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V ι ƒ . せんめい . 活潑 . жив . ζωός . जीवंत . ቪፉ . حية . חי

Avatar image of V ι ƒ . せんめい . 活潑 . жив . ζωός . जीवंत . ቪፉ . حية . חי

V ι ƒ . せんめい . 活潑 . жив . ζωός . जीवंत . ቪፉ . حية . חי

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((lady bathing)), 1girl, solo, long black hair, wet hair, damp hair, hair down, bare back, sheer saffron cotton wrap around waist, bathing, standing waist-deep in water, wading, from behind, over-shoulder composition, looking back, profile, calm expression, eight doves, 8 doves perched, birds on broken glass window, snapped branches growing through window, twigs through shattered panes, broken glass window, stained glass mosaic window, dim sun rays, volumetric light shafts, dust settled on floor, dust motes in air, reflecting pool, still mirror-like water, moving water ripples, wellspring, wild plants on walls, vines on masonry, moss, ancient indian hindu temple, carved sandstone pillars, stone steps, india, harappan ruin layer, cinematic shot, wide shot, high contrast, cool colors, sharp focus, no blur, photoreal render, hdr, best photometry, dull ambience, simple aesthetic, serene, quiet awe, Seen from behind and slightly above, over the wet curve of her shoulder, the woman stands waist-deep at the shallow edge of a long rectangular reflecting pool inside a ruined ancient Indian Hindu temple hall, her body angled away from the camera in three-quarter back view, her face turned just past her shoulder so one eye and the edge of her cheek catch the light. Her weight rests on her left leg planted on the submerged step, the right knee slightly bent, and her hands hang low at her sides with fingertips just breaking the water's skin, sending thin rings outward that distend her reflection. A sheer saffron cotton wrap is knotted at her left hip and trails its soaked hem into the water, clinging and dark where wet, dry and pale where it gathers at her waist; her long damp black hair lies flat down her back in heavy strands, the ends dripping. The pool surface is near-mirror in the centre and disturbed into widening ripples only where her hands and thighs break it, and the ripples are the only thing in the frame that moves. Above and to her left, a high arched window has shattered — jagged panes gone, lead cames bent — and through the empty ribs of it a snapped fig branch and two thorny twigs have pushed in and hang down into the hall, their leaves silhouetted. On the intact window beside it, the stained glass survives as a mosaic of small blue, teal and amber quarrels, and eight doves are perched along the broken sill and the branch in a loose line: four on the stone sill, three on the branch, one on the bent lead frame, each bird separate and clearly countable, one preening, one facing the pool, the rest settled still. Dim grey-gold sun rays come down through the window opening at a steep diagonal from upper left, catching the dust so the shafts read as visible cones; they strike the top of her shoulder, the crown of her head and the dove on the sill, and everything below the ray's lower edge falls into cool shadow. Fine dust lies settled in a pale even film across the dry flagstones and the raised stone rim of the pool, thicker in the carved joints, and the only clean marks on it are the wet footprints where she walked in from the left. The hall is carved sandstone: fluted pillars, a corbelled ceiling lost in darkness, and on the walls wild plants have taken hold — creepers and small ferns rooted in the cracks between blocks, moss darkening the lower courses. The palette is cool and restrained — slate blue, teal, wet stone grey, moss green, the saffron wrap the single warm note and the dim raking light the second — against deep near-black shadow in the ceiling and the far end of the hall, which gives the frame its high contrast. Everything is tack-sharp from the foreground ripples to the far pillars, no blur anywhere. Serene and heavy with age.
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원본 프롬프트
((lady bathing)), (eight doves perched), (twigs and branches emerge from broken glass window), [dim sun rays], [dust settled on the ground], ((calming reflecting pool), [moving waters], [dull ambience], cool colors, simple aesthetic, wild plants grown on walls, stain glass mosaic windows, hdr, wellspring, sharp quality, perfect blender render, artstation, cinematic shot, best photometry, clear, no blur, [[[high contrast]]], india, hindi temple, hindustan, harrapan, ancient,
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flash
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모델 및 LoRA 사용

