Nov 2, 2026

서버 점검 안내 — 현재 서버 설비 일부에 대한 점검이 진행 중입니다. 점검 기간 동안 SDXL 및 Tsubaki.1 작업의 생성 속도가 평소보다 느려질 수 있습니다. 이용에 불편을 드려 죄송하며, 너그러운 양해 부탁드립니다. 정상화되…

AI art "블리치 신지" featuring #흑백, #블리치, #장발, #솔로, #일본도, #이를 드러내고 웃음, #소년 and #검사

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블리치 신지

『블리치』의 신지를 그려봤어요. 압도적인 검압과 그 특유의 미소가 정말 매력적이죠. 마음에 드셨다면 좋아요와 팔로우 부탁드려요! 댓글로 함께 이야기해요~

#흑백 #블리치 #장발 #솔로 #일본도 #이를 드러내고 웃음 #소년 #검사

게시일 Oct 25, 2026

oracho

character: hirako_shinji, artist: hirako, kubo_tite 1boy, solo, hirako shinji, blonde hair, long hair, blunt bangs, brown eyes, upper body, cowboy shot, from below, looking down at viewer, smile, lopsided grin, one eye half closed, coat, long coat, necktie, open collar, holding sword, katana, sakanade, reverse blade, upside-down city, inverted skyline, city background, ink wash painting, black-and-white ink painting, monochrome, brush strokes, sumi-e, water ink, in-image text "逆撫", ink calligraphy, oversized kanji, dry brush edges Shot from below in a cowboy-shot crop that cuts him at the waist, the camera tilted so the whole inverted city hangs above his shoulders like a ceiling: a black-ink skyline of towers and antennas painted upside-down, their roofs pointing toward the bottom edge, window grids and rooftop railings running the wrong way, thin horizontal bleed of pale ink where the streets should be. He fills the lower center of the frame, leaning slightly toward the lens with his weight on the back foot, one shoulder dropped, chin tipped down, and he looks straight into the lens from under his bangs with a closed-lip lopsided grin, one brow arched, the corner of his mouth pulled higher on the right; the smile is amused, unhurried, as though the world turning over is exactly what he expected. His blunt-cut bangs sit level across his forehead and the long blonde hair falls past his collar on both sides, a few strands displaced by the drift of air the inverted city implies. He wears a long dark coat with the collar standing open and a necktie knotted at his throat, the tie's tail flicked slightly aside; his hand grips the hilt of a katana held up diagonally across his chest so the blade crosses in front of the coat's lapel, the guard just below his collarbone, and behind the blade the sword's presence reads as an inverted, mirror-set geometry -- the reverse-edged shape of a blade like a word that reads backward. The word "逆撫" is painted huge in wet black ink across the upper background, tilted on the same axis as the upside-down towers, its brushstrokes fat at the start and feathered and split at the tails where the bristles ran dry, the last stroke bleeding into the paper. Everything is black ink and the paper's own off-white: dense, pooled blacks in the skyline and the coat's shadowed side, mid-tone washes where the ink was thinned by water, and pure untouched paper left as highlight along his cheekbone, the sword's edge, the top of his hair. A single directional light from the upper left -- the paper-white side of the image -- lays a hard bright rim along the left edge of his jaw and shoulder while the right side of his face and the underside of the coat sink into granular wash; the brush texture of the paper catches the dry-brush strokes on the towers, and where the ink pooled at the base of the kanji it has crept slightly into the paper's tooth. The composition keeps his face and the word "逆撫" locked on opposite diagonals with the sword between them. Monochrome sumi discipline throughout, no colour anywhere. Quiet, inverted, effortlessly cool.

블리치 신지

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