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AI art "ドレス" featuring #함대 컬렉션, #카가 and #zetaCollab
새 작품 생성무료로 생성하기무료로 생성하기

ドレス

참가 작품
PixAI × zeta 자캐 콘테스트 2026 #zetaCollab
#함대 컬렉션#카가
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character: kaga_(kancolle), copyright: kantai_collection 1girl, solo, kaga_(kancolle), brown hair, long hair, side ponytail, brown eyes, light blue bloomers, frilled bloomers, voluminous bloomers, many frills, frilled leg openings, jirai-kei, gothic lolita, fishnet pantyhose, fishnets under bloomers, leather shoes, black leather shoes, from below, low angle, standing on one leg, tiptoes, arms up, outstretched arm, head tilt, looking down, looking at viewer, one eye closed, light smile, :d, full body, dark background, cool blue palette From a low angle close to the floor, the camera tilts up along the length of her body so that the light blue frilled bloomers fill the middle of the frame and the dark space above them reads as height. She balances on her right leg, the toe of the black leather shoe planted and the ankle flexed to keep the heel just off the ground; her left leg is lifted at the knee with the foot tucked behind her, and the fishnet mesh stretches taut over the ball of the standing foot where it meets the shoe's tongue. Both arms are flung up and outward, one higher than the other, the fingers spread and the wrists loose, as though she has just spun to a stop; the lifted hem of the bloomers swings to her left and the cloth bunches into deeper folds on that side. The voluminous bloomers sit high and full over her hips, rounded outward and gathered into fat ruffled hems at mid-thigh, the layers of frill stacked three deep and curling slightly at the edge; beneath them the black fishnet pantyhose runs down each leg, the diamond mesh widening over the thigh and tightening at the ankle, the skin under it muted and cool. Her head tips to one side, the long brown side ponytail swinging across her shoulder, and she looks down at the lens along the diagonal of her own lifted leg, one eye closed and the other bright, the corner of her mouth pulled into a small lopsided grin; a strand of hair falls loose over her cheek and she does not bother with it. The only light comes from above and slightly behind her, cool and pale, raking the tops of the ruffles so that each frill casts its own soft shadow onto the layer beneath, leaving the underside of the bloomers and the space between the fishnet-clad legs in deep shadow; a faint blue bounce lifts the high points of the leather shoes where they catch the light. The palette holds to light blue, black and cool shadowed skin tones, nothing else admitted. Quietly playful, effortlessly stylish.
매개변수 표시
원본 프롬프트
艦隊これくしょんの加賀さんのイラスト。網タイツの上に水色の、フリルがたくさんついているボリューミーな地雷系ゴスロリペチパンツをはいている。皮の靴を履いている。
모드
flash
크기
1104 x 1824
프롬프트 도우미