Tsubaki.3 Flash - AI Model 커버 이미지

PixAI DiT.3

Tsubaki.3 Flash
1.46k

비슷한 작품

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Avatar image of V ι ƒ . せんめい . 活潑 . жив . ζωός . जीवंत . ቪፉ . حية . חי
((lady bathing)), 1girl, solo, long wet hair, wet hair on shoulders, bare shoulders, partially submerged, water at waist, kneeling in shallow water, looking down at reflection, calm expression, half-closed eyes, eight doves perched, (eight doves perched), doves on broken window frame, doves on stone ledge, twigs and branches emerge from broken glass window, broken window, shattered glass, branches through window, dim sun rays, volumetric light shafts, dust settled on the ground, dust motes in light, calming reflecting pool, reflecting pool, moving waters, ripples, wild plants grown on walls, ivy on walls, moss, stained glass mosaic windows, stained glass, wellspring, spring water, cool colors, blue palette, teal and grey, high contrast, [[[high contrast]]], cinematic shot, sharp focus, no blur, hdr, photorealistic render, dim interior, ruined chapel, from side, wide shot The view is a wide cinematic shot from the side, low over the water, looking across the ruined interior at an oblique angle. A single young woman kneels waist-deep in the calm reflecting pool at the center of the frame, ((lady bathing)), her body in profile to the camera, torso turned slightly away, weight settled back on her heels so her hips rest low and her knees press into the submerged stone floor of the basin; her long wet hair is slicked dark and draped forward over both shoulders, heavy strands clinging to her collarbone and upper back, water beading and running down her spine. She does not look at the camera: her chin is tipped down and her gaze rests on the water's surface a hand's breadth in front of her, half-closed eyes, lids lowered, mouth softly closed, one hand lifted and cupped to catch a thread of water, the other hand flat on the pool's submerged ledge for balance. Where her knees and shins meet the water, the surface is broken into slow concentric rings that spread outward and smooth again, and her faint reflection on the water is darker and softer than she is, trembling with each ripple. Around and above her the ruined hall rises. On the left, a tall broken window frame of cracked stone holds jagged shards of glass still set in the leading, and through the fracture a mass of twigs and thin bare branches pushes inward from the outside, twigs and branches emerge from broken glass window, their tips silhouetted against the light. Eight doves are perched along that window frame and the stone ledge beneath it, eight doves perched, spaced apart at uneven intervals, some with heads tucked, one with a wing half-lifted, their pale bodies rimmed by the light behind them. The walls on both sides are furred with wild plants grown on walls, ivy and moss creeping up the stone courses in dark green patches and thin tendrils. Behind the pool, at the far end of the hall, a tall stained glass mosaic window is set into the apse, its lead-lined mosaic of blue, violet, teal and pale green panes still intact in places and missing in others, and beyond it the wellspring: the pool's source, a low stone basin at the window's base where the water wells up and spills over the lip into the main pool, moving waters threading across the surface in slow bright lines. The only light is the dim sun rays falling through the broken window and the high openings, dim sun rays, three faint shafts cutting diagonally down through the interior, cool and pale, striking the water, the woman's wet shoulder and the doves' backs, while the corners and the vaulted ceiling above stay in deep shadow; the stained glass throws small colored patches of light onto the floor near the apse. The air is still, and dust settled on the ground lies in a fine even film across the dry stone flagstones, dust settled on the ground, undisturbed except where the pool's edge is damp; motes drift slowly inside the light shafts. The composition is cool throughout, cool colors -- grey stone, blue-green water, teal and violet glass, dark green plants, the doves' off-white the brightest note -- and the contrast is pushed high, [[[high contrast]]], the light shafts and the pale doves standing out hard against the deep shadowed stone, the whole image perfectly sharp from the foreground ripples to the far window, no blur anywhere. Calm, hushed, sacred stillness.
V ι ƒ . せんめい . 活潑 . жив . ζωός . जीवंत . ቪፉ . حية . חי
AI artwork
Avatar image of V ι ƒ . せんめい . 活潑 . жив . ζωός . जीवंत . ቪፉ . حية . חי
cinematic shot, wide shot, no humans, calm reflective pool, still reflecting pool, moving water, rippling water, concentric ripples, shallow water, stone basin, spring wellspring, water flowing from stone, wild plants, vines growing on walls, moss on stone, stained glass mosaic windows, mosaic glass tiles, cool color palette, teal, slate blue, pale cyan, muted grey stone, dull ambience, overcast diffuse light, sharp focus, deep focus, high detail, wellspring, architectural interior, vaulted stone chamber, simple aesthetic A cinematic wide shot from a low eye-level camera inside a quiet vaulted stone chamber, the frame built around a shallow circular reflecting pool set into the worn flagstone floor in the lower third; the pool is the picture's anchor, its surface alive with slow moving water — fine overlapping concentric rings spreading from the point where the spring's water enters, each ring perfectly circular and catching a thin bright rim on its outer edge, the rings widening and softening as they travel outward until they flatten against the pool's stone lip. At the pool's far edge a low stone wellspring rises out of the floor, a weathered block worn smooth and dark at the waterline, and a thin thread of water pours