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AI art "「カラス」― 欲望と破滅の群像劇" featuring #만화, #돈, #피, #자동차, #여러 명의 소녀, #새, #까마귀 and #군중
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「カラス」― 欲望と破滅の群像劇

この「カラス」の世界観に、私はすっかり心を奪われてしまいました。登場人物たちの渦巻く思惑と、カラスが舞う不穏で美しい空気感がたまらなく好きです。この作品をもっと多くの人に知ってほしいので、いいねとフォローで応援していただけると嬉しいです!次回作も構想中なので、ぜひコメントで感想を聞かせてくださいね。

#만화#돈#피#자동차#여러 명의 소녀#새#까마귀#군중
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The movie "Bad Lieutenant: Tokyo", The protagonist Kyoji Yabuki (Shutaro Oguri) is a detective with deep ties to the yakuza, usually indulging in drugs and gambling. He carries a large amount of debt and has been abandoned by his wife and children. The story is driven by Yabuki pursuing two bizarre serial murder cases, but in terms of experience, the movie begins with the first 30 minutes relentlessly depicting Yabuki's trashy and self-indulgent lifestyle. Speaking of Oguri, in the currently airing drama "LOST10" (TBS network), he also plays an insurance investigator who, while perhaps not "trashy," is quite suspicious; in both cases, his depiction as someone who isn't straightforward exudes a unique allure. Then, just as the story finally begins to move in earnest, FBI agent Nguyen (Lily James) appears, having come to Japan in pursuit of a certain person. She is by no means a righteous heroine. The shot inserted in her first appearance scene, showing a large number of crows flying in the overcast sky behind her, is particularly impressive. She has a very foul mouth, and the fact that she immediately concludes "this guy is my buddy" after talking briefly with Oguri in a smoking area already leaks her dirty atmosphere, visually making it clear that she is on the "evil" side. In fact, the investigation she is involved in is later revealed to be politically quite fishy, and it is suggested that she herself has some dark past that forces her to take on the job. Other main characters consist of yakuza associates, drug dealers, and drug addicts. The long-haired, equally suspicious dealer played by Shuhei Nomura almost seems to fall into the "kind-hearted" category in this city where evil thrives (the vacant feeling of this character is indescribably good). And what these people unfold is a world of relentless sekkusu & violence. As you know, the sekkusu & violence depicted by Director Miike is full of theatricality. There are too many to list, but the most impressive was the action scene using multiple cars near the end. During that sequence, a certain person is crushed to death between two cars; from a slightly pulled-back angle, the person being crushed is captured as if hiding in the shadow of the car, and after a brief pause, a huge spray of blood blasts upward from between the cars. It is a thrilling end that makes one laugh involuntarily. In that way, this movie seems to laugh off this world. It's not that this movie has no serious developments at all. Yabuki, played by Oguri, suffers from trauma over betraying and causing the death of a partner in the past, and in the latter half, triggered by a character's line, the question "What are you living for?" is repeatedly asked of multiple characters. However, risking a partial spoiler, Yabuki ultimately meets a truly blunt and matter-of-fact conclusion. The traumas and questions that appeared along the way vanish into thin air, along with the overcast sky and the crows flying there, which are shown once more near the end. Using a luxurious cast and setting while claiming "there is no meaning in this world," it is a movie that is simply enjoyable to watch. In an extremely positive sense, it is a film that makes one feel this is one of the greatest forms of "luxury."
