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AI artwork featuring #리버스: 1999 and #zetaCollab
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리버스: 1999

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PixAI × zeta 자캐 콘테스트 2026 #zetaCollab
#리버스: 1999
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character: keith_howard, copyright: yu-gi-oh! 1boy, solo, keith howard, short hair, blonde hair, stubble, facial hair, blue eyes, sunglasses, eyes hidden, american flag pattern bandana, bandana around neck, short-sleeved shirt, sleeveless jacket, wristband, smirk, smug, thumb pointing at self, right hand up, thumb extended toward own face, hand near face, close-up, focus on face, from front, slight from below, looking at viewer, newspaper front page, english-language newspaper, black-and-white photograph, monochrome, grayscale, halftone print, newsprint texture, masthead, headline, columns of body text, small inset photo, single light source, hard shadow, high contrast A close-up, a fraction below eye level, filling the frame with the face and right hand of one man: his head angled a few degrees off square, chin tipped down, the broad smirk pulling one corner of his mouth higher than the other so the stubble along that jaw catches the light. His short blonde hair is cropped close at the sides and pushed back off his forehead. The bandana, printed with the stars-and-stripes pattern of the American flag, is knotted at the back of his neck with the star field riding up over his left collarbone; its triangle hangs across his upper chest over a short-sleeved shirt, and a sleeveless jacket sits open over that, its armholes cutting a hard edge around his bare shoulders and upper arms. A thick wristband bands his right wrist. Wrap-around sunglasses cover his eyes completely, and the only thing visible behind the dark lenses is the flat reflection of the light in front of him. His right hand is raised beside his cheek, fingers curled into a loose fist, thumb extended and aimed straight at his own face, the thumb tip hovering a finger's width from his jaw; his left arm is out of frame below. His mouth is the only part of him speaking to the camera, and the smirk is aimed at the viewer over the top of the sunglasses. The whole image is a newspaper front page printed in black and white: the photograph of the man sits in the upper portion of the page within a thin ruled border, its edges going soft into a coarse halftone dot screen, and the rest of the page is laid out as print. Above the photo a masthead in heavy blackletter reads "THE DAILY HERALD", a thin rule beneath it. Below the photo a bold headline in condensed capital letters reads "A GAMBLER'S SMILE", and beneath that, two columns of densely set body text run down the page, the small type broken into illegible grey lines with a drop cap and a narrow gutter between them. In the lower right of the page a small inset photo, the size of a postage stamp, shows the same man again in miniature, his thumb still raised at his own face, a thin caption strip under it reading "Howard, yesterday". Everything on the page is rendered in ink on newsprint: the paper is faintly grey and fibrous, the ink is black and slightly uneven where the press starved it. Light comes from a single hard source in front and slightly to the left, throwing a crisp shadow of the raised hand across the right side of his jaw and neck, and dropping the far side of his face into deep black. The palette is strictly black, white and the grey of the halftone screen, with no colour admitted anywhere on the page. In the background behind the photo's subject a plain wall falls away into darkness. The dot pattern coarsens toward the corners of the photograph, and the printed page curves slightly at the outer edges as paper does. The expression stays pleased and slightly dangerous.
매개변수 표시
원본 프롬프트
遊戯王_キース・ハワード、サングラスで目が隠れている、アメリカ国旗の柄のバンダナ、無精ひげ、半袖シャツ、ノースリーブジャケット、リストバンド、ニヤけている、右手の親指を伸ばして自分の顔に向けている BREAK 英字新聞の一面、男の写真が小さく載っている、男の顔にフォーカス、モノクロ写真
모드
pro
품질 태그
﹝프롬프트﹞
크기
768 x 1280
샘플링 방식
Euler
제외 조건
lowres, worst quality, low quality, bad anatomy, explicit
프롬프트 도우미

