Nov 2, 2026

서버 점검 안내 — 현재 서버 설비 일부에 대한 점검이 진행 중입니다. 점검 기간 동안 SDXL 및 Tsubaki.1 작업의 생성 속도가 평소보다 느려질 수 있습니다. 이용에 불편을 드려 죄송하며, 너그러운 양해 부탁드립니다. 정상화되…

AI art "新山聡美(杜の湖畔公園コキアの紅葉)" featuring #성숙한 여성, #단풍, #밭, #미소, #밤, #결혼반지, #웨이브 헤어, #울려라! 유포니엄, #니이야마 사토미, #공원 and #좋아하는것을좋아하는대로2

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新山聡美(杜の湖畔公園コキアの紅葉)

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제2회 「좋아하는 작품」 콘테스트

#성숙한 여성 #단풍 #밭 #미소 #밤 #결혼반지 #웨이브 헤어 #울려라! 유포니엄 #니이야마 사토미 #공원

게시일 Oct 23, 2026

北

北宇治高校仙台分校

copyright: hibike!_euphonium character: Niiyama Satomi (Hibike! Euphonium)., brown hair, loose wavy long hair, Don't let your bangs fall from the center of the forehead, bluish violet eyes, lavender eyes, cool-toned purple eyes, center part starting high on the crown, middle-aged women, 33 years old, medium breasts, if the left ring finger is depicted, place a wedding ring only on the left ring finger. A high-quality, realistic night view photograph depicting the autumn foliage illumination of Kochia at the "Dandan-batake" (terraced fields) of the Kokuei Michinoku Mori no Lakeside Park in Miyagi Prefecture in mid-October. Under the autumn night sky, countless round Kochia are planted on gentle slopes, spreading in multiple rows from the top of the hill toward the foreground. The autumn-colored Kochia are rounded shrubs consisting of fluffy, dense small branches and leaves, with the shape of each individual plant clearly visible. The shrubs are neatly aligned along the undulations of the slope, and the rows stretching into the distance form wave-like curves. In the foreground, the Kochia appear large and dense, while they become smaller toward the back, creating a sense of depth in the vast field. The season is mid-October. The Kochia have reached their peak autumn color, dyed in natural reds, reddish-purples, and deep wine reds. Nighttime illumination is applied, and each shrub is lit with different colored lights. Vivid magenta, pink, purple, blue, cyan, emerald green, yellow, and orange lights spread in bands along the rows of Kochia. The colored lights reflect softly on the round surfaces of the shrubs, and as the colors of adjacent plants overlap, they create waves of rainbow-colored light. Especially in the foreground, areas lit by blue or purple light coexist with areas lit by pink or red light, clearly highlighting the fluffy texture of the branches and the round shape. From the mid-ground to the background, multicolored Kochia continue across the slope, filling the view with fantastical colors. The lighting is not a single color for the whole field, but a production where multiple colors change by row. The foreground shrubs are primarily lit in vivid blue, purple, pink, and magenta; the mid-ground has scattered green, yellow, and orange lights; and the distant rows have bands of pink and purple light. There are strong point light sources here and there, with small purple, pink, and yellow lights shining along the slope. There is a subtle glow around the lighting, but the outlines and fine texture of the Kochia branches are not lost. While the light colors are vivid, the original red autumn color of the plants should still be felt. It is a scene where the brightly colored Kochia floating in the darkness of the night and the three-dimensional feel of each plant are impressive. In the background, the mountain range and woodlands surrounding the park are visible. The mountains are shrouded in the darkness of the night, appearing as silhouettes of deep black or deep blue-purple under the sky. In front of the mountains are trees colored in autumn hues, with a mix of trees that have kept their green leaves and those that have turned yellow, orange, or reddish-brown. Some trees are lit from below, making their trunks and leaf outlines emerge from the darkness. Behind the Kochia fields, illuminated trees and small lights within the park are scattered, enveloping the entire park in a fantastical autumn night landscape. The sky is a dark night sky after sunset, based on a deep navy blue close to black. Very thin clouds may be slightly visible, but do not depict a blue daytime sky or a bright sunset. By keeping the night sky and mountains dark, the colorful lights on the Kochia will stand out. The woman is a married person in her early 30s, a neat and elegant woman with long hair. Leave the character design of the face and hair to the character LoRA, and follow the specifications below for clothing, accessories, posture, and expression. The woman is standing on the sidewalk or viewing area in the right foreground, depicted as the protagonist with the illuminated Kochia fields in the background. She is not stepping on the Kochia or entering the plantings, but enjoying the scenery from the path in front of the fields. Her body is turned slightly toward the slope where the Kochia spread, with her upper body angled diagonally toward the camera. Her face is at an angle that is naturally visible from here, and she is