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Yuri

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Yuri

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1girl, solo, tall, slender, long hair, very long hair, voluminous hair, feathered hair texture, layered hair, two-tone hair, royal purple hair, magenta highlights, glowing golden-orange bangs, horn-like hair points, hair updo at crown, sharp eyes, glowing golden-orange eyes, dark eyeliner, facial markings around eyes, warm-toned skin, body art, swirling black and gold patterns on arms, swirl patterns on neck, swirl patterns on legs, bare arms, regal posture, feather gown, avant-garde dress, layered silk, iridescent feathers, fitted bodice, orange and magenta bodice, massive purple feather cape, trailing plumage, gold embroidery trim, starry patterns, decorative purple feathers, from below, full body, wide shot, dutch angle, outstretched arm, cape lifting in the wind, looking down, parted lips, dramatic lighting, three-quarter view. The camera sits low and close to the floor of an empty, seamless darkness, tipping into a slight dutch angle, so the figure towers above the lens in a three-quarter turn from below: her chin lifted, her gaze cast down the length of her own raised arm and past the camera rather than into it, one eyelid a fraction lower than the other and one lip corner drawn back just enough to show a single tooth — predatory, amused, and entirely unimpressed. She stands in an asymmetric contrapposto, weight sunk into her left hip with the left leg straight and bearing her, the right knee bent and the right foot set forward on the ball of the toe, so the gown's layered silk hem fans out over the unseen floor and the fitted orange-and-magenta bodice pulls taut across the ribcage on the lifted side. Her right arm is flung up and out to the side at shoulder height, wrist loose, fingers half-curled and open, the black-and-gold swirls on the forearm coiling around the tendon as it tenses; her left hand rests flat against her sternum just under the collarbone, fingertips spread over the feathered trim, gathering the cape's leading edge there. From this angle the body art is fully legible: gold-veined black spirals climb the throat and vanish into the shadow beneath her jaw, band the outside of the raised arm from elbow to wrist, and show through the gown's high slit along the right thigh. The cape is the image's engine. Slung from both shoulders, its deep purple feathers sweep down and out behind her, and a lateral draught from the left catches the outermost plumes so the whole mass bellies sideways away from her body and breaks into individual visible purple feathers at its ragged outer edge — the nearest ones sharp and large in the foreground wing of the frame, the farthest reduced to a soft silhouette. Gravity and wind disagree along the train: the lower plumes hang and drag, the upper ones lift and stream, and it is the lift that reveals how far behind her the mantle actually extends. Her hair answers the same draught — the voluminous feather-layered mass of royal purple and magenta streams to the right, each layer separating into a distinct blade of colour, while the glowing golden-orange bangs stay plastered forward against her temples and cheekbones, their tapered points rising above the crown like a pair of small horns. Gold embroidery catches light along every garment edge — bodice seam, cape collar, the wrist of the raised arm — and the tiny celestial star patterns scattered across the silk wink out one after another as the fabric twists. A single hard key light stands low and to the left, out of frame, raking upward: it flares along the left contour of her throat, cheekbone and raised forearm, sets the golden-orange iris and the embroidery alight, and pools warm on the iridescent feather barbs so each turns from orange to magenta to violet as the viewing angle shifts across them. Everything on her right side falls into deep shadow, and the cape throws a huge blurred shadow sideways across the dark ground behind her, cut through by her own thin shadow where the light passes between her parted legs. Palette is strictly royal purple, magenta, orange and gold against a near-black void; skin is the one continuous warm note, and the eye-glow is the brightest point in the frame. Korean anime portrait rendering: graphic linework with bold silhouettes, muted yet punchy colour, textured shading and expressive anatomy, clean cel-edged shadows grading into painted feather detail, the figure large and dominant in the vertical frame with generous empty darkness around her. Regal, dangerous, effortlessly grand.
매개변수 표시
원본 프롬프트
Physical Appearance Hair: Long, flowing, and voluminous hair that mimics the texture of layered feathers. The base is a deep royal purple, transitioning into vibrant magenta highlights, and framed around her face with glowing golden-orange bangs that taper into sharp, horn-like points at the crown of her head. Eyes: Sharp, predatory, and striking golden-orange eyes that appear to glow, contrasted against dark, stylized eyeliner or facial markings around the eye sockets. Complexion: Warm-toned skin adorned with elegant, swirling black and golden body-art patterns along her arms, neck, and legs, mimicking the intricate underbelly stripes of the original design. Stature: Tall, lithe, and exceptionally graceful, carrying an air of regal nobility mixed with wild, avian agility. Attire & Wardrobe The Gown: She wears a dramatic, flowing avant-garde gown made of layered silk and iridescent feathers. The top is a fitted bodice in striking shades of orange and magenta that mimics the chest coloration. The Cloak: Draped over her shoulders is a massive, sweeping cape or train made of deep purple feathers that trails elegantly behind her, reminiscent of the creature's expansive wings and long tail. Accents: The edges of her clothing are trimmed with glowing gold embroidery, matching the celestial, starry patterns
모드
flash
스타일
레트로 퓨전
크기
1104 x 1824
스타일: 레트로 퓨전
프롬프트 도우미

