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AI art "OC | Sedna Ashford | Arrival/Baggage Agent" featuring #음식, #소녀, #소년, #패스트푸드 and #zetaCollab
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OC | Sedna Ashford | Arrival/Baggage Agent

Gremlin and her senior

참가 작품
PixAI × zeta 자캐 콘테스트 2026
#음식#소녀#소년#패스트푸드
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masterpiece, best quality, detailed anime illustration, cinematic slice of life, (two adult characters:1.4), (one adult man and one adult woman:1.5), (platonic sibling-like friendship:1.3), Sedna Ashford, (25-year-old woman:1.2), (short layered ash-brown taupe bob haircut:1.5), (emerald green eyes:1.5), small fang, cheerful relaxed smile, white collared blouse, fitted navy airport uniform vest, dark navy trousers, Big Bro, (32-year-old Filipino man:1.3), short dark hair, calm slightly tired expression, white collared uniform shirt, dark trousers, blue airport ID lanyard, (sitting side by side in separate office chairs:1.5), (watching a movie together on a large computer monitor:1.5), (both characters facing the same screen:1.4), (each holding a piece of crispy fried chicken:1.4), (red and white KFC fried chicken buckets on the office desk:1.5), french fries, gravy cups, soft drinks, casual after-work meal, (inside an airport arrivals and baggage handling office:1.5), baggage tracing computer workstation, office desks, paperwork, keyboards, airport radios, flight information notes, window overlooking airport apron at dusk, warm cozy office lighting, relaxed friendly atmosphere, candid photograph, natural seated posture, three-quarter side view, medium-wide shot, both characters fully visible from waist up, (cinematic 16:9 landscape composition:1.5), (camera positioned diagonally beside the office desk:1.4), (both characters seated next to each other:1.5), (computer monitor visible in the foreground:1.3), (both characters looking toward the monitor:1.4), (fried chicken buckets clearly visible between them:1.4), natural candid moment, warm late-evening lighting
매개변수 표시
모드
ultra
크기
1232 x 1632
샘플링 방식
UniPC
제외 조건
worst quality, low quality, blurry, bad anatomy, bad proportions, extra arms, extra legs, extra hands, extra fingers, missing fingers, fused fingers, malformed hands, broken wrists, twisted elbows, dislocated shoulders, broken spine, twisted torso, unnatural sitting posture, merged bodies, fused limbs, overlapping anatomy, duplicate characters, third person, multiple women, multiple men, identical faces, swapped facial features, wrong hair color, long hair on woman, wrong eye color, floating food, fused chicken pieces, deformed food containers, extra chicken buckets, distorted computer monitor, duplicated chairs, romantic embrace, kissing, intimate pose, suggestive pose, bedroom, restaurant dining room, departure gate, security checkpoint, text artifacts, watermark

모델 및 LoRA 사용

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AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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