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매개변수 표시
- 원본 프롬프트
- atrocitus from DC comics, Alex Ross ART style
- 모드
- pro
- 품질 태그
- ﹝프롬프트﹞
- 크기
- 1104 x 1824
- 제외 조건
- lowres, worst quality, low quality, bad anatomy, explicit
프롬프트 도우미
모델 및 LoRA 사용
비슷한 작품
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v
artist: alex_ross, copyright: dc_comics
atrocitus, 1boy, solo, red skin, muscular, bulky, humanoid alien, bald, exposed brain, cranial ridges, noseless, slit nostrils, four eyes, sharp cheekbones, heavy brow, pointed ears, thick neck, red power ring, power ring, glowing ring, red lantern corps, black and red bodysuit, armored shoulders, spiked gauntlets, heavy boots, standing, wide stance, clenched fists, bare arms, looking at viewer, teeth bared, snarl, glowing red eyes, from below, low angle, cowboy shot, dramatic lighting, dark background, painted realism, alex ross style, intricate detail, textured skin, strong shadows, single light source, high contrast.
A painted, fully rendered figure stands three-quarter to the camera, seen from a low angle that tilts the whole frame up toward him, filling the vertical panel from mid-thigh to a shaved, exposed cranium. Atrocitus plants his feet wide apart on a plain, dark, vaguely industrial deck of scored metal plate; his weight sinks into the back leg, the front knee bent, torso twisted a quarter-turn so the chest faces out but the shoulders read as a hard diagonal. Both arms hang just away from the body, veins roped along the bare red forearms, and both hands curl into fists, the knuckles of the left contacting the thigh, the right lifted a little forward and lit hardest on the ridge of its clenched knuckles. His head tips down a fraction, chin dropped, four narrow eyes fixed straight into the camera, upper brow ridge pressed low. Lips peel back from bared teeth in a snarl, breath visible as a faint pale mist at the corner of the mouth; the vertical slit nostrils flare. The jaw is wide, the cheekbones cut, the ears swept to points. The exposed brain at the crown catches the key light as wet, faintly translucent tissue, a thin rim of highlight along its dense folds; cranial ridges bracket it. His black-and-red bodysuit is stretched tight across the mass of the shoulders and cinched at the waist, armored red plates laid over the deltoids, spiked gauntlets clamped at the wrists, thick boots scarred at the toe caps. His red power ring sits on the right hand's ring finger; its light bleeds a fine red glow onto the knuckle beneath it and the underside of the adjoining finger.
The lamp is the only light: a hard red-white source placed low and to the left of the camera, striking his left cheekbone, the left shoulder plate and the front of the right fist, and throwing a long soft shadow of his legs back and to the right across the deck. Everything above and beyond that pool falls into absolute black, so the environment is almost entirely negative space: a hint of riveted bulkhead behind him, no horizon, no floor visible past the light's edge. His red skin, the rings of the boots and the red plates are the only warm color; black swallows the rest.
Camera is a low-angle cowboy shot with slight foreshortening, so the boots sit small and close and the shoulders loom wide at the top. The paw of the massive boots is planted, the shadow of his right fist swings across the deck plate to the right and stretches with the perspective of the floorboards of the deck. The finish is a painted realism: brush-stroked, texture-rich skin with visible stroke direction on the planes of the face and forearm, deep oil-paint chiaroscuro, no cel edges, no clean line art. The mood is heavy, brutal, quietly furious.
Void
v
artist: alex_ross, copyright: dc_comics
atrocitus, 1boy, solo, red skin, muscular, bulky, humanoid alien, bald, exposed brain, cranial ridges, noseless, slit nostrils, four eyes, sharp cheekbones, heavy brow, pointed ears, thick neck, red power ring, power ring, glowing ring, red lantern corps, black and red bodysuit, armored shoulders, spiked gauntlets, heavy boots, standing, wide stance, clenched fists, bare arms, looking at viewer, teeth bared, snarl, glowing red eyes, from below, low angle, cowboy shot, dramatic lighting, dark background, painted realism, alex ross style, intricate detail, textured skin, strong shadows, single light source, high contrast.
