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honey bee

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honey bee

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sole adult man, human, 28 years old, tall imposing presence, broad shoulders, muscular build, powerful trained physique, strong square jawline, meticulously groomed black beard, thick wavy black hair, undercut short sides long on top, deep-set soulful eyes, classically handsome, snow-white velvet tailcoat, silver filigree embroidery, crisp white cravat, heavy black wool cape, gold medallion fastener, polished black mid-calf leather boots, regal yet military aesthetic, standing at the altar, from below, dutch angle, low angle, three-quarter view, head turned in profile, hand resting flat on an altar rail, chin lifted, looking up and off to the side, cinematic lighting, volumetric light shafts, high contrast, painterly anime rendering. The view is a low three-quarter angle from below, tilted a few degrees off level, and the man stands before the altar with his weight sunk into his right boot, left heel slightly lifted, so the long line of him rises before the lens and the vaulting closes over his head. His shoulders are broad enough to break the horizon of the row of guild banners behind him; the snow-white velvet tailcoat falls in heavy, matte panels from his waist to his knees, its lapels and placket stiff with silver filigree embroidery that catches the chill window light in fine, thread-thin ridges. The crisp white cravat is knotted high and square at his throat, shadowed just under the jaw by the black wool cape, which hangs from a single gold medallion fastener at his right collarbone and drapes its heavy folds down his back, blacker than anything else in the frame. His black mid-calf leather boots are polished to a wet gleam, the toe of the right one planted on the top stone step, and a thin seam of pale reflected light runs up each shin. His head is turned in profile toward the side, chin lifted a fraction, deep-set soulful eyes angled up and away along the nave rather than at the lens, lids slightly lowered in a private, grave concentration; the strong square jawline is fully exposed under the groomed black beard, and the thick wavy black hair is swept up and back in a heavy crest with the short sides cut close to the skull, one dark wave falling loose across his temple with the tilt. His right hand rests flat on the carved altar rail, fingers spread and pressing into the wood, thumbnail biting the edge, while his left arm hangs with the cape gathered over the forearm, the wool compressed into a fist-shaped crease. The altar is the only setting: pale stone steps at the bottom of the frame, a rail with worn acanthus carving, a tall candled cross behind his shoulder, and deep shadow filling the aisles to either side. Cold north window light comes from the upper left, describing a hard edge down the left side of his face and the raised filigree on his coat, and falling in long hazy shafts that make the dust above the rail visible; everything beyond the patch of floor he stands on goes to near-black. The palette is snow-white, silver and black, with the single gold medallion as the one warm note. The last ember of the candles throws a small, soft second shadow of him onto the marble, longer and fainter than the window's hard cast shadow. Solemn, monumental.
매개변수 표시
원본 프롬프트
man, human, 28 years old, imposing presence, broad-shouldered, muscular build, strong square jawline, meticulously groomed black beard, thick wavy black hair, short sides, long on top, deep-set soulful eyes, classically handsome, snow-white velvet tailcoat, silver filigree embroidery, crisp white cravat, heavy black-colored wool cape, gold medallion fastener, polished black mid-calf leather boots, regal yet military aesthetic Standing at the altar
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flash
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1104 x 1824
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모델 및 LoRA 사용