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映画『バッド・ルーテナント:トウキョウ』, 主人公の矢吹恭二(小栗旬)は暴力団とズブズブの関係にある刑事で、普段からドラッグ三昧に博打三昧。多額の借金を抱えており、妻子からも逃げられてしまう。 そんな矢吹が2つの猟奇的な連続殺人事件を追うことでストーリーが駆動していくのだが、体感で言えば前半30分ほどは矢吹のクズで自堕落な生活ぶりがひたすら描かれるところから映画は始まる。小栗といえば、現在放送中のドラマ『LOST10』(TBS系)でも、クズとは言わないまでもかなり胡散臭い保険調査員を演じており、いずれも一筋縄ではいかないその姿が独特のいろけを漂わせている。 そして、ようやくストーリーが本格的に動き出すところで登場するのが、ある人物を追って来日したFBI捜査官グエン(リリー・ジェームズ)である。彼女だって決して正義のヒロインではない。初登場シーンで挿入される、彼女のバックの曇天の空に大量のカラスが舞い飛ぶショットはとくに印象的だ。やけに口が悪く、喫煙所で小栗とすこし話してすぐに「こいつが私のバディだ」と確信するところからもすでに彼女のダーティな雰囲気が漏れ伝わってきているのだが、視覚的にもわかりやすく悪側にいることを示すのである。実際、のちほど彼女が携わっている捜査は政治的にかなりきな臭いものであり、その仕事を引き受けざるを得ない彼女自身にもなにか後ろ暗い過去があることが示唆される。 その他、主な登場人物は暴力団関係者、薬の売人、薬物中毒者などで構成されている。野村周平演じるロン毛のこれまた胡散臭い売人が、悪がはびこるこの街ではむしろお人好しの部類に入るくらいに見えてくる(このキャラクターのすっとぼけた感じがなんとも言えず良い)。そして、そんな彼らが繰り広げるのが、ひたすらsekkusu&バイオレンスの世界である。 三池監督が描くsekkusu&バイオレンスは、ご存じのとおりケレン味たっぷりだ。挙げだすときりがないが、最も印象的だったのは終盤に出てくる複数の車を使ったアクションシーン。その途中で、ある人物が車と車のあいだで押しつぶされて絶命するのだが、少し引きの画角から、押しつぶされる人物が車の影に隠れるかたちでその様子が収められたかと思うと、一瞬の間をおいて大量の血しぶきが車のあいだからビュッと上方に向けて飛び出す。思わず笑いを上げずにはいられない痛快な最期である。そうやって、この映画はこの世界を笑い飛ばしているように見える。 この映画にシリアスな展開が全くないわけではない。小栗演じる矢吹はかつて相棒を裏切って死なせてしまったことにトラウマを抱えているし、後半ではある登場人物の台詞をきっかけに「お前はなんのために生きているのか?」が複数の登場人物に対して繰り返し問われることにもなる。しかしながら、半分ネタバレを覚悟で言えば、最終的に矢吹は実に身も蓋もない結末を迎える。途中で現れたトラウマや問いは、ラスト近くでもう一度映される曇天の空とそこを飛び交うカラスたちとともに、どこかに雲散霧消してしまうのだ。 豪華な俳優陣と舞台を使いながら「この世界に意味なんてないよ」と嘯く、ただ観ていて楽しいだけの映画。極めてポジティブな意味で、これこそ最高の“贅沢”の1つだと思わせられる一本である。
모드
pro
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﹝프롬프트﹞
크기
1104 x 1824
제외 조건
lowres, worst quality, low quality, bad anatomy, explicit
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AI artwork
Avatar image of Zeon
masterpiece, best quality, absurdres, very aesthetic, realistic anime, 1man, mafia boss, (mature man, 30-year-old man, adult proportions):1.3, mature face, sharp jawline, visible collarbones, defined cheekbones, manly features, subtle facial hair, stubble, Muscular, athletic, broad shoulders, Black hair, messy hair, grey eyes, tired eyes, (detailed eyes, detailed face):1.2, (face focus:1.4), Bored expression, (White dress shirt, black longcoat):1.3, Sitting in armchair, front view, slightly below view, one hand slightly on chin, other hand holding golden desert eagle casually, resting one arm on armrest, natural pose, looking at viewer, portrait shot, upper body:1.2, BREAK Modern setting, contemporary architecture, present-day atmosphere, Home study, mahogany desk, dark oak bookshelves, Sunset, warm lighting, no windows, cinematic lighting, soft lighting, volumetric lighting, depth of field, dynamic angle, Male focus,748cmstyle
Zeon
AI artwork
ay
1man, solo, mature male, middle-aged, 45 years old, very short black hair, crew cut, close-cropped sides, fully exposed forehead, grey temples, wide face, thick jaw, broad chin, full cheeks, thick eyebrows, small narrow dark brown eyes, heavy eyelids, under-eye bags, forehead wrinkles, crow's feet, nasolabial folds, broad nose, thin lips, clean-shaven, serious expression, closed mouth, calm, looking at viewer, stocky, muscular, thick neck, broad shoulders, thick torso, wide waist, large hands, charcoal grey business suit, white dress shirt, dark navy necktie, arms crossed, front view, waist-up portrait, standing, office background, mature manga illustration, clean lineart, natural skin tone, soft indoor lighting, muted colors, midjourney style, handsome, semi-realism, expressive brushstrokes, dry bristle brush texture, high-contrast glow, airbrushed soft shading, rough sketchy linework, gritty canvas texture, loose semi-realistic rendering technique, soft iridescent gradient, glare, light particles, masterpiece, ultra detailed
AYUMI YAMAUCHI

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AI artwork
Avatar image of Kani x
character: tenma_tsukasa "", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
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Avatar image of リオ
character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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