모델 및 LoRA 사용

Tsubaki.3 Flash - AI Model 커버 이미지

PixAI DiT.3

Tsubaki.3 Flash
1.46k

비슷한 작품

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AI artwork
Avatar image of Yuri
1girl, solo, tall, slender, long hair, very long hair, voluminous hair, feathered hair texture, layered hair, two-tone hair, royal purple hair, magenta highlights, glowing golden-orange bangs, horn-like hair points, hair updo at crown, sharp eyes, glowing golden-orange eyes, dark eyeliner, facial markings around eyes, warm-toned skin, body art, swirling black and gold patterns on arms, swirl patterns on neck, swirl patterns on legs, bare arms, regal posture, feather gown, avant-garde dress, layered silk, iridescent feathers, fitted bodice, orange and magenta bodice, massive purple feather cape, trailing plumage, gold embroidery trim, starry patterns, decorative purple feathers, from below, full body, wide shot, dutch angle, outstretched arm, cape lifting in the wind, looking down, parted lips, dramatic lighting, three-quarter view. The camera sits low and close to the floor of an empty, seamless darkness, tipping into a slight dutch angle, so the figure towers above the lens in a three-quarter turn from below: her chin lifted, her gaze cast down the length of her own raised arm and past the camera rather than into it, one eyelid a fraction lower than the other and one lip corner drawn back just enough to show a single tooth — predatory, amused, and entirely unimpressed. She stands in an asymmetric contrapposto, weight sunk into her left hip with the left leg straight and bearing her, the right knee bent and the right foot set forward on the ball of the toe, so the gown's layered silk hem fans out over the unseen floor and the fitted orange-and-magenta bodice pulls taut across the ribcage on the lifted side. Her right arm is flung up and out to the side at shoulder height, wrist loose, fingers half-curled and open, the black-and-gold swirls on the forearm coiling around the tendon as it tenses; her left hand rests flat against her sternum just under the collarbone, fingertips spread over the feathered trim, gathering the cape's leading edge there. From this angle the body art is fully legible: gold-veined black spirals climb the throat and vanish into the shadow beneath her jaw, band the outside of the raised arm from elbow to wrist, and show through the gown's high slit along the right thigh. The cape is the image's engine. Slung from both shoulders, its deep purple feathers sweep down and out behind her, and a lateral draught from the left catches the outermost plumes so the whole mass bellies sideways away from her body and breaks into individual visible purple feathers at its ragged outer edge — the nearest ones sharp and large in the foreground wing of the frame, the farthest reduced to a soft silhouette. Gravity and wind disagree along the train: the lower plumes hang and drag, the upper ones lift and stream, and it is the lift that reveals how far behind her the mantle actually extends. Her hair answers the same draught — the voluminous feather-layered mass of royal purple and magenta streams to the right, each layer separating into a distinct blade of colour, while the glowing golden-orange bangs stay plastered forward against her temples and cheekbones, their tapered points rising above the crown like a pair of small horns. Gold embroidery catches light along every garment edge — bodice seam, cape collar, the wrist of the raised arm — and the tiny celestial star patterns scattered across the silk wink out one after another as the fabric twists. A single hard key light stands low and to the left, out of frame, raking upward: it flares along the left contour of her throat, cheekbone and raised forearm, sets the golden-orange iris and the embroidery alight, and pools warm on the iridescent feather barbs so each turns from orange to magenta to violet as the viewing angle shifts across them. Everything on her right side falls into deep shadow, and the cape throws a huge blurred shadow sideways across the dark ground behind her, cut through by her own thin shadow where the light passes between her parted legs. Palette is strictly royal purple, magenta, orange and gold against a near-black void; skin is the one continuous warm note, and the eye-glow is the brightest point in the frame. Korean anime portrait rendering: graphic linework with bold silhouettes, muted yet punchy colour, textured shading and expressive anatomy, clean cel-edged shadows grading into painted feather detail, the figure large and dominant in the vertical frame with generous empty darkness around her. Regal, dangerous, effortlessly grand.
Yuri
AI artwork
Avatar image of Yuri