A painted, fully rendered figure stands three-quarter to the camera, seen from a low angle that tilts the whole frame up toward him, filling the vertical panel from mid-thigh to a shaved, exposed cranium. Atrocitus plants his feet wide apart on a plain, dark, vaguely industrial deck of scored metal plate; his weight sinks into the back leg, the front knee bent, torso twisted a quarter-turn so the chest faces out but the shoulders read as a hard diagonal. Both arms hang just away from the body, veins roped along the bare red forearms, and both hands curl into fists, the knuckles of the left contacting the thigh, the right lifted a little forward and lit hardest on the ridge of its clenched knuckles. His head tips down a fraction, chin dropped, four narrow eyes fixed straight into the camera, upper brow ridge pressed low. Lips peel back from bared teeth in a snarl, breath visible as a faint pale mist at the corner of the mouth; the vertical slit nostrils flare. The jaw is wide, the cheekbones cut, the ears swept to points. The exposed brain at the crown catches the key light as wet, faintly translucent tissue, a thin rim of highlight along its dense folds; cranial ridges bracket it. His black-and-red bodysuit is stretched tight across the mass of the shoulders and cinched at the waist, armored red plates laid over the deltoids, spiked gauntlets clamped at the wrists, thick boots scarred at the toe caps. His red power ring sits on the right hand's ring finger; its light bleeds a fine red glow onto the knuckle beneath it and the underside of the adjoining finger.
The lamp is the only light: a hard red-white source placed low and to the left of the camera, striking his left cheekbone, the left shoulder plate and the front of the right fist, and throwing a long soft shadow of his legs back and to the right across the deck. Everything above and beyond that pool falls into absolute black, so the environment is almost entirely negative space: a hint of riveted bulkhead behind him, no horizon, no floor visible past the light's edge. His red skin, the rings of the boots and the red plates are the only warm color; black swallows the rest.
Camera is a low-angle cowboy shot with slight foreshortening, so the boots sit small and close and the shoulders loom wide at the top. The paw of the massive boots is planted, the shadow of his right fist swings across the deck plate to the right and stretches with the perspective of the floorboards of the deck. The finish is a painted realism: brush-stroked, texture-rich skin with visible stroke direction on the planes of the face and forearm, deep oil-paint chiaroscuro, no cel edges, no clean line art. The mood is heavy, brutal, quietly furious.
Void
v
artist: alex_ross, copyright: dc_comics
atrocitus, 1boy, solo, red skin, muscular, bulky, humanoid alien, bald, exposed brain, cranial ridges, noseless, slit nostrils, four eyes, sharp cheekbones, heavy brow, pointed ears, thick neck, red power ring, power ring, glowing ring, red lantern corps, black and red bodysuit, armored shoulders, spiked gauntlets, heavy boots, standing, wide stance, clenched fists, bare arms, looking at viewer, teeth bared, snarl, glowing red eyes, from below, low angle, cowboy shot, dramatic lighting, dark background, painted realism, alex ross style, intricate detail, textured skin, strong shadows, single light source, high contrast.
A painted, fully rendered figure stands three-quarter to the camera, seen from a low angle that tilts the whole frame up toward him, filling the vertical panel from mid-thigh to a shaved, exposed cranium. Atrocitus plants his feet wide apart on a plain, dark, vaguely industrial deck of scored metal plate; his weight sinks into the back leg, the front knee bent, torso twisted a quarter-turn so the chest faces out but the shoulders read as a hard diagonal. Both arms hang just away from the body, veins roped along the bare red forearms, and both hands curl into fists, the knuckles of the left contacting the thigh, the right lifted a little forward and lit hardest on the ridge of its clenched knuckles. His head tips down a fraction, chin dropped, four narrow eyes fixed straight into the camera, upper brow ridge pressed low. Lips peel back from bared teeth in a snarl, breath visible as a faint pale mist at the corner of the mouth; the vertical slit nostrils flare. The jaw is wide, the cheekbones cut, the ears swept to points. The exposed brain at the crown catches the key light as wet, faintly translucent tissue, a thin rim of highlight along its dense folds; cranial ridges bracket it. His black-and-red bodysuit is stretched tight across the mass of the shoulders and cinched at the waist, armored red plates laid over the deltoids, spiked gauntlets clamped at the wrists, thick boots scarred at the toe caps. His red power ring sits on the right hand's ring finger; its light bleeds a fine red glow onto the knuckle beneath it and the underside of the adjoining finger.
