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AI art "トレーナーの家での休日：アグネスタキオン" featuring #바보털, #꼬리, #데님, #단발 머리, #솔로, #갈색머리, #청바지, #난간, #바지, #반소매, #소녀, #말 귀, #우마무스메 프리티 더비, #아그네스 타키온 and #말꼬리
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トレーナーの家での休日：アグネスタキオン

意外と普通なんだねぇ・・・ってめちゃくちゃ失礼なこと言いそうだけど、トレーナーの見る景色を共有ができて嬉しそうって感情が出てきました

#바보털#꼬리#데님#단발 머리#솔로#갈색머리#청바지#난간#바지#반소매#소녀#말 귀#우마무스메 프리티 더비#아그네스 타키온#말꼬리
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kruger

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PixAI에서 프롬프트는 기본적으로 공개되지만, 창작자는 자신이 올린 작품마다 프롬프트를 숨길 수 있습니다. 이 작품의 창작자는 프롬프트를 숨기기로 선택했기 때문에, 이미지를 생성하는 데 사용한 단어는 창작자 본인만 볼 수 있습니다. 프롬프트를 숨겨도 그 외에는 달라지는 점이 없습니다. 작품은 그대로 공개되어 있고, 평소처럼 좋아요, 댓글, 공유를 할 수 있습니다.
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Tsubaki.3 - AI Model 커버 이미지

PixAI DiT.3

Tsubaki.3
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AI artwork
Avatar image of だくだく汚濁
character: agnes_tachyon_(umamusume), copyright: umamusume 1girl, solo, horse girl, horse ears, horse tail, brown hair, messy hair, ahoge, red eyes, medium hair, hair between eyes, casual clothes, oversized shirt, long sleeves, shorts, barefoot, sitting, on floor, engawa, veranda, traditional japanese room, tatami, shoji, open doors, autumn, autumn sky, cirrus clouds, sunny, golden hour, sunbeam, low angle, from side, nostalgic A low-angle three-quarters view looks along the weathered cedar planks of an open veranda toward a relaxed horse girl resting at the threshold of an aged tatami room. She sits on the polished wood with one knee pulled up toward her chest and her other leg stretched forward over the veranda edge, one palm planted flat behind her on the woven tatami mat to carry her reclining weight. Her unruly chestnut-brown hair is tousled in loose tufts with a tall ahoge curving upward, while a pair of matching equine ears poke through the strands, angled loosely outward; her long dark tail lies curled across the floorboards behind her hips. She wears casual, disheveled loungewear consisting of an oversized soft ash-grey long-sleeved shirt with the wide collar slipping slightly to expose her collarbone, sleeves pushed up past the wrists, and simple dark lounge shorts, leaving her calves and bare feet exposed. Her crimson-amber eyes look down toward the viewer with half-lidded calm, her mouth resting in a faint, enigmatic half-smirk. Sliding shoji screens stand pushed wide to both flanks, framing the quiet, shadow-draped dimness of the indoor room behind her against the brilliant garden light outside. Beyond the wooden railing, the clear, high-altitude blue of an autumn sky extends upward, brushed with faint horizontal cirrus clouds. Raking late-afternoon sunlight strikes the edge of the veranda at a low angle, casting elongated amber shadows into the tatami weave and catching suspended dust motes drifting across the warm boundary between house and yard. Quietly nostalgic.
だくだく汚濁
#우마무스메 프리티 더비#아그네스 타키온

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AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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