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AI art "Enchanting Dragon Girl at the Grand Ball!" featuring #하이힐, #파란 머리, #뿔, #샹들리에, #검은 원피스, #소녀, #드래곤 걸 and #춤
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Enchanting Dragon Girl at the Grand Ball!

I'm absolutely captivated by this stunning dragon girl, who brings such a confident and alluring presence to this elegant ballroom scene. Her striking blue hair and bold black dress really make her shine against the golden chandelier backdrop, and I just can't get enough of this sophisticated vibe! If you love this as much as I do, please hit like and follow for more beautiful creations, and let me know what you think in the comments below.

#하이힐#파란 머리#뿔#샹들리에#검은 원피스#소녀#드래곤 걸#춤
Avatar image of Sergio ivan Esquivel
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Sergio ivan Esquivel

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1girl, solo, demon girl, blue hair, horns, sharp teeth, fangs, long blue hair, scientist, elegant ballroom, black dress, thin straps, spaghetti straps, plunging neckline, bare torso, navel, large breasts, voluminous rounded bust, cleavage, high side slits, double slits, hip slits, bare legs, high heels, dancing, from below, dutch angle, full body, wide shot, looking at viewer, confident smirk, half-closed eyes, ballroom, chandelier, marble floor, night The camera looks up at her from a low angle tilted into a dutch roll, so the grand ballroom ceiling recedes above her horns and the marble floor she stands on cuts across the bottom of the frame. She is a demon woman with long vivid blue hair falling in loose waves down her back and over one shoulder, two dark curved horns rising from the sides of her head, and a confident lopsided smirk that parts just enough to show a row of sharp, pointed teeth. She is caught mid-dance at the height of a turn: her weight is on her right foot with the left leg swinging across on a bent knee, her right hand raised and fingertips lightly pinching the hem of her dress skirt near her hip, her left arm extended low and out to the side with the elbow softly bent and the hand open. Her chin is tipped down and her half-lidded eyes look straight into the camera with a teasing, knowing edge, one eyebrow arched above the other. Her black evening gown has two gossamer-thin straps that run over the tops of her shoulders and disappear behind her collarbones, leaving her shoulders, throat and upper chest bare. The bodice is cut close and low: a plunging neckline dives between her full, rounded breasts, which sit high and defined with a clear deep separation and a natural fall, the fabric framing them on the outside and dipping away at the centre so her sternum, ribcage and bare midriff are open to the air down past her navel. The skirt is long and narrow to the floor at the front and back, and on each side a very high slit climbs all the way to her hipbones, splitting the black cloth into two hanging panels so that both legs are completely bare from hip to ankle, the outer thigh and the whole length of each leg catching the chandelier light. Her feet are in high-heeled black shoes, the pointed toes and thin stiletto heels glinting where the soles meet the polished marble. The skirt is still swinging out from the turn: the front panel bellies slightly away from her shins and the two side panels trail a half-second behind the movement of her hips. Her long blue hair lifts at the ends and swings to the left, opposite the direction her body is rotating. The ballroom is medium-wide around her: a polished dark marble floor with a faint mirror sheen, tall fluted columns softened by distance, a broad staircase far behind, and a huge crystal chandelier overhead whose hundreds of drops throw hard, scattered points of white light onto the floor and across her shoulders. Behind her, blurred couples in formal wear move through a slow waltz, kept soft and out of focus, their silhouettes small against the great height of the hall. A single warm key light comes from high on the left, from the chandelier: it strikes the top of her horns, the crest of each breast, the front of her bare stomach, her exposed thighs and the polished toes of her shoes, leaving cool blue-grey shadow in the hollow between her breasts, under her jaw, inside the folds of the black panels and deep in the background. The candle-glow on the chandelier crystals scatters small hard caustics only on the surfaces that face up toward it -- the curve of her collarbone, the tops of her breasts, the jut of one hipbone through the slit, the flat plane of the floor beneath her. Red and gold from the distant draperies tint the haze at the far end of the hall. Palette: deep black of the gown, cool vivid blue of hair and horns, warm champagne and gold from the chandelier, pale skin and dark polished marble. Glamorous, dangerous.
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원본 프롬프트
Gremory demonio científica de cabello azul curnos y dientes afilados de guardians tales, se encuentra en un baile muy elegante, ella,esta luciendo un vestido negro con tirantes finos y delicados que resaltan su busto voluminoso redondeado y definido con una separación clara entre ambos lados con una caida natural, el escote deja descubierto su torso y ombligo, tiene doble abertura lateral muy alta que le llega a la cadera dejando ambas piernas completamente descubiertas, con zapatos de tacon altos
모드
pro
크기
768 x 1280
샘플링 방식
Euler
제외 조건
lowres, worst quality, low quality, bad anatomy, explicit
프롬프트 도우미

모델 및 LoRA 사용

Tsubaki.3 - AI Model 커버 이미지

PixAI DiT.3

Tsubaki.3
5.86k

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AI artwork
Avatar image of furina sama
character: furina_(genshin_impact), A portrait shot with centered composition featuring Furina from Genshin Impact, standing gracefully on a luxurious Fontaine theater stage. She is portrayed as a glamorous adult stage dancer, wearing an elegant short dark blue performance dress with a fitted bodice, flowing translucent fabric accents, long gloves, and high heels. Furina has long, neatly styled aqua hair and heterochromatic eyes of light and dark blue, her delicate symmetrical face featuring a confident, alluring smile and a dominant gaze directed toward the viewer. She is captured mid-dance, with one arm raised elegantly and her other hand resting lightly against her hip. The background consists of grand velvet curtains and the polished floor of the theater. The scene is illuminated by soft blue and golden spotlights, creating dramatic theatrical lighting with subtle sparkling particles and a sophisticated nighttime performance atmosphere, using a neutral color palette with rich dark blue tones.
furina sama

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AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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