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AI art "静かな放課後の記憶"
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静かな放課後の記憶

誰もいない教室に差し込む柔らかな日差しが、とても落ち着く空間を作り出していて思わず見入ってしまいました。こういう日常のワンシーンが、私にとって一番心に響くんですよね。気に入っていただけたら、いいねやフォローで応援してもらえると嬉しいです!

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PixAI × zeta 자캐 콘테스트 2026
#창문#선풍기#음식#전화#풍경#병#휴대폰#쟁반#시계#잡지#의자#아무도 없다#텔레비전#햇빛#책#가방#포스터 (사물)#실내#감자칩#스마트폰#종이#소파#화이트보드#테이블#물병
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Ultra-high definition, clean line art, smooth shading, pale tones, cool lighting, university club room, a cluttered small room like a college student hangout, an atmosphere where it is not immediately obvious that it is a tennis club. Old wooden desks, pipe chairs, a sofa, a low table, half-drunk plastic bottles, convenience store snacks, paper cups, charging cables, smartphones, laptops, earphones, magazines, manga, bags placed on the floor, university event flyers and old posters pasted on the walls, a cluttered club room with a slight sense of lived-in atmosphere, slightly old interior that looks like it has been used for many years, fluorescent lights, daylight streaming in from the window. Tennis rackets and tennis balls are barely visible, do not make tennis equipment stand out, do not make it look like a sports facility, a normal university club room, an atmosphere like a place where students lounge around, a comical and approachable vibe. Wide-angle composition showing the entire room, indoor background, no people, natural composition viewed from the front, background illustration, anime background art.
매개변수 표시
원본 프롬프트
超高精細、綺麗な線画、滑らかな陰影、淡い色調、クールな照明、大学のサークル部室、大学生のたまり場のような雑然とした小さな部屋、テニスサークルとは一見わからない雰囲気 古い木製の机、パイプ椅子、ソファ、ローテーブル、飲みかけのペットボトル、コンビニのお菓子、紙コップ、充電ケーブル、スマートフォン、ノートパソコン、イヤホン、雑誌、漫画、床に置かれたバッグ、壁に貼られた大学のイベントチラシや古いポスター、少し生活感のある散らかった部室、長年使われているような少し古い内装、蛍光灯、窓から差し込む昼の光 テニスラケットやテニスボールはほとんど見えない、テニス用品を目立たせない、スポーツ施設らしさを出さない、普通の大学サークルの部室、だらだら過ごしている学生たちの居場所のような雰囲気、コミカルで親しみやすい空気感 部屋全体が見える広角構図、室内背景、人物なし、正面から見た自然な構図、背景イラスト、アニメ背景美術
모드
flash
크기
1152 x 864
프롬프트 도우미

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AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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