1girl, solo, tall, slender, long hair, very long hair, voluminous hair, feathered hair texture, layered hair, two-tone hair, royal purple hair, magenta highlights, glowing golden-orange bangs, horn-like hair points, hair updo at crown, sharp eyes, glowing golden-orange eyes, dark eyeliner, facial markings around eyes, warm-toned skin, body art, swirling black and gold patterns on arms, swirl patterns on neck, swirl patterns on legs, bare arms, regal posture, feather gown, avant-garde dress, layered silk, iridescent feathers, fitted bodice, orange and magenta bodice, massive purple feather cape, trailing plumage, gold embroidery trim, starry patterns, decorative purple feathers, from below, full body, wide shot, dutch angle, outstretched arm, cape lifting in the wind, looking down, parted lips, dramatic lighting, three-quarter view. The camera sits low and close to the floor of an empty, seamless darkness, tipping into a slight dutch angle, so the figure towers above the lens in a three-quarter turn from below: her chin lifted, her gaze cast down the length of her own raised arm and past the camera rather than into it, one eyelid a fraction lower than the other and one lip corner drawn back just enough to show a single tooth — predatory, amused, and entirely unimpressed. She stands in an asymmetric contrapposto, weight sunk into her left hip with the left leg straight and bearing her, the right knee bent and the right foot set forward on the ball of the toe, so the gown's layered silk hem fans out over the unseen floor and the fitted orange-and-magenta bodice pulls taut across the ribcage on the lifted side. Her right arm is flung up and out to the side at shoulder height, wrist loose, fingers half-curled and open, the black-and-gold swirls on the forearm coiling around the tendon as it tenses; her left hand rests flat against her sternum just under the collarbone, fingertips spread over the feathered trim, gathering the cape's leading edge there. From this angle the body art is fully legible: gold-veined black spirals climb the throat and vanish into the shadow beneath her jaw, band the outside of the raised arm from elbow to wrist, and show through the gown's high slit along the right thigh. The cape is the image's engine. Slung from both shoulders, its deep purple feathers sweep down and out behind her, and a lateral draught from the left catches the outermost plumes so the whole mass bellies sideways away from her body and breaks into individual visible purple feathers at its ragged outer edge — the nearest ones sharp and large in the foreground wing of the frame, the farthest reduced to a soft silhouette. Gravity and wind disagree along the train: the lower plumes hang and drag, the upper ones lift and stream, and it is the lift that reveals how far behind her the mantle actually extends. Her hair answers the same draught — the voluminous feather-layered mass of royal purple and magenta streams to the right, each layer separating into a distinct blade of colour, while the glowing golden-orange bangs stay plastered forward against her temples and cheekbones, their tapered points rising above the crown like a pair of small horns. Gold embroidery catches light along every garment edge — bodice seam, cape collar, the wrist of the raised arm — and the tiny celestial star patterns scattered across the silk wink out one after another as the fabric twists. A single hard key light stands low and to the left, out of frame, raking upward: it flares along the left contour of her throat, cheekbone and raised forearm, sets the golden-orange iris and the embroidery alight, and pools warm on the iridescent feather barbs so each turns from orange to magenta to violet as the viewing angle shifts across them. Everything on her right side falls into deep shadow, and the cape throws a huge blurred shadow sideways across the dark ground behind her, cut through by her own thin shadow where the light passes between her parted legs. Palette is strictly royal purple, magenta, orange and gold against a near-black void; skin is the one continuous warm note, and the eye-glow is the brightest point in the frame. Korean anime portrait rendering: graphic linework with bold silhouettes, muted yet punchy colour, textured shading and expressive anatomy, clean cel-edged shadows grading into painted feather detail, the figure large and dominant in the vertical frame with generous empty darkness around her. Regal, dangerous, effortlessly grand.
Yuri
AI artwork
Avatar image of Yuri
