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PixAI iOS 앱 App Store 일시 다운로드 중단 안내 — PixAI 이용자 여러분께 현재 PixAI iOS 앱을 App Store에서 검색하거나 다운로드할 수 없는 상황입니다. 빠른 시일 내에 다시 다운로드하실 수 있도록 Apple 측과 적극적으로 협의하고 있으며 서비스…

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らり

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らり

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character: yukino_mifuyu_(puuzaki_puuna) 2girls, 1girl, 1boy, pov, male protagonist point of view, view from behind, from behind, dynamic angle, dutch angle, high angle, yukino_mifuyu_(puuzaki_puuna), silver hair, white hair, blue hair tint at the tips, blue eyes, hair between eyes, hair bun, sidelocks, long hair, ahoge, huge breasts, swaying breasts, light blue cardigan, off shoulder, bare shoulders, sleeveless white turtleneck sweater, turtleneck, latex tight shiny dark blue short micromini pencil skirt, shiny skirt, tight skirt, pencil skirt, dark brown leggings, standing facing glass, hands on glass, splayed fingers on glass, feet slightly apart, arched back, deep arch in lower back, ass pushed out, hips out of frame, butt out of frame, crop below hips, only male arms visible, male hands gripping her hips, sex from behind, standing doggystyle, penetration, motion, swaying hips, (((cockslut:1.9))), seductive_smile, half-closed_eyes, blush, heavy_breathing, sweat, speech bubble, heart, juice puddle, wet floor, curtain wall construction room, steel frame, glass panels, scaffold rails, high floor, night city view, city lights bokeh, ((4k, 8k, Ultra HD)), ((masterpiece:1.2)), ((best quality:1.2)), ((detailed:1.5)), ((detailed background:1.5)), (masterpiece:1.2), (best quality:1.2), (detailed:1.5), (detailed background:1.5) The camera sits behind her and slightly above, tilted a few degrees off level, looking over the man's shoulder as though through his own eyes: only his forearms and the backs of his hands enter the frame from the bottom edge, broad and bare, sleeves out of shot entirely. Yukino Mifuyu stands square to a floor-to-ceiling curtain wall of grimy construction glass, both palms pressed flat against the pane, fingers spread, her slight weight rocking onto the balls of her feet with heels just lifting, feet a shoulder-width apart. Her spine is bent into a deep arch, the lower back hollowed, shoulders drawn back and down, so her chest rides high and forward; the off-shoulder light blue cardigan has slipped from both shoulders and bunches at her upper arms, the sleeveless white turtleneck clinging across her huge breasts, which sway forward and sideways and rebound against the glass with each thrust — the soft weight of them moving a beat behind her hips. The tight, mirror-shiny dark blue latex micromini pencil skirt is rucked up over her backside, dark brown leggings running on down thighs that vanish past the bottom edge of the frame. The crop is absolute: nothing below her hips is in the picture — her rear end is entirely outside the image area, only the jut of her lower back and the tension in her stance implying it. His two hands clamp her waist just above the skirt, thumbs digging in, her flesh compressing under his grip, and each time he pulls her back her bun wobbles and loose silver sidelocks swing across her cheek. Her head is turned a quarter toward her right shoulder, one blue eye visible past the curtain of hair between her eyes, lids half lowered, lips parted on a panting smirk, a bead of sweat running from her temple down her jaw. The whole pane shimmers with her breath and palm prints. Beyond the glass, a high-floor night skyline: a horizon of stacked tower lights scattered into bokeh, a low warm sodium haze, distant windows in strict rows; two clamp-on work lamps sit on a scaffold rail above and left, throwing a hard cool white key down onto her shoulders, hair and hands while her face and the underside of her chest fall in soft shadow, and the reflections in the glass double her silhouette against the city. A small juice puddle glistens on the concrete floor at the bottom edge of the frame, catching a thin streak of that white light, with a few shallow drips strung back toward her feet. Beside her cheek a small speech bubble holds only a single hand-drawn heart. Rain-streaked grime on the outer pane breaks every city light into tiny halos — bruised blue and amber against the enamel white of the sweater deck, sweaty and single-minded.
매개변수 표시
원본 프롬프트
Inside the Curtain wall construction room, high floor, night view, Yukino Mifuyu, blue eyes, silver hair, hair between eyes, hair bun, huge breasts, light blue cardigan, off shoulder, white turtleneck sweater, sleeveless, latex tight shiny dark blue short micromini pencil skirt, dark brown leggings, (((cockslut:1.9))), Rino_Pose_055, standing facing glass, hands on glass, ass pushed back towards viewer, stand with your feet slightly apart, arched back, stick out butt, deep arch in lower back, perfect butt focus, dynamic angle from behind, detailed hands, view from behind, ((4k, 8k, Ultra HD)), ((masterpiece:1.2)), ((best quality:1.2)), ((detailed:1.5)), ((detailed background:1.5)), juice puddle、 主人公視点、女をバックで犯す。お尻から下はフレームアウト、お尻は画面に映さない。男は女の腰を両手で掴む。男は腕だけ映す。 揺れる女の胸と尻。
모드
ultra
품질 태그
﹝프롬프트﹞
크기
1104 x 1824
샘플링 방식
Euler
제외 조건
lowres, worst quality, low quality, bad anatomy, explicit
프롬프트 도우미