from its lip into the basin, the falling stream breaking into droplets that bead and slide down the wet stone face and darken a fan of damp stone beneath. Wild plants have taken the walls: moss mats the joints between blocks in soft green-grey patches that thicken toward the damp lower courses, ferns and thin-leaved creepers sprout from cracks and hang down over the mortar, and a few pale stalks lean out far enough to catch the light and throw small trembling shadows onto the stone behind them. Above and behind the pool, the chamber's tall windows are stained glass mosaics — hundreds of small glass tiles set in lead cames, in cool blues, sea-greens, pale cyans and a scatter of near-white, the mosaic panels curving with the arch of each window so the tile grid bends along the stone tracery; the light passing through them lands in soft, cool pools of blue-green on the flagstones in the midground and tints the mist hanging over the water. The light is diffuse and overcast-bright through the glass, no hard sun anywhere, the wellspring and the far wall softly modeled by that even wash while the corners and the ceiling vaults sink into quiet shadow; the only specular highlights in the frame are on the moving water and the wet stone lip of the spring. The palette is disciplined and cool — slate blue, teal, sea-green, pale cyan, damp grey stone, moss green, and a muted near-white in the brightest mosaic tiles, nothing warm admitted anywhere. The aesthetic stays simple and uncluttered: one pool, one spring, plant-eaten walls, glass windows, no ornament, no clutter, no figures. Everything is in sharp focus from the near stone lip to the far window tracery, the mosaic tiles individually legible, the fern fronds crisp, the rings on the water resolved as distinct lines. A faint cold mist clings to the surface of the pool and drifts a hand's width above it, thinning where the moving water disturbs it. Quiet, hushed.
V ι ƒ . せんめい . 活潑 . жив . ζωός . जीवंत . ቪፉ . حية . חי
AI artwork
Avatar image of V ι ƒ . せんめい . 活潑 . жив . ζωός . जीवंत . ቪፉ . حية . חי
cinematic shot, wide shot, no humans, calm reflective pool, still reflecting pool, moving water, rippling water, concentric ripples, shallow water, stone basin, spring wellspring, water flowing from stone, wild plants, vines growing on walls, moss on stone, stained glass mosaic windows, mosaic glass tiles, cool color palette, teal, slate blue, pale cyan, muted grey stone, dull ambience, overcast diffuse light, sharp focus, deep focus, high detail, wellspring, architectural interior, vaulted stone chamber, simple aesthetic A cinematic wide shot from a low eye-level camera inside a quiet vaulted stone chamber, the frame built around a shallow circular reflecting pool set into the worn flagstone floor in the lower third; the pool is the picture's anchor, its surface alive with slow moving water — fine overlapping concentric rings spreading from the point where the spring's water enters, each ring perfectly circular and catching a thin bright rim on its outer edge, the rings widening and softening as they travel outward until they flatten against the pool's stone lip. At the pool's far edge a low stone wellspring rises out of the floor, a weathered block worn smooth and dark at the waterline, and a thin thread of water pours from its lip into the basin, the falling stream breaking into droplets that bead and slide down the wet stone face and darken a fan of damp stone beneath. Wild plants have taken the walls: moss mats the joints between blocks in soft green-grey patches that thicken toward the damp lower courses, ferns and thin-leaved creepers sprout from cracks and hang down over the mortar, and a few pale stalks lean out far enough to catch the light and throw small trembling shadows onto the stone behind them. Above and behind the pool, the chamber's tall windows are stained glass mosaics — hundreds of small glass tiles set in lead cames, in cool blues, sea-greens, pale cyans and a scatter of near-white, the mosaic panels curving with the arch of each window so the tile grid bends along the stone tracery; the light passing through them lands in soft, cool pools of blue-green on the flagstones in the midground and tints the mist hanging over the water. The light is diffuse and overcast-bright through the glass, no hard sun anywhere, the wellspring and the far wall softly modeled by that even wash while the corners and the ceiling vaults sink into quiet shadow; the only specular highlights in the frame are on the moving water and the wet stone lip of the spring. The palette is disciplined and cool — slate blue, teal, sea-green, pale cyan, damp grey stone, moss green, and a muted near-white in the brightest mosaic tiles, nothing warm admitted anywhere. The aesthetic stays simple and uncluttered: one pool, one spring, plant-eaten walls, glass windows, no ornament, no clutter, no figures. Everything is in sharp focus from the near stone lip to the far window tracery, the mosaic tiles individually legible, the fern fronds crisp, the rings on the water resolved as distinct lines. A faint cold mist clings to the surface of the pool and drifts a hand's width above it, thinning where the moving water disturbs it. Quiet, hushed.
V ι ƒ . せんめい . 活潑 . жив . ζωός . जीवंत . ቪፉ . حية . חי

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Avatar image of Kani x
character: tenma_tsukasa "", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
#프로젝트 세카이 컬러풀 스테이지!#텐마 츠카사
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Avatar image of リオ
character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
12#카가미네 린#보컬로이드#로파이(Lofi) 드림
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음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
5#진격의 거인#미카사 아커만
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