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Kylee Violette (Kiy Chan)

Avatar image of Kylee Violette (Kiy Chan)

Kylee Violette (Kiy Chan)

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1girl, solo, silver hair, very long ponytail, floor-length hair, red eyes, sunglasses, dark tinted sunglasses, halloween gown, black velvet gown, gothic lace trim, large breasts, curvy, wide hips, thick thighs, adult, mature female, aged up, from below, cowboy shot, dutch angle, looking at viewer, head tilt, hand on own hip, raised eyebrow, smug, night, jack-o'-lantern, candlelight, Shot from below at a dutch angle in a cowboy crop, a mature adult woman stands with her weight sunk into her right hip, left hand planted flat on that hip with the fingers splayed and the elbow winged out, her shoulders turned a quarter away from the camera while her chin tips down so she looks over the top rim of her dark tinted sunglasses at the viewer, one brow arched above the frame, the corner of her mouth pulled into a lopsided smirk. Her silver hair is gathered high at the crown into a single ponytail so long it falls past her waist and pools in a loose coil on the floorboards behind her right heel, the tie pulling the hair taut at the scalp and the tail swinging slightly forward against her back from the turn; her red eyes sit just visible above the dark lenses, catching the low warm light. She wears a black velvet Halloween gown cut close over a large chest and cinched narrow at the waist before it flares wide over curved hips and thick thighs, the skirt sweeping the floor, gothic black lace trim tracing the square neckline, the cuffs and the hem, the velvet's pile brightening where the light rakes across it and going dead black in the folds. The staging is a dim porch corner: carved jack-o'-lanterns clustered along a low step at the lower left, their candles throwing the only warm light, from below and to the left, glazing the underside of her jaw, the lace edge of her neckline and the glossy curve of the lenses while her back and the far side of the gown fall into deep shadow; the candlelight inside the nearest pumpkin glows through the carved eye and lays an orange lozenge on the floorboard beside her coil of hair, and the heat of the flames stirs the loose strands at her temple. Palette held to black velvet, silver, ember orange and deep brown shadow. Confident, sultry.
매개변수 표시
원본 프롬프트
a silver hair longest ponytail and red eyes as wearing a Halloween gown aged up and sunglasses, large chest and curvy
모드
pro
크기
1104 x 1824
제외 조건
lowres, worst quality, low quality, bad anatomy, explicit
프롬프트 도우미