모델 및 LoRA 사용

Tsubaki.3 - AI Model 커버 이미지

PixAI DiT.3

Tsubaki.3
6.07k

비슷한 작품

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AI artwork
に
character: keith_howard, copyright: yu-gi-oh! 1boy, solo, keith howard, short hair, blonde hair, stubble, facial hair, blue eyes, sunglasses, eyes hidden, american flag pattern bandana, bandana around neck, short-sleeved shirt, sleeveless jacket, wristband, smirk, smug, thumb pointing at self, right hand up, thumb extended toward own face, hand near face, close-up, focus on face, from front, slight from below, looking at viewer, newspaper front page, english-language newspaper, black-and-white photograph, monochrome, grayscale, halftone print, newsprint texture, masthead, headline, columns of body text, small inset photo, single light source, hard shadow, high contrast A close-up, a fraction below eye level, filling the frame with the face and right hand of one man: his head angled a few degrees off square, chin tipped down, the broad smirk pulling one corner of his mouth higher than the other so the stubble along that jaw catches the light. His short blonde hair is cropped close at the sides and pushed back off his forehead. The bandana, printed with the stars-and-stripes pattern of the American flag, is knotted at the back of his neck with the star field riding up over his left collarbone; its triangle hangs across his upper chest over a short-sleeved shirt, and a sleeveless jacket sits open over that, its armholes cutting a hard edge around his bare shoulders and upper arms. A thick wristband bands his right wrist. Wrap-around sunglasses cover his eyes completely, and the only thing visible behind the dark lenses is the flat reflection of the light in front of him. His right hand is raised beside his cheek, fingers curled into a loose fist, thumb extended and aimed straight at his own face, the thumb tip hovering a finger's width from his jaw; his left arm is out of frame below. His mouth is the only part of him speaking to the camera, and the smirk is aimed at the viewer over the top of the sunglasses. The whole image is a newspaper front page printed in black and white: the photograph of the man sits in the upper portion of the page within a thin ruled border, its edges going soft into a coarse halftone dot screen, and the rest of the page is laid out as print. Above the photo a masthead in heavy blackletter reads "THE DAILY HERALD", a thin rule beneath it. Below the photo a bold headline in condensed capital letters reads "A GAMBLER'S SMILE", and beneath that, two columns of densely set body text run down the page, the small type broken into illegible grey lines with a drop cap and a narrow gutter between them. In the lower right of the page a small inset photo, the size of a postage stamp, shows the same man again in miniature, his thumb still raised at his own face, a thin caption strip under it reading "Howard, yesterday". Everything on the page is rendered in ink on newsprint: the paper is faintly grey and fibrous, the ink is black and slightly uneven where the press starved it. Light comes from a single hard source in front and slightly to the left, throwing a crisp shadow of the raised hand across the right side of his jaw and neck, and dropping the far side of his face into deep black. The palette is strictly black, white and the grey of the halftone screen, with no colour admitted anywhere on the page. In the background behind the photo's subject a plain wall falls away into darkness. The dot pattern coarsens toward the corners of the photograph, and the printed page curves slightly at the outer edges as paper does. The expression stays pleased and slightly dangerous.
にばんめ
#리버스: 1999
AI artwork
に
character: keith_howard, copyright: yu-gi-oh! 1boy, solo, keith howard, short hair, blonde hair, stubble, facial hair, blue eyes, sunglasses, eyes hidden, american flag pattern bandana, bandana around neck, short-sleeved shirt, sleeveless jacket, wristband, smirk, smug, thumb pointing at self, right hand up, thumb extended toward own face, hand near face, close-up, focus on face, from front, slight from below, looking at viewer, newspaper front page, english-language newspaper, black-and-white photograph, monochrome, grayscale, halftone print, newsprint texture, masthead, headline, columns of body text, small inset photo, single light source, hard shadow, high contrast A close-up, a fraction below eye level, filling the frame with the face and right hand of one man: his head angled a few degrees off square, chin tipped down, the broad smirk pulling one corner of his mouth higher than the other so the stubble along that jaw catches the light. His short blonde hair is cropped close at the sides and pushed back off his forehead. The bandana, printed with the stars-and-stripes pattern of the American flag, is knotted at the back of his neck with the star field riding up over his left collarbone; its triangle hangs across his upper chest over a short-sleeved shirt, and a sleeveless jacket sits open over that, its armholes cutting a hard edge around his bare shoulders and upper arms. A thick wristband bands his