The lamp is the only light: a hard red-white source placed low and to the left of the camera, striking his left cheekbone, the left shoulder plate and the front of the right fist, and throwing a long soft shadow of his legs back and to the right across the deck. Everything above and beyond that pool falls into absolute black, so the environment is almost entirely negative space: a hint of riveted bulkhead behind him, no horizon, no floor visible past the light's edge. His red skin, the rings of the boots and the red plates are the only warm color; black swallows the rest.
Camera is a low-angle cowboy shot with slight foreshortening, so the boots sit small and close and the shoulders loom wide at the top. The paw of the massive boots is planted, the shadow of his right fist swings across the deck plate to the right and stretches with the perspective of the floorboards of the deck. The finish is a painted realism: brush-stroked, texture-rich skin with visible stroke direction on the planes of the face and forearm, deep oil-paint chiaroscuro, no cel edges, no clean line art. The mood is heavy, brutal, quietly furious.
Void
v
artist: alex_ross, copyright: dc_comics
solo, 1boy, male focus, alien, red skin, muscular, very muscular male, huge muscular, bald, no hair, hairless, forehead emblem, red eyes, glowing eyes, sharp teeth, fangs, wide open mouth, roaring, angry, furious, clenched teeth, fists, clenched hands, arm up, raised fist, from below, from side, cowboy shot, upper body, red lantern, red and black bodysuit, skin-tight suit, black bodysuit, red glow, blood, blood on face, white background, simple background, plain background, realistic, painterly, oil painting texture, classical realism, heavy shadows, chiaroscuro, high detail, detailed face, detailed musculature, strong jaw, thick neck, ridge of brow, Alex Ross art style, white background
Seen from below and to his right, in a three-quarter view up toward his face, a huge bare-headed humanoid alien with deep crimson skin fills the frame from thighs to the top of his skull, cut off just below the waist by the picture edge. He has no hair at all — his scalp and temples are smooth, hard planes of muscle and bone. His brow is a heavy jutting shelf that throws his eye sockets into shadow, and from that darkness his eyes show as small, narrow, wet-red points with a faint hot glow, staring down and past the viewer at something off-frame. His mouth is wide open in a roar: heavy lips peeled back off big square teeth, lower canines longer than the rest, tongue raised, cords standing out in his thick neck, breath and spittle caught in the light on his lower lip. A raised emblem sits on the center of his forehead, a raised angular red mark that catches a cut of light. Both arms are up and away from his body; the near fist is planted in the foreground at chest height, knuckles forward, fingers clamped so tight the tendons ridge across the back of the hand; the far arm is thrown back and up, and the fist at the end of it reads as a wide dark silhouette. His shoulders are high and rolled forward, chest massed and straining, one hip cocked so his weight rides on the far leg, the near hip and side of the waist clearly carrying the lean. Dried blood is smeared across one cheek in a flattened streak, darkening at the jaw, and a thin trickle runs from the corner of his mouth back toward his chin, drying brown rather than wet. The costume is a fitted black suit that reads as one sheer glossy black surface over an enormous frame, stretched drum-tight across the pectorals and deltoids where it bulges and pulls thin at the seams, hugging the crests of his chest and shoulders while the deep valleys between each muscle group drop to near black; its upper edge cuts across the top of his chest under the collarbones. One light source only, a hard cold key from above and to his left: it paints a bright rim down the left side of his skull and shoulder, glares hot and wet off the standing ridge of his forehead and the bridge of his nose, gleams on the swell of his lips, and catches the tops of his raised knuckles — while the underside of his jaw, his eye sockets, the whole right side of his face and every hollow of his body fall into heavy, simple, brown-black mass. On the white ground there is exactly one cast shadow: a hard-edged dark shape thrown down and to his right from his body, sharp where it leaves his heel and softening as it drags across the empty white. That ground is seamless pure white studio space, no horizon, no props, no set, nothing but him and his shadow. The palette is a narrow classical one bound to the subject — the crimson of the skin, the glossy black of the suit, the deep shadow brown, and the absolute white of the ground, with red landing only in his hide, his eyes, the forehead emblem and the blood; everything else is value. The paint handling is thick and painterly, modelled flesh built in broad opaque strokes with visible edges and glowing inner warmth in the red, rendering the figure like a heroic painted portrait study or a figure plate torn from an illustrated graphic novel, hatched and blended detail held only in the lit planes of his face and knuckles while the shadow side stays broad and simple. Menace, monumental.
Void
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