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PixAI iOS 앱 App Store 일시 다운로드 중단 안내 — PixAI 이용자 여러분께 현재 PixAI iOS 앱을 App Store에서 검색하거나 다운로드할 수 없는 상황입니다. 빠른 시일 내에 다시 다운로드하실 수 있도록 Apple 측과 적극적으로 협의하고 있으며 서비스…

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AI art "魅惑的狐狸面具・喜多川海夢" featuring #그 비스크 돌은 사랑을 한다 and #키타가와 마린
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魅惑的狐狸面具・喜多川海夢

這張《戀上換裝娃娃》的海夢真的太讓我心動了！她戴著狐狸面具、穿著黑紅和服的模樣，完美結合了調皮與性感。每次看到她自信的笑容，我都會忍不住想收藏。如果你也喜歡海夢，請幫我點個讚並追蹤，期待在評論區與你交流！

#그 비스크 돌은 사랑을 한다#키타가와 마린
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Jun Liao

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character: kitagawa_marin. A medium shot, 3/4 view anime illustration features kitagawa_marin standing in a poised, seductive stance. She has long blonde hair tied into high twintails with pink gradient tips, adorned with a white kitsune mask worn diagonally on her head, accented by red cords and small gold bells. Her dark pink eyes feature glamorous gyaru makeup with red eyeliner and glittering eyeshadow, complemented by a playful, mischievous smile that reveals small fangs. She wears a modernized mini-furisode kimono dress in black and vermillion red, featuring an off-the-shoulder design and a wide obi belt with long tassels, ending in a pleated ruffled skirt. Multiple fluffy white fox tails extend from her back. In her right hand, she holds a traditional bamboo paper lantern emitting a soft purple onibi glow, while her left hand rests on her hip. She wears white over-the-knee socks and black geta clogs. The atmosphere is mystical and vibrant, with a deep contrast between the dark attire and the ethereal purple light.
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人物特徵： 喜多川海夢，金色長髮帶有漸層粉紅髮尾，暗粉紅色眼睛，華麗的和風辣妹美妝（帶有紅色眼尾勾勒與晶亮眼影），露出俏皮、帶有小惡魔般魅惑的燦爛笑容（露出可愛的小虎牙）。 髮型與頭飾： 金色長髮紮成高雙馬尾，頭上斜戴著半面精緻的日式白狐狐面面具（Kitsune Mask），頭飾綴有紅色結繩與金色小鈴鐺。 服裝主體： 改良式黑色與朱紅色（Vermillion Red）相間的迷你振袖和風禮服（Mini Japanese Kimono Dress），露肩設計搭配寬大的流蘇腰封（Obi Belt），短裙呈現百褶荷葉邊，展現和洋折衷的性感風采。 配件細節： 背後伸出數條軟綿綿的白色狐狸尾巴，手上拿著點亮著紫色鬼火（Onibi）的日式竹骨紙燈籠，腳穿黑色木屐與白色膝上襪。
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Tsubaki.2 - AI Model 커버 이미지

PixAI DiT.2

Tsubaki.2
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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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3#진격의 거인#미카사 아커만
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