips, creamy skin, vampire costume, halloween costume, black satin cape, pointy collar cape, high collar, detailed costume, bats, halloween, night, full moon, void background, black background, cinematic horror lighting, heavy shadows, oppressive atmosphere, looming close-up, intimidating proximity, close-up, from below, foreshortening, looking down at viewer, leaning forward, head tilt, hands on own cape, grin, chromatic aberration, vhs aesthetic, found footage style, vignette, horror The camera sits low, tilted up from just below the girl's collarbone height, so her body towers over the lens in a looming close-up and her head fills the upper third of the frame, tipped forward and slightly to one side to look down at the viewer through the wide-angle distortion that swells her near shoulder and pulls the tips of her bedhead hair out past the edges. She leans forward, weight pushed onto her right leg with the left knee soft and forward, cape held open by both hands gripping its front edges at hip level — fingers curled into the black satin, the fabric pulled taut from the grip and the pointy stand-up collar rising behind the nape of her neck. Her glasses sit square on the bridge of her small nose, catching a hard rim-light along the top of the lenses; above them her brows lift thinly and her mouth pulls into the flat wide :3 line, tongue pushed out past the curl of her full lower lip under the twin points of her fangs. Her brown eyes, pupils drawn as four-pointed stars, glow from within — a pale supernatural light that floods the lenses from behind rather than striking them from the scene — and she looks straight down into the lens. Medium dark-blonde hair hangs to her jawline, caught out of shape by sleep, strands sticking up at the temples and the top, and from the crown a single heart-shaped ahoge curls up and to the left, swung by the motion of her lean. The black choker rings her throat close and tight; the brass heart pendant hangs from it below the hollow of her throat, still swinging fractionally forward from the tilt — the only thing in the frame caught off-centre by gravity. The mole sits low on the left side of her nose, one small dark dot on creamy skin; red lipstick is thick on the puffy lips, standing out as the one saturated note on her face. She wears the vampire costume over her full exaggerated hourglass figure — massive breast volume and wide hips set against a cinched waist, thick thighs filling the lower corners of the frame — costume detailed with narrow satin bands and a fitted torso emphasized by the open black satin cape flaring out from her shoulders like torn wings. The ragged silhouette of the satin, its highlights bright along every fold and crease, is the only tactile surface in the image. Behind her, the void background is pure absolute black, and hard against the upper right of the frame sits the full moon: pale, cold, and cratered, an overexposed disc that bleeds its glow into the darkness around it. Its light comes from the back-right, rims her shoulders, the cape's collar points and the heart pendant, and leaves her face lit only by the hard underlight of her own glowing eyes — so a band of cold light runs across the crown of her hair and her chin and mouth stay the brightest true-lit feature next to the glasses. Silent bats wheel through the black around her, near-black silhouettes crossing the moon, and the nearest few are close enough to break the edge of the frame. Beneath and around her is nothing at all: no ground, no wall, no horizon. The whole frame is treated as a degraded VHS still, with scanline banding, a slight colour-bleed smear, and red and cyan chromatic aberration fringing the outer edges of her hair, the rims of her glowing lenses and the edges of the moon. The low angle, the closeness, the blackness at her back and the hard glow in her eyes make the cuteness invasive rather than sweet. Unsettling, magnetic.
Mister E
AI artwork
me
1girl, solo, medium hair, dark blonde hair, bedhead, messy hair, heart ahoge, brown eyes, star-shaped pupils, glowing eyes, supernatural glow, :3, cat mouth, tongue out, fangs, vampire fangs, glasses, black choker, brass heart pendant, mole on nose, thick lips, puffy lips, red lipstick, lipstick, thicc, massive breasts, exaggerated hourglass figure, thick thighs, wide hips, creamy skin, vampire costume, halloween costume, black satin cape, pointy collar cape, high collar, detailed costume, bats, halloween, night, full moon, void background, black background, cinematic horror lighting, heavy shadows, oppressive atmosphere, looming close-up, intimidating proximity, close-up, from below, foreshortening, looking down at viewer, leaning forward, head tilt, hands on own cape, grin, chromatic aberration, vhs aesthetic, found footage style, vignette, horror The camera sits low, tilted up from just below the girl's collarbone height, so her body towers over the lens in a looming close-up and her head fills the upper third of the frame, tipped forward and slightly to one side to look down at the viewer through the wide-angle distortion that swells her near shoulder and pulls the tips of her bedhead hair out past the edges. She leans forward, weight pushed onto her right leg with the left knee soft and forward, cape held open by both hands gripping its front edges at hip level — fingers curled into the black satin, the fabric pulled taut from the grip and the pointy stand-up collar rising behind the nape of her neck. Her glasses sit square on the bridge of her small nose, catching a hard rim-light along the top of the lenses; above them her brows lift thinly and her mouth pulls into the flat wide :3 line, tongue pushed out past the curl of her full lower lip under the twin points of her fangs. Her brown eyes, pupils drawn as four-pointed stars, glow from within — a pale supernatural light that floods the lenses from behind rather than striking them from the scene — and she looks straight down into the lens. Medium dark-blonde hair hangs to her jawline, caught out of shape by sleep, strands sticking up at the temples and the top, and from the crown a single heart-shaped ahoge curls up and to the left, swung by the motion of her lean. The black choker rings her throat close and tight; the brass heart pendant hangs from it below the hollow of her throat, still swinging fractionally forward from