1girl, solo, tall, slender, long hair, very long hair, voluminous hair, feathered hair texture, layered hair, two-tone hair, royal purple hair, magenta highlights, glowing golden-orange bangs, horn-like hair points, hair updo at crown, sharp eyes, glowing golden-orange eyes, dark eyeliner, facial markings around eyes, warm-toned skin, body art, swirling black and gold patterns on arms, swirl patterns on neck, swirl patterns on legs, bare arms, regal posture, feather gown, avant-garde dress, layered silk, iridescent feathers, fitted bodice, orange and magenta bodice, massive purple feather cape, trailing plumage, gold embroidery trim, starry patterns, decorative purple feathers, from below, full body, wide shot, dutch angle, outstretched arm, cape lifting in the wind, looking down, parted lips, dramatic lighting, three-quarter view. The camera sits low and close to the floor of an empty, seamless darkness, tipping into a slight dutch angle, so the figure towers above the lens in a three-quarter turn from below: her chin lifted, her gaze cast down the length of her own raised arm and past the camera rather than into it, one eyelid a fraction lower than the other and one lip corner drawn back just enough to show a single tooth — predatory, amused, and entirely unimpressed. She stands in an asymmetric contrapposto, weight sunk into her left hip with the left leg straight and bearing her, the right knee bent and the right foot set forward on the ball of the toe, so the gown's layered silk hem fans out over the unseen floor and the fitted orange-and-magenta bodice pulls taut across the ribcage on the lifted side. Her right arm is flung up and out to the side at shoulder height, wrist loose, fingers half-curled and open, the black-and-gold swirls on the forearm coiling around the tendon as it tenses; her left hand rests flat against her sternum just under the collarbone, fingertips spread over the feathered trim, gathering the cape's leading edge there. From this angle the body art is fully legible: gold-veined black spirals climb the throat and vanish into the shadow beneath her jaw, band the outside of the raised arm from elbow to wrist, and show through the gown's high slit along the right thigh. The cape is the image's engine. Slung from both shoulders, its deep purple feathers sweep down and out behind her, and a lateral draught from the left catches the outermost plumes so the whole mass bellies sideways away from her body and breaks into individual visible purple feathers at its ragged outer edge — the nearest ones sharp and large in the foreground wing of the frame, the farthest reduced to a soft silhouette. Gravity and wind disagree along the train: the lower plumes hang and drag, the upper ones lift and stream, and it is the lift that reveals how far behind her the mantle actually extends. Her hair answers the same draught — the voluminous feather-layered mass of royal purple and magenta streams to the right, each layer separating into a distinct blade of colour, while the glowing golden-orange bangs stay plastered forward against her temples and cheekbones, their tapered points rising above the crown like a pair of small horns. Gold embroidery catches light along every garment edge — bodice seam, cape collar, the wrist of the raised arm — and the tiny celestial star patterns scattered across the silk wink out one after another as the fabric twists. A single hard key light stands low and to the left, out of frame, raking upward: it flares along the left contour of her throat, cheekbone and raised forearm, sets the golden-orange iris and the embroidery alight, and pools warm on the iridescent feather barbs so each turns from orange to magenta to violet as the viewing angle shifts across them. Everything on her right side falls into deep shadow, and the cape throws a huge blurred shadow sideways across the dark ground behind her, cut through by her own thin shadow where the light passes between her parted legs. Palette is strictly royal purple, magenta, orange and gold against a near-black void; skin is the one continuous warm note, and the eye-glow is the brightest point in the frame. Korean anime portrait rendering: graphic linework with bold silhouettes, muted yet punchy colour, textured shading and expressive anatomy, clean cel-edged shadows grading into painted feather detail, the figure large and dominant in the vertical frame with generous empty darkness around her. Regal, dangerous, effortlessly grand.
Yuri
AI artwork
b1
anime_style, artistic, front, front view, detailed clothes, detailed body, very detailed, detailed hair, masterpiece, bw, new, artistic, high contrastic, no background, aesthetic, black background, painterly, sketch, paint_sketch, solo female, adult, fair skin, divine, goddess, god, beauty, pulled back hair, hair pulled back, long hair, long sleek hair, hair bang slim, no hair bangs, black sclera, red hair, red hair, white streaks, red eyes, black marks face, fish antennas, fish antennas, sharp eyelashes, great eyelashes, black mandible, black chin, black body, black cape, black feathers, black feathers body, black wings, seraphim wings, six wings, black body, red petals, petals around neck, huge flower red aroud neck, red flowers in body, druyd, black arms, black hands, divine woman, very tall woman, pointy eras, elf ears, serious face, detailed, front, front view, imposing, very sleek hair, back hair, fart chest, neckline, red crystal in chest, black jaw, sketch, red thorns, red thorns around arms, red spike thorns marks in arms, red thorns marks in hands, black chin, black gross vertical line under mouth, tribal, demoniac goddess, imoposing
bilupix10