smiling gently, noticing the camera. Her expression is a modest and elegant smile, conveying that she is captivated by the vivid scenery. Rather than a surprised expression or an exaggerated pose, it captures a natural moment of stopping while strolling through the park at night. The woman stands naturally with relaxed shoulders, holding a small, elegant handbag in one hand. Her other hand is either hanging lightly by her side or casually adjusting the collar of her coat or her hair. Her feet are placed at a natural interval, in a posture of calmly enjoying the illumination. There is a natural movement in her hair and the hem of her coat caused by a very light autumn night breeze. The woman is visible from head to toe or down to the knees, so that her face, hair, clothing, and standing posture are clearly identifiable. The woman's clothing is appropriate for a night in a park in mid-October, an autumn outing outfit combining warmth and elegance. She is wearing an ivory long-sleeved blouse with a thin long coat in camel or light beige draped over it. For bottoms, she wears a knee-length skirt in dark brown or greige, and on her feet are short boots in a subdued color. She carries a small leather handbag, and her accessories are limited to modest earrings or a thin necklace. It is clothing prepared for the nighttime chill, but not to the extent of covering the whole body with a heavy mid-winter coat or muffler. The clothing is gathered in neat and subdued colors, harmonizing beautifully with the multicolored lights of the Kochia. Light from the surrounding illumination naturally falls on the woman's hair, coat, and face. Colored lights such as pink, purple, and blue reflect softly on the outline of her hair, shoulders, and the edges of her coat. Her face is not crushed by darkness; her eyes, mouth, and gentle expression are naturally visible, receiving weak auxiliary light from the surroundings. Do not apply an unnatural white light only to the woman, but let her blend into the same light environment as the surrounding night view. Do not excessively reflect the vivid colors of the Kochia on the woman's face or skin; keep the skin tone natural while allowing the colors of the illumination to be faintly reflected in her clothes and hair. The woman's figure naturally emerges in the dark night, making it a beautiful night view photograph integrated with the colorful background scenery. The camera is placed near the viewing path in front of the Kochia fields, at a position overlooking the entire slope. Large Kochia are placed at the bottom of the screen, and multicolored shrubs continue in many rows from the center toward the back. The dark mountains and night sky remain at the top of the background, with a composition where the Kochia field illumination spreads widely horizontally. The woman is placed in the foreground on the right side of the screen, large enough for her whole body or down to her knees to be clearly visible. The woman is a protagonist with sufficient presence in the image, but she does not obscure the expanse of the Kochia fields. She is positioned so that her face and clothing are not buried in the darkness of the background and harmonize visually with the rows of pink and purple lights in the background. By showing the vast Kochia fields from the left to the center of the screen and placing the woman in the right foreground, the beauty of the landscape and the presence of the person are both achieved. As a night view photograph, the dark areas are kept as deep black or deep blue-purple, and the illumination colors of the Kochia are expressed vividly. A natural glow spreads from the point light sources of the illumination, creating shadows along the round shapes of the plants. Bright light sources shine strongly, but the overall image does not blow out, preserving the fine texture of the Kochia branches and the outlines of the shrubs. Emphasis is placed on the contrast between the dark mountains and the bright plantings, the rows of light continuing from the foreground to the back, and the fantastical atmosphere where multiple colors overlap. The shrubs in the foreground are drawn clearly in detail, and as they move toward the back, the colored lights become slightly softer, creating a sense of depth as a night view. The overall expression is a realistic photograph, as if an actual nighttime illumination was captured. Realistically depict the shapes of plants, natural human anatomy, correct perspective, autumn foliage, light reflections, and the darkness of the night sky and mountains. Not an anime or illustration-like expression, but a high-quality night view photograph that is fantastical yet realistic, as if visiting Michinoku Mori no Lakeside Park on an autumn night and photographing the multicolored illuminated autumn Kochia together with a woman. Do not add titles, decorative text, logos, watermarks, or signatures to the image.

新山聡美(杜の湖畔公園コキアの紅葉)

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