right wrist. Wrap-around sunglasses cover his eyes completely, and the only thing visible behind the dark lenses is the flat reflection of the light in front of him. His right hand is raised beside his cheek, fingers curled into a loose fist, thumb extended and aimed straight at his own face, the thumb tip hovering a finger's width from his jaw; his left arm is out of frame below. His mouth is the only part of him speaking to the camera, and the smirk is aimed at the viewer over the top of the sunglasses. The whole image is a newspaper front page printed in black and white: the photograph of the man sits in the upper portion of the page within a thin ruled border, its edges going soft into a coarse halftone dot screen, and the rest of the page is laid out as print. Above the photo a masthead in heavy blackletter reads "THE DAILY HERALD", a thin rule beneath it. Below the photo a bold headline in condensed capital letters reads "A GAMBLER'S SMILE", and beneath that, two columns of densely set body text run down the page, the small type broken into illegible grey lines with a drop cap and a narrow gutter between them. In the lower right of the page a small inset photo, the size of a postage stamp, shows the same man again in miniature, his thumb still raised at his own face, a thin caption strip under it reading "Howard, yesterday". Everything on the page is rendered in ink on newsprint: the paper is faintly grey and fibrous, the ink is black and slightly uneven where the press starved it. Light comes from a single hard source in front and slightly to the left, throwing a crisp shadow of the raised hand across the right side of his jaw and neck, and dropping the far side of his face into deep black. The palette is strictly black, white and the grey of the halftone screen, with no colour admitted anywhere on the page. In the background behind the photo's subject a plain wall falls away into darkness. The dot pattern coarsens toward the corners of the photograph, and the printed page curves slightly at the outer edges as paper does. The expression stays pleased and slightly dangerous.
にばんめ
#리버스: 1999
AI artwork
に
character: keith_howard, copyright: yu-gi-oh! 1boy, solo, keith howard, short hair, blonde hair, stubble, facial hair, blue eyes, sunglasses, eyes hidden, american flag pattern bandana, bandana around neck, short-sleeved shirt, sleeveless jacket, wristband, smirk, smug, thumb pointing at self, right hand up, thumb extended toward own face, hand near face, close-up, focus on face, from front, slight from below, looking at viewer, newspaper front page, english-language newspaper, black-and-white photograph, monochrome, grayscale, halftone print, newsprint texture, masthead, headline, columns of body text, small inset photo, single light source, hard shadow, high contrast A close-up, a fraction below eye level, filling the frame with the face and right hand of one man: his head angled a few degrees off square, chin tipped down, the broad smirk pulling one corner of his mouth higher than the other so the stubble along that jaw catches the light. His short blonde hair is cropped close at the sides and pushed back off his forehead. The bandana, printed with the stars-and-stripes pattern of the American flag, is knotted at the back of his neck with the star field riding up over his left collarbone; its triangle hangs across his upper chest over a short-sleeved shirt, and a sleeveless jacket sits open over that, its armholes cutting a hard edge around his bare shoulders and upper arms. A thick wristband bands his right wrist. Wrap-around sunglasses cover his eyes completely, and the only thing visible behind the dark lenses is the flat reflection of the light in front of him. His right hand is raised beside his cheek, fingers curled into a loose fist, thumb extended and aimed straight at his own face, the thumb tip hovering a finger's width from his jaw; his left arm is out of frame below. His mouth is the only part of him speaking to the camera, and the smirk is aimed at the viewer over the top of the sunglasses. The whole image is a newspaper front page printed in black and white: the photograph of the man sits in the upper portion of the page within a thin ruled border, its edges going soft into a coarse halftone dot screen, and the rest of the page is laid out as print. Above the photo a masthead in heavy blackletter reads "THE DAILY HERALD", a thin rule beneath it. Below the photo a bold headline in condensed capital letters reads "A GAMBLER'S SMILE", and beneath that, two columns of densely set body text run down the page, the small type broken into illegible grey lines with a drop cap and a narrow gutter between them. In the lower right of the page a small inset photo, the size of a postage stamp, shows the same man again in miniature, his thumb still raised at his own face, a thin caption strip under it reading "Howard, yesterday". Everything on the page is rendered in ink on newsprint: the paper is faintly grey and fibrous, the ink is black and slightly uneven where the press starved it. Light comes from a single hard source in front and slightly to the left, throwing a crisp shadow of the raised hand across the right side of his jaw and neck, and dropping the far side of his face into deep black. The palette is strictly black, white and the grey of the halftone screen, with no colour admitted anywhere on the page. In the background behind the photo's subject a plain wall falls away into darkness. The dot pattern coarsens toward the corners of the photograph, and the printed page curves slightly at the outer edges as paper does. The expression stays pleased and slightly dangerous.