모델 및 LoRA 사용

비슷한 작품

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AI artwork
ak
character: kaga_(kancolle), copyright: kantai_collection sole subject, 1girl, kaga_(kancolle), brown hair, long hair, side ponytail, brown eyes, tall mature build, pale pink tube bra, bare shoulders, bare arms, bare midriff, light blue bloomers, jirai-kei, gothic lolita, frilled bloomers, layered frills, voluminous pettipants, ruffled hem, fishnet tights, black fishnet, leather shoes, black leather shoes, from below, low angle, standing on one leg, leaning forward, looking down at viewer, head tilt, raised eyebrow, lopsided smirk, arms behind back, contrapposto, empty studio backdrop, seamless pale grey sweep, design piece, full body The camera sits low and close to the floor, looking up at a single figure in a seamless pale grey studio sweep that fills the frame edge to edge with no horizon line, no furniture, no props. She is caught mid-moment, balancing her whole weight on her straight right leg while the left knee is bent and lifted, the toe of the left leather shoe trailing just off the ground; both hands are clasped behind her back, so her shoulders draw back and her chest lifts slightly, and she pitches her upper body forward toward the low lens, chin tipped down, one eyebrow arched above a lopsided closed-lip smirk. Her long brown hair falls forward over the shoulder toward the camera and the side ponytail swings down beside her cheek, its tail hanging heavy against the tilt, the ends separated into loose strands. Her brown eyes look straight down into the lens; the expression is amused and a little challenging, the smirk pulling up only on one side while the other lid lowers a fraction, and her lips are parted by a breath. Bare shoulders and bare arms frame the top of the figure, unadorned — no jewellery, no gloves, no arm coverings, both ears bare, the throat bare with nothing at the neck. The pale pink tube bra is a simple straight band across the chest with a clean flat top edge and no straps, its pink clearly separate from the skin. Below it, the midriff is bare down to the hips, and from there the light blue bloomers sit as the bulky centre of the image: high-waisted, cut voluminously so the fabric puffs out and away from the hips and thighs, gathered into thick tiered rows of frills — several stacked rows of ruffled flounces running down the outside of each leg and a dense band of frills at the hem — the ruffles bunching and overlapping where the lifted knee pushes the fabric up, the light blue fabric folding into soft deep creases at the hip and inner thigh. Under the bloomers and running continuous from mid-thigh to the ankle, black fishnet tights lie tight against the skin; where the bloomer hem rides up on the raised leg the diamond mesh is crisp and shing tightly, and the small dark shadow of the mesh shows through the gaps above the shoes. Black leather shoes enclose both feet with a slight low heel, the leather catching a soft tight highlight on the toe and creasing at the ankle; the lifted shoe is supported by nothing, the bent leg's weight hanging. Light comes from one large soft source high and to the left of frame: it lights the crown of her head, the top plane of the side ponytail, her left shoulder, the upper curve of the bloomers and the toe of the lowered shoe, and drops her right side and the underside of the lifted bloomer leg into a gentle soft-edged shadow; a faint contact shadow pools under the standing leather shoe alone, since the other foot is off the ground. The palette is locked to pale pink, light blue, black and the grey ground — pink only in the bra, blue only in the bloomers and their frills, black only in the fishnet, the shoes and the hair reading a warm brown — with nothing else admitted. Every freckle of detail budget goes to the faces of the frills, the tension of the fishnet over the lifted knee and the grip of the leather around the ankles; the swept ground stays smooth and plain. Mischievous, effortlessly stylish.
Alcohol K
AI artwork
ak
character: kaga_(kancolle), copyright: kantai_collection sole subject, 1girl, kaga_(kancolle), brown hair, long hair, side ponytail, brown eyes, tall mature build, pale pink tube bra, bare shoulders, bare arms, bare midriff, light blue bloomers, jirai-kei, gothic lolita, frilled bloomers, layered frills, voluminous pettipants, ruffled hem, fishnet tights, black fishnet, leather shoes, black leather shoes, from below, low angle, standing on one leg, leaning forward, looking down at viewer, head tilt, raised eyebrow, lopsided smirk, arms behind back, contrapposto, empty studio backdrop, seamless pale grey sweep, design piece, full body The camera sits low and close to the floor, looking up at a single figure in a seamless pale grey studio sweep that fills the frame edge to edge with no horizon line, no furniture, no props. She is caught mid-moment, balancing her whole weight on her straight right leg while the left knee is bent and lifted, the toe of the left leather shoe trailing just off the ground; both hands are clasped behind her back, so her shoulders draw back and her chest lifts slightly, and she pitches her upper body forward toward the low lens, chin tipped down, one eyebrow arched above a lopsided closed-lip smirk. Her long brown hair falls forward over the shoulder toward the camera and the side ponytail swings down beside her cheek, its tail hanging heavy against the tilt, the ends separated into loose strands. Her brown eyes look straight down into the lens; the expression is amused and a little challenging, the smirk pulling up only on one side while the other lid lowers a fraction, and her lips are parted by a breath. Bare shoulders and bare arms frame the top of the figure, unadorned — no jewellery, no gloves, no arm coverings, both ears bare, the throat bare with nothing at the neck. The pale pink tube bra is a simple straight band across the chest with a clean flat top edge and no straps, its pink clearly separate from the skin. Below it, the midriff is bare