모델 및 LoRA 사용

Tsubaki.3 - AI Model 커버 이미지

PixAI DiT.3

Tsubaki.3
5.93k

비슷한 작품

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Avatar image of Kylee Violette (Kiy Chan)
1girl, solo, very long silver ponytail, silver hair, red eyes, adult woman, mature female, curvy, large breasts, wide hips, narrow waist, beautiful woman, innocent makeup, soft natural makeup, subtle blush, glossy soft lips, halloween gown, black and orange gown, satin gown, off-shoulder gown, dark sunglasses, holding sunglasses, pulling up sunglasses, hand on sunglasses, from below, cowboy shot, dutch angle, looking at viewer, faint closed-lip smile, raised eyebrow, head tilt, night, dark background, orange rim light, jack-o'-lantern glow The camera sits low and tilted a few degrees off level, looking up at her from about hip height in a cowboy shot, so her silver ponytail and the flared skirt both run out past the top and bottom of the frame. She stands with her weight sunk into her left hip, right knee bent and turned slightly inward, torso twisted a quarter-turn toward her left shoulder while her chin tips down at the lens — the low angle lengthens her legs and lets the gown's satin catch a long highlight down one side of her waist and hip. Her right hand is up at her brow, thumb and middle finger pinching the outer edge of the dark sunglasses; the frame is lifted clear of her eyes and resting against her forehead, one lens still shadowing the tail of her right eyebrow, and the temple arm presses a small dent into her hair above her ear. Her left hand hangs loosely at her side, fingers curled against the satin seam of the skirt. Her very long silver ponytail is gathered high at the crown into a thick elastic-free tail that sweeps back and drops in one heavy unbroken fall past her shoulder blades and out of frame behind her right arm; a few loose silver strands have escaped and cross her cheek and the bridge of her nose, stirred by the small motion of lifting the glasses. Her eyes are a clear saturated red, fully visible under the lifted frame, lashes long and lowered a fraction; her makeup stays deliberately innocent — a soft warm blush high on both cheeks, a barely-there rosy lip, no heavy liner, no smoky shadow — and her mouth holds a faint closed-lip smile with one brow arched higher than the other, her gaze aimed straight down the lens. The gown is a voluminous black satin floor-length Halloween gown with a fitted boned bodice that follows the curve of her large chest and narrow waist before the skirt flares wide; burnt-orange satin panels and orange piping run the bodice seams and the skirt godets, and a scatter of small black bat and crescent-moon appliqués is stitched along the hem. The satin's sheen breaks along every fold, brightest where the fabric pulls over her bust and hips. The background is a deep near-black void, and the only light is a warm orange glow rising from below the frame edge as though from a carved pumpkin at her feet: it rims the underside of her jaw, the inner curves of her bodice, the leading edge of the skirt and the loose silver strands, while her shoulders, the crown of her head and the far side of the ponytail fall away into darkness; a soft orange cast shadow of her silhouette stretches up the black behind her. Silver, red, black and burnt orange, nothing else admitted. Quiet, sultry Halloween glamour.
Kylee Violette (Kiy Chan)
AI artwork
Avatar image of Kylee Violette (Kiy Chan)
1girl, solo, very long silver ponytail, silver hair, red eyes, adult woman, mature female, curvy, large breasts, wide hips, narrow waist, beautiful woman, innocent makeup, soft natural makeup, subtle blush, glossy soft lips, halloween gown, black and orange gown, satin gown, off-shoulder gown, dark sunglasses, holding sunglasses, pulling up sunglasses, hand on sunglasses, from below, cowboy shot, dutch angle, looking at viewer, faint closed-lip smile, raised eyebrow, head tilt, night, dark background, orange rim light, jack-o'-lantern glow The camera sits low and tilted a few degrees off level, looking up at her from about hip height in a cowboy shot, so her silver ponytail and the flared skirt both run out past the top and bottom of the frame. She stands with her weight sunk into her left hip, right knee bent and turned slightly inward, torso twisted a quarter-turn toward her left shoulder while her chin tips down at the lens — the low angle lengthens her legs and lets the gown's satin catch a long highlight down one side of her waist and hip. Her right hand is up at her brow, thumb and middle finger pinching the outer edge of the dark sunglasses; the frame is lifted clear of her eyes and resting against her forehead, one lens still shadowing the tail of her right eyebrow, and the temple arm presses a small dent into her hair above her ear. Her left hand hangs loosely at her side, fingers curled against the satin seam of the skirt. Her very long silver ponytail is gathered high at the crown into a thick elastic-free tail that sweeps back and drops in one heavy unbroken fall past her shoulder blades and out of frame behind her right arm; a few loose silver strands have escaped and cross her cheek and the bridge of her nose, stirred by the small motion of lifting the glasses. Her eyes are a clear saturated red, fully visible under the lifted frame, lashes long and lowered a fraction; her makeup stays deliberately innocent — a soft warm blush high on both cheeks, a barely-there rosy lip, no heavy liner, no smoky shadow — and her mouth holds a faint closed-lip smile with one brow arched higher than the other, her gaze aimed straight down the lens. The gown is a voluminous black satin floor-length Halloween gown with a fitted boned bodice that follows the curve of her large chest and narrow waist before the skirt flares wide; burnt-orange satin panels and orange piping run the bodice seams and the skirt godets, and a scatter of small black bat and crescent-moon appliqués is stitched along the hem. The satin's sheen breaks along every fold, brightest where the fabric pulls over her bust and hips. The background is a deep near-black void, and the only light is a warm orange glow rising from below the frame edge as though from a carved pumpkin at her feet: it rims the underside of her jaw, the inner curves of her bodice, the leading edge of the skirt and the loose silver strands, while her shoulders, the crown of her head and the far side of the ponytail fall away into darkness; a soft orange cast shadow of her silhouette stretches up the black behind her. Silver, red, black and burnt orange, nothing else admitted. Quiet, sultry Halloween glamour.