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Tsubaki.3 - AI Model 커버 이미지

PixAI DiT.3

Tsubaki.3
6.07k

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Avatar image of らり
character: yukino_mifuyu_(puuzaki_puuna) 1girl, solo, yukino mifuyu, blue eyes, silver hair, white hair, hair between eyes, hair bun, long hair, sidelocks, ahoge, huge breasts, white turtleneck sweater, sleeveless, bare shoulders, shiny black pencil skirt, tight dark blue short skirt, torn clothes, ripped outfit, broken outfit, torn sweater, torn skirt, empty eyes, lifeless eyes, hollow gaze, blank stare, staring at viewer, expressionless, losing strength, lying, lying on back, crawling, crawling with chest on floor, reaching out, outstretched hand, from behind, overhead shot, full body, front view, indoors, living room, wooden floor, many puddles, water on floor, furniture, couch, low table, masterpiece, ultra detailed, muted desaturated palette, cold overcast light An overhead shot looks straight down from directly above the room, and inside that steep downward view the girl is seen from behind and from the front at once: she lies prone across the wooden floor with her chest pressed flat against the planks, hips slightly raised, legs trailing back out of the bottom edge of the frame, so the crown of her head and the back of the silver hair are nearest the top of the image while her face is turned up and back over one shoulder, tilted so both blue eyes look straight up into the lens. Her long silver hair fans out around the bun in loose wet strands, hair falling between her eyes in a pale fringe; the loose hair spreads on the boards and clings to the damp wood. Both arms are forward: the right arm is folded under her chest, taking her weight, and the left arm is stretched out ahead of her across the floor toward the upper corner of the frame, hand open, fingers half-curled and slack, palm up, close enough that a single lifted finger suggests how little strength is left. The white sleeveless turtleneck is pulled taut over her chest by the pose, one shoulder strap slipped down over the bare shoulder, the knit snagged and ripped open at the ribs and hem with frayed loops of yarn trailing on the floor; the shiny black pencil skirt is tight across her hips and hitched up, its dark blue sheen catching the pale light, its side seam split and torn open in a long ragged rip with the fabric's edge curling. Her expression does not change at all: eyelids half lowered, mouth slack and slightly open, no focus anywhere in the eyes, the face of someone whose strength has already drained out of her. The living room is cluttered around her in the overhead view: a low wooden table at the left, a pale couch along the top edge, a rug pushed askew, and the floorboards running in parallel planks beneath everything. Water has pooled across the boards in many puddles of different sizes, darkening the wood, beading on the varnish, and the largest puddle lies under her outstretched left hand, where the still surface holds a soft broken reflection of her palm and her silver hair; in the smallest, the ceiling's pale light sits as one smeared highlight, and where the boards have warped the water runs along the seams instead of across them. Light is flat, cold and sourceless from a grey overcast window at the frame's edge: no hard shadows, only a diffuse sheen on the wet floor and the glossy skirt and a dull shadow pooled beneath her body. The palette is restrained to silver, white, wet dark wood, the skirt's cold blue-black and the faint blue of her eyes, all muted. Empty, quiet, drained.
らり

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AI artwork
Avatar image of Kani x
character: tenma_tsukasa "", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
#프로젝트 세카이 컬러풀 스테이지!#텐마 츠카사
AI artwork
Avatar image of リオ
character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
9#카가미네 린#보컬로이드#로파이(Lofi) 드림
AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
4#진격의 거인#미카사 아커만
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