Tsubaki.3 Flash - AI Model 커버 이미지

PixAI DiT.3

Tsubaki.3 Flash
1.40k

비슷한 작품

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AI artwork
hb
sole adult man, human, 28 years old, tall imposing presence, broad shoulders, muscular build, powerful trained physique, strong square jawline, meticulously groomed black beard, thick wavy black hair, undercut short sides long on top, deep-set soulful eyes, classically handsome, snow-white velvet tailcoat, silver filigree embroidery, crisp white cravat, heavy black wool cape, gold medallion fastener, polished black mid-calf leather boots, regal yet military aesthetic, standing at the altar, from below, dutch angle, low angle, three-quarter view, head turned in profile, hand resting flat on an altar rail, chin lifted, looking up and off to the side, cinematic lighting, volumetric light shafts, high contrast, painterly anime rendering. The view is a low three-quarter angle from below, tilted a few degrees off level, and the man stands before the altar with his weight sunk into his right boot, left heel slightly lifted, so the long line of him rises before the lens and the vaulting closes over his head. His shoulders are broad enough to break the horizon of the row of guild banners behind him; the snow-white velvet tailcoat falls in heavy, matte panels from his waist to his knees, its lapels and placket stiff with silver filigree embroidery that catches the chill window light in fine, thread-thin ridges. The crisp white cravat is knotted high and square at his throat, shadowed just under the jaw by the black wool cape, which hangs from a single gold medallion fastener at his right collarbone and drapes its heavy folds down his back, blacker than anything else in the frame. His black mid-calf leather boots are polished to a wet gleam, the toe of the right one planted on the top stone step, and a thin seam of pale reflected light runs up each shin. His head is turned in profile toward the side, chin lifted a fraction, deep-set soulful eyes angled up and away along the nave rather than at the lens, lids slightly lowered in a private, grave concentration; the strong square jawline is fully exposed under the groomed black beard, and the thick wavy black hair is swept up and back in a heavy crest with the short sides cut close to the skull, one dark wave falling loose across his temple with the tilt. His right hand rests flat on the carved altar rail, fingers spread and pressing into the wood, thumbnail biting the edge, while his left arm hangs with the cape gathered over the forearm, the wool compressed into a fist-shaped crease. The altar is the only setting: pale stone steps at the bottom of the frame, a rail with worn acanthus carving, a tall candled cross behind his shoulder, and deep shadow filling the aisles to either side. Cold north window light comes from the upper left, describing a hard edge down the left side of his face and the raised filigree on his coat, and falling in long hazy shafts that make the dust above the rail visible; everything beyond the patch of floor he stands on goes to near-black. The palette is snow-white, silver and black, with the single gold medallion as the one warm note. The last ember of the candles throws a small, soft second shadow of him onto the marble, longer and fainter than the window's hard cast shadow. Solemn, monumental.
honey bee
AI artwork
hb
sole adult man, human, 28 years old, tall imposing presence, broad shoulders, muscular build, powerful trained physique, strong square jawline, meticulously groomed black beard, thick wavy black hair, undercut short sides long on top, deep-set soulful eyes, classically handsome, snow-white velvet tailcoat, silver filigree embroidery, crisp white cravat, heavy black wool cape, gold medallion fastener, polished black mid-calf leather boots, regal yet military aesthetic, standing at the altar, from below, dutch angle, low angle, three-quarter view, head turned in profile, hand resting flat on an altar rail, chin lifted, looking up and off to the side, cinematic lighting, volumetric light shafts, high contrast, painterly anime rendering. The view is a low three-quarter angle from below, tilted a few degrees off level, and the man stands before the altar with his weight sunk into his right boot, left heel slightly lifted, so the long line of him rises before the lens and the vaulting closes over his head. His shoulders are broad enough to break the horizon of the row of guild banners behind him; the snow-white velvet tailcoat falls in heavy, matte panels from his waist to his knees, its lapels and placket stiff with silver filigree embroidery that catches the chill window light in fine, thread-thin ridges. The crisp white cravat is knotted high and square at his throat, shadowed just under the jaw by the black wool cape, which hangs from a single gold medallion fastener at his right collarbone and drapes its heavy folds down his back, blacker than anything else in the frame. His black mid-calf leather boots are polished to a wet gleam, the toe of the right one planted on the top stone step, and a thin seam of pale reflected light runs up each shin. His head is turned in profile toward the side, chin lifted a fraction, deep-set soulful eyes angled up and away along the nave rather than at the lens, lids slightly lowered in a private, grave concentration; the strong square jawline is fully exposed under the groomed black beard, and the thick wavy black hair is swept up and back in a heavy crest with the short sides cut close to the skull, one dark wave falling loose across his temple with the tilt. His right hand rests flat on the carved altar rail, fingers spread and pressing into the wood, thumbnail biting the edge, while his left arm hangs with the cape gathered over the forearm, the wool compressed into a fist-shaped crease. The altar is the only setting: pale stone steps at the bottom of the frame, a rail with worn acanthus carving, a tall candled cross behind his shoulder, and deep shadow filling the aisles to either side. Cold north window light comes from the upper left, describing a hard edge down the left side of his face and the raised filigree on his coat, and falling in long hazy shafts that make the dust above the rail visible; everything beyond the patch of floor he stands on goes to near-black. The palette is snow-white, silver and black, with the single gold medallion as the one warm note. The last ember of the candles throws a small, soft second shadow of him onto the marble, longer and fainter than the window's hard cast shadow. Solemn, monumental.
honey bee
AI artwork
hb
sole adult man, human, 28 years old, tall imposing presence, broad shoulders, muscular build, powerful trained physique, strong square jawline, meticulously groomed black beard, thick wavy black hair, undercut short sides long on top, deep-set soulful eyes, classically handsome, snow-white velvet tailcoat, silver filigree embroidery, crisp white cravat, heavy black wool cape, gold medallion fastener, polished black mid-calf leather boots, regal yet military aesthetic, standing at the altar, from below, dutch angle, low angle, three-quarter view, head turned in profile, hand resting flat on an altar rail, chin lifted, looking up and off to the side, cinematic lighting, volumetric light shafts, high contrast, painterly anime rendering. The view is a low three-quarter angle from below, tilted a few degrees off level, and the man stands before the altar with his weight sunk into his right boot, left heel slightly lifted, so the long line of him rises before the lens and the vaulting closes over his head. His shoulders are broad enough to break the horizon of the row of guild banners behind him; the snow-white velvet tailcoat falls in heavy, matte panels from his waist to his knees, its lapels and placket stiff with silver filigree embroidery that catches the chill window light in fine, thread-thin ridges. The crisp white cravat is knotted high and square at his throat, shadowed just under the jaw by the black wool cape, which hangs from a single gold medallion fastener at his right collarbone and drapes its heavy folds down his back, blacker than anything else in the frame. His black mid-calf leather boots are polished to a wet gleam, the toe of the right one planted on the top stone step, and a thin seam of pale reflected light runs up each shin. His head is turned in profile toward the side, chin lifted a fraction, deep-set soulful eyes angled up and away along the nave rather than at the lens, lids slightly lowered in a private, grave concentration; the strong square jawline is fully exposed under the groomed black beard, and the thick wavy black hair is swept up and back in a heavy crest with the short sides cut close to the skull, one dark wave falling loose across his temple with the tilt. His right hand rests flat on the carved altar rail, fingers spread and pressing into the wood, thumbnail biting the edge, while his left arm hangs with the cape gathered over the forearm, the wool compressed into a fist-shaped crease. The altar is the only setting: pale stone steps at the bottom of the frame, a rail with worn acanthus carving, a tall candled cross behind his shoulder, and deep shadow filling the aisles to either side. Cold north window light comes from the upper left, describing a hard edge down the left side of his face and the raised filigree on his coat, and falling in long hazy shafts that make the dust above the rail visible; everything beyond the patch of floor he stands on goes to near-black. The palette is snow-white, silver and black, with the single gold medallion as the one warm note. The last ember of the candles throws a small, soft second shadow of him onto the marble, longer and fainter than the window's hard cast shadow. Solemn, monumental.
honey bee

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음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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