Kylee Violette (Kiy Chan)
AI artwork
Avatar image of Kylee Violette (Kiy Chan)
1girl, solo, light brown hair, extremely long ponytail, red eyes, sunglasses, dark sunglasses, oversized sunglasses, Halloween gown, gothic gown, black velvet, crimson silk, large breasts, large chest, curvy, wide hips, thick thighs, narrow waist, mature female, aged up, adult, from below, cowboy shot, dutch angle, standing, weight on one leg, hand on own hip, other hand at gown skirt, head tilted down, looking down at viewer, over glasses, smirk, raised eyebrow, parted lips, long hair flowing, windblown hair, dress billowing, pumpkin, jack-o-lantern, candlelight, night, cobblestone, falling leaves, depth of field Shot from below at a low dutch angle, a single adult woman stands over the viewer in a cowboy-shot crop from mid-thigh to just above her head, her tall figure filling the frame. Her light brown hair is gathered high at the crown into one extremely long ponytail that falls past her waist and swings out to the right, strands lifting in a cool night breeze. Dark oversized sunglasses sit on her face, the lenses catching two small candle flames; her red eyes are visible just over the top rim of the frames as she tilts her head down and looks at the viewer, one brow arched above the lenses, her lips parted in a lopsided smirk. She wears a Halloween gown of black velvet and crimson silk: a fitted velvet bodice laced at the front, cut low and full over her large chest, cinching to a narrow waist before the crimson silk skirt flares out in heavy folds over wide hips and thick thighs, the hem trailing onto wet cobblestones. Her weight rests on her right leg, her left knee bent and hip cocked, so the skirt pulls into diagonal folds that reveal the curve of her thigh. Her left hand rests flat on her hip, fingers spread over the velvet; her right hand grips a fold of the crimson skirt and lifts it a hand's width off the ground. A carved jack-o'-lantern glows on the cobblestones at her feet, its candle the only warm light source, throwing amber up the underside of her skirt, her jaw and the rim of her sunglasses while the rest of her falls into cool blue-black shadow; the flame's reflection sits sharper in the left lens than the right. Behind her, bare branches and drifting leaves fade into darkness. Palette of black velvet, deep crimson, warm pumpkin amber and cold night blue. Moody, effortlessly dramatic.
Kylee Violette (Kiy Chan)
AI artwork
Avatar image of Kylee Violette (Kiy Chan)
1girl, solo, very long silver ponytail, silver hair, red eyes, adult woman, mature female, curvy, large breasts, wide hips, narrow waist, beautiful woman, innocent makeup, soft natural makeup, subtle blush, glossy soft lips, halloween gown, black and orange gown, satin gown, off-shoulder gown, dark sunglasses, holding sunglasses, pulling up sunglasses, hand on sunglasses, from below, cowboy shot, dutch angle, looking at viewer, faint closed-lip smile, raised eyebrow, head tilt, night, dark background, orange rim light, jack-o'-lantern glow The camera sits low and tilted a few degrees off level, looking up at her from about hip height in a cowboy shot, so her silver ponytail and the flared skirt both run out past the top and bottom of the frame. She stands with her weight sunk into her left hip, right knee bent and turned slightly inward, torso twisted a quarter-turn toward her left shoulder while her chin tips down at the lens — the low angle lengthens her legs and lets the gown's satin catch a long highlight down one side of her waist and hip. Her right hand is up at her brow, thumb and middle finger pinching the outer edge of the dark sunglasses; the frame is lifted clear of her eyes and resting against her forehead, one lens still shadowing the tail of her right eyebrow, and the temple arm presses a small dent into her hair above her ear. Her left hand hangs loosely at her side, fingers curled against the satin seam of the skirt. Her very long silver ponytail is gathered high at the crown into a thick elastic-free tail that sweeps back and drops in one heavy unbroken fall past her shoulder blades and out of frame behind her right arm; a few loose silver strands have escaped and cross her cheek and the bridge of her nose, stirred by the small motion of lifting the glasses. Her eyes are a clear saturated red, fully visible under the lifted frame, lashes long and lowered a fraction; her makeup stays deliberately innocent — a soft warm blush high on both cheeks, a barely-there rosy lip, no heavy liner, no smoky shadow — and her mouth holds a faint closed-lip smile with one brow arched higher than the other, her gaze aimed straight down the lens. The gown is a voluminous black satin floor-length Halloween gown with a fitted boned bodice that follows the curve of her large chest and narrow waist before the skirt flares wide; burnt-orange satin panels and orange piping run the bodice seams and the skirt godets, and a scatter of small black bat and crescent-moon appliqués is stitched along the hem. The satin's sheen breaks along every fold, brightest where the fabric pulls over her bust and hips. The background is a deep near-black void, and the only light is a warm orange glow rising from below the frame edge as though from a carved pumpkin at her feet: it rims the underside of her jaw, the inner curves of her bodice, the leading edge of the skirt and the loose silver strands, while her shoulders, the crown of her head and the far side of the ponytail fall away into darkness; a soft orange cast shadow of her silhouette stretches up the black behind her. Silver, red, black and burnt orange, nothing else admitted. Quiet, sultry Halloween glamour.
Kylee Violette (Kiy Chan)

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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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