the tilt — the only thing in the frame caught off-centre by gravity. The mole sits low on the left side of her nose, one small dark dot on creamy skin; red lipstick is thick on the puffy lips, standing out as the one saturated note on her face. She wears the vampire costume over her full exaggerated hourglass figure — massive breast volume and wide hips set against a cinched waist, thick thighs filling the lower corners of the frame — costume detailed with narrow satin bands and a fitted torso emphasized by the open black satin cape flaring out from her shoulders like torn wings. The ragged silhouette of the satin, its highlights bright along every fold and crease, is the only tactile surface in the image. Behind her, the void background is pure absolute black, and hard against the upper right of the frame sits the full moon: pale, cold, and cratered, an overexposed disc that bleeds its glow into the darkness around it. Its light comes from the back-right, rims her shoulders, the cape's collar points and the heart pendant, and leaves her face lit only by the hard underlight of her own glowing eyes — so a band of cold light runs across the crown of her hair and her chin and mouth stay the brightest true-lit feature next to the glasses. Silent bats wheel through the black around her, near-black silhouettes crossing the moon, and the nearest few are close enough to break the edge of the frame. Beneath and around her is nothing at all: no ground, no wall, no horizon. The whole frame is treated as a degraded VHS still, with scanline banding, a slight colour-bleed smear, and red and cyan chromatic aberration fringing the outer edges of her hair, the rims of her glowing lenses and the edges of the moon. The low angle, the closeness, the blackness at her back and the hard glow in her eyes make the cuteness invasive rather than sweet. Unsettling, magnetic.
Mister E
AI artwork
me
1girl, solo, medium hair, dark blonde hair, bedhead, messy hair, heart ahoge, brown eyes, star-shaped pupils, glowing eyes, supernatural glow, :3, cat mouth, tongue out, fangs, vampire fangs, glasses, black choker, brass heart pendant, mole on nose, thick lips, puffy lips, red lipstick, lipstick, thicc, massive breasts, exaggerated hourglass figure, thick thighs, wide hips, creamy skin, vampire costume, halloween costume, black satin cape, pointy collar cape, high collar, detailed costume, bats, halloween, night, full moon, void background, black background, cinematic horror lighting, heavy shadows, oppressive atmosphere, looming close-up, intimidating proximity, close-up, from below, foreshortening, looking down at viewer, leaning forward, head tilt, hands on own cape, grin, chromatic aberration, vhs aesthetic, found footage style, vignette, horror The camera sits low, tilted up from just below the girl's collarbone height, so her body towers over the lens in a looming close-up and her head fills the upper third of the frame, tipped forward and slightly to one side to look down at the viewer through the wide-angle distortion that swells her near shoulder and pulls the tips of her bedhead hair out past the edges. She leans forward, weight pushed onto her right leg with the left knee soft and forward, cape held open by both hands gripping its front edges at hip level — fingers curled into the black satin, the fabric pulled taut from the grip and the pointy stand-up collar rising behind the nape of her neck. Her glasses sit square on the bridge of her small nose, catching a hard rim-light along the top of the lenses; above them her brows lift thinly and her mouth pulls into the flat wide :3 line, tongue pushed out past the curl of her full lower lip under the twin points of her fangs. Her brown eyes, pupils drawn as four-pointed stars, glow from within — a pale supernatural light that floods the lenses from behind rather than striking them from the scene — and she looks straight down into the lens. Medium dark-blonde hair hangs to her jawline, caught out of shape by sleep, strands sticking up at the temples and the top, and from the crown a single heart-shaped ahoge curls up and to the left, swung by the motion of her lean. The black choker rings her throat close and tight; the brass heart pendant hangs from it below the hollow of her throat, still swinging fractionally forward from the tilt — the only thing in the frame caught off-centre by gravity. The mole sits low on the left side of her nose, one small dark dot on creamy skin; red lipstick is thick on the puffy lips, standing out as the one saturated note on her face. She wears the vampire costume over her full exaggerated hourglass figure — massive breast volume and wide hips set against a cinched waist, thick thighs filling the lower corners of the frame — costume detailed with narrow satin bands and a fitted torso emphasized by the open black satin cape flaring out from her shoulders like torn wings. The ragged silhouette of the satin, its highlights bright along every fold and crease, is the only tactile surface in the image. Behind her, the void background is pure absolute black, and hard against the upper right of the frame sits the full moon: pale, cold, and cratered, an overexposed disc that bleeds its glow into the darkness around it. Its light comes from the back-right, rims her shoulders, the cape's collar points and the heart pendant, and leaves her face lit only by the hard underlight of her own glowing eyes — so a band of cold light runs across the crown of her hair and her chin and mouth stay the brightest true-lit feature next to the glasses. Silent bats wheel through the black around her, near-black silhouettes crossing the moon, and the nearest few are close enough to break the edge of the frame. Beneath and around her is nothing at all: no ground, no wall, no horizon. The whole frame is treated as a degraded VHS still, with scanline banding, a slight colour-bleed smear, and red and cyan chromatic aberration fringing the outer edges of her hair, the rims of her glowing lenses and the edges of the moon. The low angle, the closeness, the blackness at her back and the hard glow in her eyes make the cuteness invasive rather than sweet. Unsettling, magnetic.
Mister E

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음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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