down to the hips, and from there the light blue bloomers sit as the bulky centre of the image: high-waisted, cut voluminously so the fabric puffs out and away from the hips and thighs, gathered into thick tiered rows of frills — several stacked rows of ruffled flounces running down the outside of each leg and a dense band of frills at the hem — the ruffles bunching and overlapping where the lifted knee pushes the fabric up, the light blue fabric folding into soft deep creases at the hip and inner thigh. Under the bloomers and running continuous from mid-thigh to the ankle, black fishnet tights lie tight against the skin; where the bloomer hem rides up on the raised leg the diamond mesh is crisp and shing tightly, and the small dark shadow of the mesh shows through the gaps above the shoes. Black leather shoes enclose both feet with a slight low heel, the leather catching a soft tight highlight on the toe and creasing at the ankle; the lifted shoe is supported by nothing, the bent leg's weight hanging. Light comes from one large soft source high and to the left of frame: it lights the crown of her head, the top plane of the side ponytail, her left shoulder, the upper curve of the bloomers and the toe of the lowered shoe, and drops her right side and the underside of the lifted bloomer leg into a gentle soft-edged shadow; a faint contact shadow pools under the standing leather shoe alone, since the other foot is off the ground. The palette is locked to pale pink, light blue, black and the grey ground — pink only in the bra, blue only in the bloomers and their frills, black only in the fishnet, the shoes and the hair reading a warm brown — with nothing else admitted. Every freckle of detail budget goes to the faces of the frills, the tension of the fishnet over the lifted knee and the grip of the leather around the ankles; the swept ground stays smooth and plain. Mischievous, effortlessly stylish.
Alcohol K
AI artwork
ak
character: kaga_(kancolle), copyright: kantai_collection sole subject, 1girl, kaga_(kancolle), brown hair, long hair, side ponytail, brown eyes, tall mature build, pale pink tube bra, bare shoulders, bare arms, bare midriff, light blue bloomers, jirai-kei, gothic lolita, frilled bloomers, layered frills, voluminous pettipants, ruffled hem, fishnet tights, black fishnet, leather shoes, black leather shoes, from below, low angle, standing on one leg, leaning forward, looking down at viewer, head tilt, raised eyebrow, lopsided smirk, arms behind back, contrapposto, empty studio backdrop, seamless pale grey sweep, design piece, full body The camera sits low and close to the floor, looking up at a single figure in a seamless pale grey studio sweep that fills the frame edge to edge with no horizon line, no furniture, no props. She is caught mid-moment, balancing her whole weight on her straight right leg while the left knee is bent and lifted, the toe of the left leather shoe trailing just off the ground; both hands are clasped behind her back, so her shoulders draw back and her chest lifts slightly, and she pitches her upper body forward toward the low lens, chin tipped down, one eyebrow arched above a lopsided closed-lip smirk. Her long brown hair falls forward over the shoulder toward the camera and the side ponytail swings down beside her cheek, its tail hanging heavy against the tilt, the ends separated into loose strands. Her brown eyes look straight down into the lens; the expression is amused and a little challenging, the smirk pulling up only on one side while the other lid lowers a fraction, and her lips are parted by a breath. Bare shoulders and bare arms frame the top of the figure, unadorned — no jewellery, no gloves, no arm coverings, both ears bare, the throat bare with nothing at the neck. The pale pink tube bra is a simple straight band across the chest with a clean flat top edge and no straps, its pink clearly separate from the skin. Below it, the midriff is bare down to the hips, and from there the light blue bloomers sit as the bulky centre of the image: high-waisted, cut voluminously so the fabric puffs out and away from the hips and thighs, gathered into thick tiered rows of frills — several stacked rows of ruffled flounces running down the outside of each leg and a dense band of frills at the hem — the ruffles bunching and overlapping where the lifted knee pushes the fabric up, the light blue fabric folding into soft deep creases at the hip and inner thigh. Under the bloomers and running continuous from mid-thigh to the ankle, black fishnet tights lie tight against the skin; where the bloomer hem rides up on the raised leg the diamond mesh is crisp and shing tightly, and the small dark shadow of the mesh shows through the gaps above the shoes. Black leather shoes enclose both feet with a slight low heel, the leather catching a soft tight highlight on the toe and creasing at the ankle; the lifted shoe is supported by nothing, the bent leg's weight hanging. Light comes from one large soft source high and to the left of frame: it lights the crown of her head, the top plane of the side ponytail, her left shoulder, the upper curve of the bloomers and the toe of the lowered shoe, and drops her right side and the underside of the lifted bloomer leg into a gentle soft-edged shadow; a faint contact shadow pools under the standing leather shoe alone, since the other foot is off the ground. The palette is locked to pale pink, light blue, black and the grey ground — pink only in the bra, blue only in the bloomers and their frills, black only in the fishnet, the shoes and the hair reading a warm brown — with nothing else admitted. Every freckle of detail budget goes to the faces of the frills, the tension of the fishnet over the lifted knee and the grip of the leather around the ankles; the swept ground stays smooth and plain. Mischievous, effortlessly stylish.
Alcohol K

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AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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