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자세히 보기疾風の女騎士
鎧を纏い、愛馬と共に風を切って駆ける彼女の凛々しい姿に心を奪われました。その真剣な眼差しとたなびく髪が、とても美しくて感動します。気に入っていただけたら、いいねやフォローで応援よろしくお願いします!コメントもお待ちしていますね。
매개변수 표시
- 원본 프롬프트
- 馬に乗った女騎士が、こちらにやって来る。赤髪、黒目、ポニーテール。
- 모드
- pro
- 스타일
- 컬러풀 색연필
- 품질 태그
- ﹝프롬프트﹞
- 크기
- 1104 x 1824
- 제외 조건
- lowres, worst quality, low quality, bad anatomy, explicit, (nsfw:1.2),(nude:1.6),(nipple:1.2),naked
스타일: 컬러풀 색연필
프롬프트 도우미
모델 및 LoRA 사용
비슷한 작품
자세히 보기女騎士
武田大膳太夫晴信
p
character: kaga_(kancolle), copyright: kantai_collection
1girl, solo, kaga_(kancolle), brown hair, long hair, side ponytail, brown eyes, pink choker, strapless, armor, european armor, heart-shaped chestplate, breastplate, bare shoulders, bare arms, armored gauntlets, arm armor, white drawers, frilled drawers, ribbon, bloomers, miniskirt, skirt armor, side-only plating, thigh boots, knee armor, greaves, holding spear, two-handed, spear, 2.5m spear, mounted, riding, horse, from side, profile, full body, dynamic angle, outdoors, battlefield, daylight, wind,
A full-body side view, camera low and slightly ahead of the horse's shoulder so the rider's profile rides across the frame from left to right. She sits astride a dark bay warhorse with a black mane, its neck arched and one foreleg lifted mid-stride, hooves striking a dry dust-grey plain; the horse's head and shoulder occupy the left third, her body the right two thirds. Her weight is settled into the saddle on her seat bones, right hip forward, both thighs gripping the barrel, knees bent and calves wrapped along the horse's flanks; her booted lower legs hang with the stirrup irons under the balls of her feet, and the greaves run from just below the knee down over the ankle. Both hands are on the spear: the right hand grips the shaft high, knuckles white against it, the left hand lower and slightly behind, and the 2.5-metre shaft runs diagonally across her body from down-left to up-right, its butt end trailing behind the horse's rump and its steel head lifted above and ahead of her shoulder, the whole length foreshortened by the side view. The spear rests against the heel of her right palm and does not intersect her torso.
Her upper body is straight-backed and turned just a few degrees toward the camera so the plated chest reads in near-profile: a strapless European cuirass of polished steel with fluted, ridged panels, its top edge cut low and curving straight across her chest with bare skin, bare collarbones and bare shoulders above it, and at the centre of each breast a raised, heart-shaped plate wrought into the steel, framed by riveted brass trim. Her arms are bare from the shoulder to mid-upper-arm, then sleeved in articulated plate — rerebrace, couter with a flared fan, vambrace — running continuously down to gauntleted fingers, and she wears no gloves beneath, the steel segments overlapping like scales as her grip closes. Around her throat sits a slim pink choker, a flat band of rose-pink leather with a small steel ring at the side, sitting above the collarbone and below the jaw, unobstructed by hair or armor.
Below the cuirass's fauld her hips are clad in short white drawers, the cloth gathered in soft frilled tiers with narrow ribbon bows at the outer thigh, and over them a skirt of armor made of overlapping lames only along the left and right flanks — the front and the back of the skirt stand open, so from this side view the white frilled cloth shows through the gap below the hip and behind the thigh, and the side plating flares slightly as the horse's motion lifts it. Her right leg's greave catches the light along its ridge; her left leg is partly hidden behind the horse's barrel, with only the stirrup and the toe of the sabaton visible.
The light is low, hard afternoon sun from the upper left, striking the polished plate in bright specular strips on the heart-shaped breastplate, the couter fans and the spearhead, while the horse's near side and the underside of her skirt fall into deep warm shadow; the rider casts a compact shadow onto the horse's shoulder, and the horse throws a long shadow to the right across the dust. Palette is restrained: polished steel grey and brass, warm dark bay, the dusty ochre of the ground, and the single pink of the choker and the white of the drawers. Wind pushes her long brown ponytail back off her shoulder, the tail streaming behind her head, and the frilled cloth of the drawers flutters against the side plating. Her chin is lifted, brown eyes narrowed slightly and fixed forward past the spearhead toward something beyond the frame, mouth set in a flat, calm line, a strand of hair crossing her cheek. Steady, martial resolve.
planarians
女騎士
武田大膳太夫晴信
女騎士
武田大膳太夫晴信
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yoimiya!
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Mine / 私のもの
みーちゃん
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❌⃝✦—𝐇𝐄𝐘! 𝐘𝐨𝐮 𝐰𝐚𝐧𝐧𝐚 𝐜𝐨𝐦𝐞 𝐢𝐧?⬩➤“
𝐋𝐢𝐗𝐗𝐗┆秋峠鬼火~👻
the queen
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the lancer
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character: eren_yeager, mikasa_ackerman
character: eren_yeager, mikasa_ackerman
Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver.
The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line.
The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks.
Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail.
A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration.
The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static.
Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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