Nov 2, 2026

서버 점검 안내 — 현재 서버 설비 일부에 대한 점검이 진행 중입니다. 점검 기간 동안 SDXL 및 Tsubaki.1 작업의 생성 속도가 평소보다 느려질 수 있습니다. 이용에 불편을 드려 죄송하며, 너그러운 양해 부탁드립니다. 정상화되…

AI art "俺ガイル　八雪デート中" featuring #역시 내 청춘 러브코메디는 잘못됐다., #유키노시타 유키노, #히키가야 하치만 and #일상의 한 컷 콘테스트

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俺ガイル　八雪デート中

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일상의 한 컷 콘테스트☕️#일상의 한 컷 콘테스트

#역시 내 청춘 러브코메디는 잘못됐다.#유키노시타 유키노 #히키가야 하치만

게시일 Oct 23, 2026

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character: hikigaya_hachiman, yukinoshita_yukino, copyright: yahari_ore_no_seishun_lovecome_wa_machigatteiru. 2girls, 1boy, couple, sitting, movie theater, couple seat, side by side, from side, cowboy shot, man on left, emerald hoodie, blue t-shirt, black denim pants, blue sneakers, black hair, short hair, ahoge, girl on right, long black hair, silky straight hair, blunt bangs, red hair ribbon, oversized light blue hoodie, white camisole, light blue pleated miniskirt, white knee-high socks, light brown loafers, leaning on shoulder, head on shoulder, holding hands, interlocked fingers, lovers' hand clasp, right hand, left hand, gaze down, eyes closed, light smile, blush, blurred background, blurred audience, blurred couple, screen glow, rim light, dark auditorium, cinematic lighting, (masterpiece:1.3), (best quality:1.3), (Screen not visible:1.3), high-quality illustration, anime style A side-on cowboy shot framed from the theater's left aisle, the two of them filling the middle distance of the row, both seated and angled three-quarters toward the unseen screen off to the right of frame; the camera sits at their eye level and slightly to the left, so the man's near shoulder and the girl's leaning head read in clean overlapping silhouette against the glow. On the left of the couple seat the man sits with his weight sunk back into the cushion and his pelvis rolled toward the right armrest, his right leg crossed loosely over his left knee, blue sneakers hooked one behind the other; he wears an emerald green hoodie with the hood bunched at his collar, a blue t-shirt's hem showing beneath it, black denim pants creasing at the hip and knee, short black hair with a single ahoge springing up from the crown, and his head is tipped slightly down and toward the girl, eyes lowered, mouth a flat, tired line with one corner pulled up. His right forearm lies along the shared armrest, hand turned palm-up and inward. On the right of the seat the girl leans her whole upper body across into his right shoulder, her head resting against the slope of his hoodie so that the fabric dents under her cheek, her hair — long, silky-straight black with blunt-cut bangs — spilling down over his sleeve and catching a thin screen-glow highlight along its strands; the red hair ribbon sits high at the back of her head, its looped ends slack against the fall of her hair, one tail pressed flat where her shoulder meets his. She wears an oversized light-blue hoodie over a white camisole, its collar loose and slipping to show the camisole's edge, a matching light-blue pleated miniskirt fanned over the seat where her knees angle left, white knee-high socks pulled taut to just under the knee, and light-brown loafers with one heel half out of its shoe, hanging off her dangling foot. Her left arm crosses her lap to meet his right hand: her left hand slides palm-to-palm into his, fingers laced and pressed tight between his knuckles, the interlocked hands resting on her pleated skirt with the thumbs locked over the top, the skin of both hands lit warm from the right and shadowed beneath. Her face is turned up along the line of his jaw with a faint closed-lip smile, lashes lowered, a soft blush on her cheek, her blue eyes open just enough to look at the side of his mouth rather than out at the screen. Light comes only from the off-frame screen to the right of frame: a cool pale key rakes across the right side of both faces and along the front of her hoodie, lays a bright edge on the loosened strands of her hair and on the pleats of her skirt, and leaves the left sides of both figures and the seat backs behind them in deep shadow; the light does not reach the far aisle. Behind them the auditorium falls away into rows of blurred audience silhouettes, a second blurred couple seated close together a few rows back picked out only as a paired shape and a glint of a raised profile, all of it smeared by shallow depth of field so that their outlines melt into the dark. The camera never tips high enough to include the screen or any part of its surface; beyond the frame's right edge the light simply exists, sourceless in view, and everything it touches is evidence of it. Palette held to emerald, light blue, white, black and the small hot accent of the red ribbon, with the auditorium's warm-dark browns receding. Quiet, warm, tender.

俺ガイル 八雪デート中

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俺ガイル　八雪デート中