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AI artwork
Avatar image of Kani x
character: tenma_tsukasa "", , , digital illustration, cel shading, iridescent palette, pastel aesthetic, pastel colors, soft gradients, subtle color shifts, "painterly semi-realistic anime: faceted torn-glass shading, loose linework, warm golden rim light, lens-flare/prism edges, jewel or earthy palette, large gradient eyes, ornate vintage costuming, dynamic off-balance poses.", pastel_candy_style, dreamy pastel anime illustration, delicate soft lineart, luminous glossy eyes, gentle glowing lighting, glossy hair highlights, intricate frills and decorative details, tenma tsukasa, sitting on a pile of stars with a high angle, one hand over his eye, light reflecting off his face. darkness below but harsh light up ahead, hair swept back, looking up, side high angle, star theme, Tenma tsukasa looking up, dark themes""
Kani x
#프로젝트 세카이 컬러풀 스테이지!#텐마 츠카사
AI artwork
Avatar image of リオ
character: kagamine_rin, copyright: vocaloid lumiglaze_pastel_opal_painting, beautiful colors, magical lighting, hnyst01 anime illustration style, masterpiece, best quality, ultra-detailed, delicate illustration, detailed illustration, anime illustration, Kagamine Rin, VOCALOID, solo, side profile portrait, close-up composition, eyes gently closed, peaceful expression, listening to music, short golden blonde hair, distinctive white hair bow, delicate facial features, black and white sailor collar, futuristic headphones, a large compact disc perfectly aligned with the headphone earcup, the CD itself visually functioning as the headphone earcup, circular CD rings surrounding her ear, iridescent reflective disc surface, concentric circles framing her face, face occupying most of the composition, head slightly tilted downward, hair softly framing her cheeks, vibrant yellow, golden orange, violet and hot pink color palette, Y2K music album cover design, retro futuristic CD packaging aesthetic, intricate geometric frames, transparent interface panels, thin circuit-like lines, orbiting circular graphics, decorative typography, abstract music symbols, tiny stars and sparkling highlights, layered graphic elements overlapping the portrait, asymmetrical layout, crisp geometric details, dense decorative composition, square format
リオ
12#카가미네 린#보컬로이드#로파이(Lofi) 드림
AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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