にばんめ
#zetaCollab#리버스: 1999
AI artwork
に
character: keith_howard, copyright: yu-gi-oh! 1boy, solo, keith howard, short blonde hair, stubble, sunglasses covering eyes, blank opaque lenses hiding the eyes, american flag pattern bandana tied around the head, short-sleeved shirt, sleeveless jacket, wristband on right wrist, wristband on left wrist, grinning smirk, lopsided toothy grin, pointing at himself with right thumb, right thumb jabbed into his own chest, looking back over shoulder, head turned back toward the camera, torso angled away, over-shoulder composition, close-up on face, from front, newspaper front page, monochrome newspaper photo, halftone print texture, grayscale, single light source Seen from the front at close range while the man's body is angled away to his left: his head is cranked back over his right shoulder so that the camera gets his full face, chin lifted and jaw set, the skin around the mouth creased by a wide lopsided grin that pulls higher on his right side and bares the top row of teeth; his short blonde hair is flattened under the bandana, a few strands escaping at the temple and the nape because the turn has dragged them forward. The bandana is knotted at the back of the skull, its star-spangled blue field and red-and-white stripes wrapping the crown and the band sitting low across the brow; the sunglasses ride just above the band, their dark lenses completely blank, no eyes visible behind them, only the faint reflection of the light source as two small hard points. Stubble dusts the jaw, the chin and the upper lip in a broken, patchy grain, thicker along the jawline, and the turn of the neck stretches the skin over the tendon on his right side. His right arm is bent sharply up across his chest, elbow out and low, and the pad of his right thumb is pressed flat into his own sternum, the knuckles of the folded fingers curled beneath it, the wristband a thick band of cloth around that wrist compressing the sleeve cuff where shirt and jacket meet. The short-sleeved shirt shows at the bicep, its hem cutting a clean line above the elbow, and the sleeveless jacket sits over it with raw-edged armholes, the collar pushed up on the left by the raised shoulder. Weight rides on his left leg, so the right shoulder drops and the whole torso twists; the jacket's front hangs open and skewed by that twist, cloth pulling into a diagonal fold from the right armpit toward the left hip, and the shirt beneath bunches where the thumb digs in. His gaze, though the eyes are hidden, is aimed straight back over that shoulder at the viewer, and the smirk answers the look. A hard single light comes from the upper left, striking the left cheekbone, the bridge of the sunglasses, the bandana's folded knot-side and the thumb's nail; the right side of the face falls into a soft but definite shadow, a cast shadow from the sunglasses drops across the upper cheek, and the shadow of his own jaw lands on the collar of the shirt, while the two lenses stay flat and unlit except for their specular points. Palette is pure black, white and the full gray ramp of a printed photograph -- nothing else, since the whole image is the newspaper's reproduction of him: a coarse halftone dot screen across the skin, the bandana, the jacket and the background field, with the dot pattern visibly coarser in the midtones and dissolving at the brightest highlight on the cheekbone, and a slight ink smear along the edge of the deepest shadow. The surrounding area is the newspaper's column page, cropped so the portrait fills the frame with only a narrow margin of layout at the edges; there, ruled column lines run vertically, a headline in bold condensed capitals sits cropped at the top edge reading "HE'S BACK", a thin caption strip below the photo reads "HOWARD — 'I'M THE ONE.'", and a small thumbnail inset of the same man, a head-and-shoulders version of the same shot, occupies the lower right corner inside a thin rule box, reproduced at a third the size with the halftone so coarse his features break into dots. Everything except that inset is the main photograph; the inset is a second, smaller printing of the same face. Cocky, brash.
にばんめ
#zetaCollab

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AI artwork
Avatar image of Kani x
character: tenma_tsukasa "", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
#프로젝트 세카이 컬러풀 스테이지!#텐마 츠카사
AI artwork
Avatar image of リオ
character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
9#카가미네 린#보컬로이드#로파이(Lofi) 드림
AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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